Female

Ruth Chatterton (as Alison Drake) is the successful president of "Drake Motors"; she runs a tight ship, and has a yen for good-looking men. In fact, she enjoys treating men the way they have always treated women; and, attractive new hires are invited to Ms. Chatterton's mansion for an evening of vodka and sex. When invitees get out of line, or expect more than a "one night stand", Chatterton has them transferred. The boss woman goes unsatisfied when evening "pick up" George Brent (as Jim Thorne) turns her down. When she discovers Mr. Brent is a new hire at her company, Chatterton again tries, and fails, to seduce him. Has Chatterton finally met her match?

"Female" looks most like a William A. Wellman film, but boasts three directors; and, here's how (more or less): The film's director was William Dieterle; then, he became ill. So, the film was directed (mostly) by Mr. Wellman. However, Jack Warner was unhappy with George Blackwood's performance (as Cooper). The studio ordered the scenes with Mr. Blackwood re-shot. Then, Michael Curtiz directed (only) the scenes with Blackwood's replacement, Johnny Mack Brown (as Cooper). Still, the completed film was to credit Wellman (rightly). But, Wellman and Warner Brothers terminated their relationship (unhappily). So, the studio credited Mr. Curtiz.

With whomever directing, Chatterton is terrific; sadly, her efforts are ruined by an ending which is almost repulsive - what this film does to Chatterton's character is criminal. Still, "Female" is well worth watching, mainly for Chatterton's great style, and performance. Brent (her off-screen husband, at the time) is at his very best, too. And, the supporting cast is great fun. For example, Ferdinand Gottschalk (as Pettigrew) amuses in the workplace; and, don't miss Rafaela Ottiano (as Della) getting a swat in the derrière! Note Ms. Ottiano was Greta Garbo's maid in "Grand Hotel" (1932); incidentally, Garbo used the alias "Harriet Brown" (Lois Wilson's character), and the soon divorced leading man George Brent, from this film. Small world.

****** Female (11/3/33) Michael Curtiz ~ Ruth Chatterton, George Brent, Johnny Mack Brown, Lois Wilson

I think that this was one of the most incredible and yet most under-rated films for it's time. For even though they ended with the woman succumbing to the whim of man and the traditional "woman's role", it still spoke miles for the woman. She was strong, brave, and did everything that a man could do and wasn't ashamed and had they only kept her going she could have been great. In fact, she could have won. But did she really lose? I don't think so, because maybe it showed something more about the female mystique, something that people missed because they thought that it only showed how a woman in power breaks down under pressure. What if they were really trying to show something deeper...I don't know now I am getting lost...too many things going through my mind to explain. Nonetheless, I do know that I was in awe after watching this film and it has had a lasting impression on me ever since.

This comedy should be a pre-code document, just as the code was about to be imposed. The sexual conduct of Ruth Chatterton's character is mind blowing in this 1933 flick. Reminded me of Demi Moore in "Disclosure" with a major difference, Ruth Chatterton devours her minions not because she is some kind of monster but as simple mater of fact. h inherited a man's role and she loves it. The last few minutes of "Female" are a forced betrayal of the intention and the morality tale becomes an ominous warning sign for all entrepreneurial females. So blunt! Inspite of the ending this is a gem that should be seen. I guarantee you it will leave you open mouthed. Ruth Chatterton is not just amazingly modern in her upper class Mae Westish part but her performance is truly superb

This is a very strange film. On one hand, it's very much a so-called "Pre-Code" film because it was made before the new and tougher Production Code. As such, the film is rather frank about sex and seems amoral through the first half. Ruth Chatterton's very liberated character is all business by day, but by night she wants her male employees to service her like stud bulls!! Then, if they fall in love with her, they are cast aside and transferred to another branch of the company. However, it's also like a Post-Code movie in the second half because it tries to completely undo the first half of the film--and even goes so far as to say that it's NOT a woman's place to be running any business! Chatterton, uncharacteristically, seems to agree with this by the time the movie ends!! It's like a case of amnesia or multiple personality!! This inconsistency really helped to undo the movie for me. Had they kept Chatterton cold and sexually charged throughout the film, it really would have made more sense and been more salacious--something that you really expect in the most extreme Pre-Code films. As is, parts are enjoyable and parts are really dull and conventional. An interesting but far from perfect film. How anyone can give this rather ordinary film a score of 10 is just bizarre.

Ruth Chatterton stars with husband George Brent, Philip Reed, and Johnny Mack Bfrown in this 1933 gem, Female.

This movie is a riot. Ruth Chatterton, looking very pretty, plays the a tough businesswoman who runs a tight ship. She tells a friend of hers she has no time for men, no interest in marriage, she's all business.

Whenever there's an attractive man in the office who approaches her about some business thing, she says she can't discuss it right at that moment. Come to her house for dinner that night so they can discuss it.

When they get there, she's feminine and flirty, and eventually the night leads to its inevitable precode conclusion, so we assume. The next day she rebuffs them and it's back to work. One guy gets sent to Hawaii instead of her apartment.

When she meets George Brent, the tables turned, and suddenly she can't live without a man.

Women in the '30s, in films, were sexually liberated and very feminine. In the '40s, they were tailored businesswomen who were miserable without a man. Boy, Ruth got the best of both worlds.

The deco sets were huge and stunning.

Very enjoyable. I love Ruth Chatterton anyway.