A domineering matriarch is less than happy when her son brings home his new bride. She immediately sets to work at sabotaging their marriage as well as the engagement of her younger and weak... Read allA domineering matriarch is less than happy when her son brings home his new bride. She immediately sets to work at sabotaging their marriage as well as the engagement of her younger and weaker son.A domineering matriarch is less than happy when her son brings home his new bride. She immediately sets to work at sabotaging their marriage as well as the engagement of her younger and weaker son.
- Awards
- 2 wins total
Helen Cromwell
- Delia
- (uncredited)
Paul Irving
- Taxicab Driver
- (uncredited)
Perry Ivins
- Phelps Family Doctor
- (uncredited)
Reinhold Pasch
- Laboratory Technician
- (uncredited)
Gustav von Seyffertitz
- German Doctor
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Irene Dunne has married Joel McCrea and is going to meet his mother, played by Laura Hope Crews. But what Irene doesn't know is that Laura had her own plans for her son – to live close by her side and visit often. Based on a stage play, this can come across as rather talky and stagy, but I find the subject matter fascinating and most absorbing as we see the mother trying subtly and sometimes not so subtly to manipulate her sons so that they may never leave her. Eric Linden is another son, who is engaged to Frances Dee, unless "poor, pitiful" mother has anything to do with it. I don't know much about the movies and career of Laura Hope Crews, who played "Aunt Pittypat" in "Gone with the Wind," but I would surmise that this is one of her best and meatiest roles. The film belongs to her, as she has tantrums and wraps her sons around her little finger. By the way, costars Joel and Frances would marry in real life. If you happen to discover "The Silver Cord," which I doubt, don't pass this up. You may be looking for the best films of the great Irene Dunne, but instead you will discover the under-appreciated Ms. Laura Hope Crews at the zenith of her career.
I really felt the movie was ahead of its time. The one potential daughter-in-law was such a strong, career oriented woman. She knew what she wanted and was diplomatic but firm with the over-bearing mother-in-law to be. The mother's role was played extremely well (you just loved to hate her). Her need to control her son's lives was neurotically evil. If you've ever been in a relationship where you've been judged and found lacking (and everybody involved knew it) this may hit too close to home. It's been years since I saw this movie and I remember thinking that this plot and dialog would work in a 50's or 60's movie. It is difficult to watch because of the mother and sons' dynamic but I would love to watch it again. I keep hoping to find it on one of the old movie channels but so far no luck. Attempts to buy it were also futile (I don't believe it's on tape or DVD).
Ugh....this movie gave me the creeps. Like another reviewer, I have only seen it once and have never seen it repeated on AMC,TCM or late night film fests. But, oh do I remember it. A very unpleasant but enthralling film about mother love gone bad. Laura Hope Crewes is the epitome of evil and it is hard to believe that she went on to be Aunt PittyPat in GWTW. She tears up the screen with her portrayal of the mother obsessed by her "love" for her sons. Eric Linden, a rather weak actor, is perfect as the one son.....Joel McCrae is ok as the other, but, since he is usually a man of action, you hope he will pull out a pistol and blow Crewes' brains out. When one remembers a film several years after seeing it but one time, it must be recommended. You will either be attracted or repelled by this little gem
I had heard this film highly recommended on the Classic Movies website, so, after checking out the IMDB notes as well, I was able to obtain it for viewing. The warped scenario deals with the fates of two women when their respective visits to meet the "in-law" (Laura Hope Crews in a tour de force surprising from the woman best known as Aunt Pittypat) turns into the horrifying recognition of the ultimate "out-law". There's little time to spare before we get a good idea of why there is no father figure in the picture. At times, the obsessive nature of Mom's voracious emotions toward her sons suggests an incestuous factor that only a precode film could feature. An absorbing, and sometimes frankly disturbing, film which is hard to obtain but worth a look.
THE SILVER CORD (RKO Radio, 1933), directed by John Cromwell, is a story about two sons (Joel McCrea and Eric Linden) whose widowed mother (Laura Hope Crews) tries to destroy their happiness with the women (Irene Dunne and Frances Dee) they love and marry. The movie adaptation, taken from the 1929 stage play, also directed by Cromwell, starred Laura Hope Crews. While Dunne and McCrea have feature billing in the screen version, it is Crews, reprising her stage role, who carries the story from start to finish. Inasmuch as it is a filmed staged play, very talky with little action, the story itself is never boring, especially when it relies on the shock value of Crews' excessive selfishness that gives the plot some entertaining bite.
THE SILVER CORD became the very first movie I got to see when American Movie Classics was added to the system by my local cable system. It fact, up to that time, it was rarely televised anywhere, with the exception of its dubbed Spanish TV broadcast in the early 1970s on WNJU, Channel 47, in Newark, New Jersey. For a while, American Movie Classics aired THE SILVER CORD from 1984 to 1994 until Turner Classic Movies finally got to air this now rarely seen gem May 3, 2020.
As for Crews (born November 13, 1879), the actual star of this product, resumed her movie career mostly in secondary character parts, up to the time of her death (December 12, 1942). She never had a finer opportunity of screen than she did in THE SILVER CORD, and never did again. With a small list of actors credited in the cast, seen in a brief role is Gustav Von Seyffertitz, the same nasty villain who terrorized Mary Pickford in the silent classic, SPARROWS (United Artists, 1926). Overall, highly recommended. (***1/2)
THE SILVER CORD became the very first movie I got to see when American Movie Classics was added to the system by my local cable system. It fact, up to that time, it was rarely televised anywhere, with the exception of its dubbed Spanish TV broadcast in the early 1970s on WNJU, Channel 47, in Newark, New Jersey. For a while, American Movie Classics aired THE SILVER CORD from 1984 to 1994 until Turner Classic Movies finally got to air this now rarely seen gem May 3, 2020.
As for Crews (born November 13, 1879), the actual star of this product, resumed her movie career mostly in secondary character parts, up to the time of her death (December 12, 1942). She never had a finer opportunity of screen than she did in THE SILVER CORD, and never did again. With a small list of actors credited in the cast, seen in a brief role is Gustav Von Seyffertitz, the same nasty villain who terrorized Mary Pickford in the silent classic, SPARROWS (United Artists, 1926). Overall, highly recommended. (***1/2)
Did you know
- TriviaFrances Dee met Joel McCrea on the set of this film. Following a whirlwind courtship, the two were married later that year (1933) in Rye, New York. He died on their 57th wedding anniversary.
- Quotes
Robert Phelps: What are you going to do? Now?
Hester: I don't know. Yes, I do too know. I'm going to marry an orphan!
- Crazy creditsIn the Cast of Characters in the end credits, Irene Dunn is the only one listed in all capital letters.
Details
- Runtime
- 1h 14m(74 min)
- Color
- Aspect ratio
- 1.37 : 1
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