Island of Lost Souls

Universal dominated the horror market of the 1930s, but every once in a while the other studios would produce a classic of their own. `Island of Lost Souls,' produced by Paramount, is one such film. It's tight, fast, and haunting.

The most striking thing about `Island' is its claustrophobic, nightmarish atmosphere. Some people criticize the hero, Edward Parker (Richard Arlen), as bland and colorless, but I think this works in the film's favor. Since he has no personality of his own, he can be more of an Everyman; he also has no strength to draw upon and is therefore powerless against the horrors around him. He sees the perverse monstrosities Moreau has created on his island, finds himself attracted to and then repulsed by the cat-woman Lota, and then struggles to free himself from Moreau's manipulative control. It's like those nightmares where you try to run away from something terrible but your feet won't move.

Charles Laughton steals the show as Dr. Moreau; his disarming, cherubic exterior somehow enhances his aura of menace. He may not look as blatantly evil as Bela Lugosi, but after a few minutes you just know there's something terribly wrong with this man. The irony is, the creatures Moreau creates are far more humane than he is. The creatures themselves live in a tight society, bound by the laws Moreau has given them; instead of dwelling on their physical awfulness, the film imparts them with a curious dignity and innocence. When the inevitable rebellion comes, I found myself cheering the creatures on, much like I felt my heart go out to the Frankenstein Monster or King Kong.

`Island' is one of those movies you need to watch on a humid summer night, when your clothes cling to your skin and every breath feels like it's coming through a wet towel. Feel the suspense and the terror seep into you, and then try to tell me the old horror movies weren't infinitely better than what passes for horror nowadays.

The basic plot:Edward Parker is picked up by a ship, and then thrown off by a drunk captain along with the ships cargo,the cargo being a ship of animals. The cargo arrives at an uncharted island with strange natives . He makes the acquaintance of Dr. Moreau , who turns animals into the natives which we see .....

The praise: Actually very creepy ,intelligent and entertaining .Charles Laughton gives an excellent, silky performance as Dr. Moreau, the perfect villain . All of it is perfect entertainment, and all of the scenes in the woods are still frightening, including the superb " What is the law?" sequence. Bela also turns in a fine performance as the keeper of the law. Creepy, simple makeup. All finely staged, structured , with a terrific script . The intelligent subtext about the line between man and beast and disturbing order is still interesting.Top-notch lighting, design, atmosphere and art direction. a must-see, and an all time great.

The flaws: Comic relief and the romantic couple date it somewhat.

Note: It's ironic that Paramounts 4 Horror movies( this, Dr. J and Mr. H, Murders in Zoo, and Murder by the clock) are darker than universals horror movies of that period, for Paramount wa known as a light entertainment company.

This chilling adaptation of the H.G.Well's novella, "The Island of Dr Moreau" remains unsurpassed, despite two later wretched attempts to improve upon it. Banned in England upon release! An exotic, but sinister atmosphere pervading Moreau's privately-owned island is enhanced by filming in Black & White, whose shadowy contrasts imbue the setting which a dark, suspenseful tone. Moreau amorally attempts to "play God" by creating "manimals" - hybrid humans and animals - via surgical vivasection and blood transfusion in his laboratory, The House of Pain. Charles Laughton has never been more campily devilish as when playing Moreau - an exquisite performance by a great actor.

Bela Lugosi plays a small, but effective part as "The Sayer of the Law": "Are we not men?" Kathleen Burke as the beautiful, erotic "Panther Woman" who develops an ill-fated romance with the protagonist, Edward Parker (played by Richard Arlen). Crisp direction by Erle Kenton, with nice make-up effects by Wally Westmore. The cutaway from the grisly ending when Moreau is about to be subjected to "surgery of the most fatal kind" in The House of Pain is most appreciated and is what I consider to be an exercise in directorial restraint and finesse. My imagination more than filled in the horrific details. Kudos to Mr. Kenton!

I first saw this film in 1933 when I was 7 years old. My 20 year old aunt, who was also my nanny, used to drag me to these things (also took me to equally horrifying Trader Horn and King Kong) instead of taking me to the playground. Even after 67 years, I remembered the scene when someone was lashing the rebellious half-animals.

I checked it out from my video store last year for a re-run. Absolutely magnificent Laughton. Still scary.

This is the first screen adaptation of the H. G. Wells' novel The Island of Dr. Moreau, and also the best. It is a bit shocking and one can easily see why the British censors, who were notoriously squeamish where horror films were concerned, did not let it appear in Britain for almost 30 years after its release. The story is about a man brought to an island where a strange doctor and his medical "failures" live. Charles Laughton plays the god-like doctor who creates and distorts life in his "House of Pain." Laughton is a marvel to behold with his goatee and his ever-expressive eyes, supplying enough ham to feed an army! He steals every scene he is in with his menacing demeanor and his subtle yet evocative speech. The rest of the cast is pretty good, and Bela Lugosi even makes an appearance as the "Sayer of the Law." The film has some good sets and deals with the issue of man wanting god-like powers rather well. This is easily one of the best non-Universal horror offerings of the 1930's. But again the real thrill of the movie is seeing Charles Laughton decked out in white cracking a whip and leering throughout the picture. His demise also supplies one of the horror screen's most terrifying moments filmed off-stage! Definitely one not to miss!