Small time con artist Lefty Merrill has co-organized a crooked dance marathon and set up his girlfriend to win the prize money. When his partner disappears with money before the contest is o... Read allSmall time con artist Lefty Merrill has co-organized a crooked dance marathon and set up his girlfriend to win the prize money. When his partner disappears with money before the contest is over, he's forced to come up with a series of cons to help pay it back.Small time con artist Lefty Merrill has co-organized a crooked dance marathon and set up his girlfriend to win the prize money. When his partner disappears with money before the contest is over, he's forced to come up with a series of cons to help pay it back.
- Director
- Writers
- Stars
- Awards
- 2 wins total
- Boy on Pier
- (uncredited)
- Sound Man
- (uncredited)
- Col. H.D.X. Wells
- (uncredited)
- Federal Man #2
- (uncredited)
- Federal Man #1
- (uncredited)
- Dance Judge
- (uncredited)
- Ralph Blackman - Band Leader
- (uncredited)
- Dance Contestant
- (uncredited)
- Ed - Photographer
- (uncredited)
- District Attorney
- (uncredited)
- Mrs. Hawks
- (uncredited)
- Hotel Bellboy
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
It's like he's been put in a bottle, shaken then released like never ending champagne exploding into your face. Every word he says is like a firework and Mervyn LeRoy's dynamic direction fills every single second with energy and sheer happy, warm fun. You know that this is neither a classic nor clever picture but It's inexplicably entertaining and thoroughly engaging.
Mary Brian is the billed as the lead female she's a bit of a non-entity, the real co-star is Ruth Donnelly as his prospective mercenary mother-in-law. She gives Cagney a run for his money, firing back wisecracks as fast as John McEnroe. Rarely has she been allowed to shine as much as she does in this. She is genuinely funny and she and Cagney make a brilliant comedy double act.
Comedy can age really badly - even comedies from just a decade ago can seem cringingly creaky. Tastes in the early thirties were clearly different to today's but because this is neither too 'left-field' or overly subtle it is still funny. It's so professionally acted, expertly directed, deftly written and above all, so crazily fast that you don't notice that it's actually just a silly light comedy. When you're watching this you're as happy as a dog that's discovered it's been locked in a butcher's shop. Guaranteed enjoyment!
Here the Blondell role is split in two and Cagney deals with a mother/ daughter duo of Ruth Donnelly and Mary Brian. Like Blondell, Donnelly gives as good as she gets from Cagney.
Donnelly and Cagney were roughly the same age and Brian was about six years younger than Cagney. Ridiculous now when you think about Donnelly and Brian being mother and daughter. No film maker could get away with that casting now.
There's no real story to this film, Cagney moves from one con to another, skirting ever so close to illegality. Donnelly and Brian are alternately for and against him and not at the same time either at certain points.
It's a film that relies solely on the charm of Jimmy Cagney which is considerable. And it's the stuff Cagney was disputing with Jack Warner over.
His last con involved the marketing of grapefruit, from the man who made grapefruit tossing a national past time at breakfast/
If you're looking for Cagney as a toughguy gangster this isn't it, although the film takes some timely, self-aware potshots at Cagney's image including grapefruit jokes. Here his schemes are mostly harmless like rigging a dance contest, and he's as likely to be scammed as he is to make a big score. I can see how his fans might be disappointed, but Cagney was also a song-and-dance man and a self-depricating comedian. Gold digger comedies, like crime-genre and noir, are filled with amoral characters and backstabbing frenemies but played for laughs. It's easy to forgive shady motives when the leads are wholesome Dick Powell and sunny Priscilla Lane. James Cagney on the otherhand has electricity and an edge that plays for darker characters. Here he's forced to rely on charm and guile - you may be waiting for him to bust up the joint and rub out his enemies, but gold digger heroes are lovers not fighters. This isn't his best fit, but "date movie" Cagney is the nicer guy who doesn't smash citrus in women's faces.
Ruth Donnelly anchors the meandering plot as the most gold digger-y character in a gold digger comedy. What kills the film is the casting of elegant Mary Brian who mostly stands around looking pretty. Her "inverse barometer" reactions to Cagney's ups and downs would have played better with a more sexual screen presence. She represents the female sexual urge, while mother Donnelly represents the brain, conflicted over bad-boy Cagney's tumultuous circumstances. They dress alike because they metaphorically are one woman, but also because it's funny hanging a lampshade on their mother-daughter bear trap. The clever subtext is that Cagney can't win the girl until he figures out how to appeal to both women's sensibilities at the same time.
"Hard to Handle" sums up Cagney to a tee! His seemingly unlimited energy helps him throughout the various complicated situations in which he finds himself. He's a lovable small time con artist who tries his luck with different "get rich quick" schemes. As in other films, he survives on his wits and determination.
The story is fairly loose but that isn't a problem. The humourous antics come thick and fast, leaving one overwhelmed by it all. Apart from James Cagney, it is Ruth Donnell who really shines as the wise-cracking mother of the decidedly dull leading lady.
See this film and have a ball.
Did you know
- TriviaMary Brian replaced Carole Lombard, who refused the role.
- GoofsAt the end of the dance marathon Lefty says that the prize money (10 $100 bills) is fresh from the US Mint. The US Mint produces coins. Paper money is produced by the Bureau of Printing and Engraving.
- Quotes
Lefty Merrill: The world is like a cow, bellowing to be milked and if you're smart, you'll get yourself a bucket.
- ConnectionsReferences The Public Enemy (1931)
- SoundtracksM-O-T-H-E-R, a Word That Means the World To Me
(1915) (uncredited)
Music by Theodore Morse
Played at the dance marathon
Details
Box office
- Budget
- $189,000 (estimated)
- Runtime
- 1h 18m(78 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1