Meet the Baron

For years, Hollywood has been turning TV stars and their shows into movies -- a trend that began back in the days of radio. A good illustration is "Meet the Baron" starring Jack Pearl in his popular persona as an habitual liar with a mittel European accent and an endless supply of puns. Providing him with comic support are a young Jimmy Durante as his manager, a man who never met a malaprop he couldn't mangle, and Zasu Pitts as his daffy love interest. When things slow down, a chorus line of MGM starlets, masquerading as college co-eds, perform a mildly risqué musical number in the shower. And for those who wonder how Moe, Curly and Larry started out, they appear (playing hapless janitors) as Ted Healy and his 3 Stooges. Sure, it's a curiosity piece and a not a very good movie. But oddly enough, it's a lot of fun.

This film is uneven: the first half is very promising, and it looks like "Meet The Baron" could develop into a classic of the absurdist-nonsense school of comedy, in the same vein as "Duck Soup" and "Horse Feathers". But the second half has too much violent, unsophisticated slapstick, and too many lame word puns ("take it with a grain of salt" - "you mean you can eat it?"). The two best sequences are the two musical numbers: the satirical "The Best is None Too Good", and especially the very pre-code "Clean as a Whistle", which must have been considered extremely hot by moviegoers back in 1933, and remains quite provocative and teasing today. Great closing gag, too! **1/2 out of 4.

This movie was written by Herman Mankiewicz. We may ask, "Is this as good as his "Citizen Kane?" This movie was produced by David O. Selznik. We may ask, "Is this as good as "Gone with the Wind?" This movie has song lyrics by Dorothy Fields. We may ask, "Is this as good as "Swing Time," "Roberta" and "Sweet Charity?"

Unfortunately, I would have to say, "No" all five times.

While this is a zany hour or so of music and vaudeville style comedy, it is too slight to be considered more than an amusing, quirky farce.

There's a lot of talent both behind and in front of the camera and everybody seems to be having fun, but nothing matches, meshes, or stands out (with the exception of two minutes of naughty precode fun watching some singing beauties taking showers.

Seeing Edna Mae Oliver and Zasu Pitts is always a joy. I didn't find either Jack Pearl or Jimmy Durante more than occasionally amusing.

Some reviewers have attacked Ted Healy for his bad treatment of the Three Stooges. This is the third or fourth film I've seen him in with the Stooges and I think he does interact very well with them. He is just playing a character and his mean treatment is just part of the act, not anything real. Essentially Moe just takes over Healy's harsh boss role after they split. We should give Healy the credit he deserves for creating the successful slapstick formula. If you watch Healy in "Varsity Show," you'll see a totally different side of him. He is both funny and charming in that movie. Sadly, he was killed a few months afterward. I think if he hadn't died, he would have continued to be successful without the Stooges. Perhaps he could have answered some of the charges that the Stooges later brought against him.

This is not a great film, but it has great interest for cinemaphiles. One reason is its pre-code action, particularly the "Clean as a Whistle" shower scene. Secondly, the film has a diverse cast of MGM talents on display.

The film's story is silly. After years of searching, they find Baron Munchausen in the jungles of Africa. When they bring him back to civilization, they first take him to Cuddles College (of course), where a bevy of (MGM dancing) girls reside.

Noteworthy cast members include Jimmy Durante, Zasu Pitts, and the Three Stooges.

When the Baron visits Cuddles College, the locals and coeds deliver a rhyming sing-song poem in the style of "The Wizard of Oz" Munchkins six years later. I looked for a connection; Herman J. Mankiewicz was a writer for both films.

Munchausen, played by Jack Pearl, is featured in another film in 1934, so audiences must have responded to this lightweight but light-hearted fare.

I confess I found it hilarious. Stooges were a bit stiff, probably because of Ted Healy's (a truly unfunny person) relationship with the Stooges off camera. How can you not love Jimmy Durante? A true ham, hamming it up every second on screen. Zasu Pitts, Edna Mae Oliver, and newborns performing on a twirling fan as the final shot - I can't help but like it. Hey, it's screwball not exploding cars and obscenities mouthed every few seconds while someone passes gas (and that's just a current PG-13.) I'd rather watch a poor movie from this period than any of the trash being spewed out today. The print is of wonderful quality and hopefully more MGM classics of this calibre will surface. If nothing else, perhaps the gorgeous MGM girls routines will bring a new audience to this DVD.