Lady Killer

For anyone who enjoys James Cagney, this is a must-see. Yes, it's early in his career, but it's vintage Cagney: cocky, quick-tempered but humorous and likable as always. I am excited to see it finally coming out on DVD in March of 2008.

Instead of being a gangster throughout the story, he starts off that way in New York, runs off to Los Angeles and then goes straight after being hired as a Hollywood extra in a movie. He becomes a star but then his old gang catches up with him and he has to deal with them.

Along the way, three of the supporting actors combine with Cagney to make this a very fast- moving 74-minute film. They are Mae Clark, as the female villain "Myra Gale," Margaret Lindsay at the good woman "Lois Underwood," and Douglass Dumbrille as "Spade," the former leader of the New York gang. All are very convincing in their roles under the able work of director Roy Del Ruth.

You can tell this was a pre-code film just looking at Lindsay's ample cleavage, something that would have been covered up a bit more if the film had been made the following year. Other than that, and a few minor innuendos, the film is pretty clean, morally speaking.

One thing you certainly wouldn't see in today's films was the scene showing Cagney grabbing Clark by the hair and dragging her across the room, then booting her out in the hallway! (This is the same actress who received the famous grapefruit-in-the-face from Cagney in "Public Enemy.")

Anyway, yes the film is dated in much of the dialog and attitudes but it's so entertaining, so much fun to watch that it would still appeal to a good-sized audience today, too.

If you like James Cagney, and I sure do, you'll love this comedy melodrama from the pre-code years at Warner Brothers. Cagney portrays a cheap hoodlum who falls in with a gang of petty con artists, gets wrapped on the knucklesl by the long arm of the law, and winds up becoming a movie matinee idol. It's fun all the way, with enough wise-cracking dialogue, rapid action, car chases, gunfire, and double-dealing to satisfy any fan of the early gangster films, yet it's a lively, tongue-in-cheek comedy from start to finish. Enjoy!

Lady Killer (1933)

I love these multi-part stories, where one set of scenes shifts to a whole new set, and then they eventually intertwine. And I also love movies that show the inside of Hollywood, with actual recreations of movie sets and movie shoots.

Lady Killer has both, and James Cagney, too. It's fast, furious, funny, and shot with a bright, glinting intelligence. Not quite a gangster film, it does have crime and some crooked thugs. And not quite a comedy, it pulls out quite a few laughs, mostly because Cagney is a card. There are two fabulous first ladies (and they naturally must view for our man), Mae Clark and Margaret Lindsay, and a slew of second men who hold up their characters with caricature.

In all, there is no Warner message here, except maybe the virtue can sometimes prevail. It's just a lot of great scenes, witty dialog, and a play of good guys against bad guys. Look for some stunning rain scenes in California (yeah, I know), and for a huge range of interior and exterior set ups, fairly elaborate for Warner Bros. budgets.

For Cagney fans, it's a riot to see him take on, briefly, a series of roles as Indian chief, Italian lover, and prisoner on work detail. The latter, of course, is close to the real roles that made him famous, and his role here is actually a little lighter than that, a bad guy who is all wisecracks and cheerfulness. Look for some insider jokes, like the poster (and mention) of the Edward G. Robinson film, and the movie ushers wearing hats all with the Warner Brothers logo on it.

Great stuff. I loved it even as I knew it wasn't quite a masterpiece. Oh, and the new (2010) Warner DVD is sparkling, a first rate print!

Jimmy Cagney plays a gangster in this film. However, despite having seen him play such a role in countless other films, this one is unique and well worth seeing because it STILL dares to be different.

Cagney is a wanted man back East, so he gets the idea of going to the West Coast to hang out and wait for things to die down. However, once there he is discovered by Hollywood and stars in gangster films because he is "so natural and believable". Well, despite his very shady past, Cagney tries to go straight and likes the life of a star. However, old associates realize who he is and try to blackmail him.

The film is a light comedy that invigorates the standard gangster genre. For its uniqueness and excellent acting and writing, the film gets an 8.

If you want to know how James Cagney become such a huge star, just watch this - not quite this story about a con man who becomes a Hollywood star but how he outshines the rest of the cast. Even though they are all passable actors, Cagney is somehow in a different league. The downside was that by outshining his co-stars, their contributions make the whole film seem a little amateurish. The upside was that to keep up with him eventually everyone had to get up to his standard but this hadn't quite happened by 1933.

This film is super-fast, super-snappy and both reasonably funny and gripping at the same time. Overseen by Warner's production head Daryl Zanuck, it was written specifically for Cagney to highlight his own particular talents and loveable rogue personality.

Warner Brothers knew exactly what they were doing - making a star and making a lot of money but didn't account for Cagney's demands for staggeringly enormous wages. They did their sums and reluctantly always gave in - just watching him in this you can see why.