Popeye the Sailor

The Popeye character we know and love is already intact in this, his first animated appearance on film. So is Olive Oyl and Bluto. Betty Boop is also in this, in fact, she was put on in order to attract filmgoers already familiar with her but not with Elzie Segar's popular newspaper strip. It's already known that William Costello was the first voice of Popeye but very few know that a woman named Bonnie Poe was the first voice of Olive, in fact when I first saw this cartoon I already noticed how different she sounded from Ms. Oyl's usual voice! Since she was also Betty Boop, Mae Questal probably didn't want to do two voices in the same cartoon or maybe the public would be confused since they both sound the same anyway! Before Jackson Beck, William Pennell did Bluto, though I really can't tell the difference here. Fleischer-type gags abound throughout and, yes, we have the now-famous Popeye theme song and spinach finale introduced here. Well worth seeing for Popeye and animation fans.

Wow, it's interesting to see how different this first Popeye cartoon was from all the others we are used to seeing. Right off the in the introduction, other - not Popeye - is singing a "Strike Up the Band" song. Actually, we find out it's a "Betty Boop" as Betty joins in the singing, with a similar lyric about it "being a cinch that every inch he's a sailor."

Popeye came from the comic strips, so the first thing we see when the story begins in a newspaper headline reading, "Popeye A Movie Star," meaning the audience will now see him at the movie theater. (There was no television back then.)

Anyway, just watching the first few minutes of this cartoon produced a big smile on my face. It's tough to beat these clever, funny 1930s Popeye cartoons. The combination of sight gags and music - they loved music in cartoons and movies back in the '30s - is guaranteed to make you feel good after watching.

Popeye demonstrates his strength, dexterity and resourcefulness in his screen debut and it's quickly established Bluto is the enemy and wants Olive. That storyline went on for decades but was always fun to see as the sailor man bested the bearded bully time after time.

Betty only has a small number in here, so even if the cartoon is under name, it's really Popeye's. Betty does a quick Hawaiian dance which she did in several other cartoons before they made her put more clothes on by the end of 1934.

The only thing different was Bonnie Poe doing some voice work as Olive. Her voice was a lot lower than Mae Questel's who did Olive for most, if not all, of the other cartoons. Mae also did Betty Boop, and my guess is they didn't want the same voice for both characters in the same cartoon.

Also, Popeye's answer to everything was a punch, destroying whatever he hit....even a train! He's always ready to show his stuff, but a little more so than normal in this debut cartoon. This guy was punching everybody and everything, and so was Olive! In later cartoons, Popeye entertained us more with his clever remarks and reinventing of words. However, you can see from this early cartoon that it's no surprise this comic strip character made it big "in the movies."

This is the first Popeye cartoon. He had appeared in newspaper comic strips. At the beginning we get to hear the entire version of his theme song as he disintegrates various items of property. While impressive, he is really pretty destructive. Of course, Bluto shows up and he has to deal with him. At no point does the big guy seem to have a chance. Of course, he can't leave Olive Oyl alone and Popeye saves her several times. Mostly, they show off at the carnival where Bluto does something well and Popeye does him one better. Betty Boop makes and appearance as a hula girl and Popeye gets on stage and copies her dancing. Eventually, Bluto ties Oliive to a railroad track (original!) and this forces the use of spinach, that performance enhancing drug. This is really a nice introduction to the Popeye oeuvre.

The first Popeye motion picture cartoon was presented as a Betty Boop movie for marketing purposes. It quickly establishes most of the tropes that would sustain the series for the next two dozen years: he sings his song, he and Bluto fight over Olive Oyl, Popeye defeats Bluto by eating spinach, and there's a surfeit of gags in the Fleischer style, both big and little, enough to make it easily watchable many times. True, the character design is unsophisticated, with the characters' designs ornamented on basic shapes, but it's a great start to what would quickly become the Fleischers' best-known franchise.

Betty Boop makes an appearance as a hula dancer, her bosom concealed solely by a lei. Ah, for those pre-code cartoons!

The first Popeye cartoon ever, although it was marketed as a Betty Boop cartoon. It was also the first in a series of cartoons where Betty Boop met various characters from newspaper comics (Such as The Little King) in animated form. Naturally, Popeye was the only one who the Fleischer Brothers got any mileage out of.

Very entertaining, like all the early Popeye's. Betty Boop makes only a small cameo, but it's hard to miss. Try to get the black and white version, since the colorized version, I dunno. It just seems to take away some of the excitement.

4/4