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Tomorrow at Seven

  • 1933
  • Passed
  • 1h 2m
IMDb RATING
5.6/10
452
YOUR RATING
Chester Morris and Vivienne Osborne in Tomorrow at Seven (1933)
Buddy ComedyBumbling DetectivePsychological ThrillerSuspense MysteryWhodunnitComedyCrimeDramaHorrorMystery

People in an old, dark mansion are menaced by a maniac called "The Black Ace."People in an old, dark mansion are menaced by a maniac called "The Black Ace."People in an old, dark mansion are menaced by a maniac called "The Black Ace."

  • Director
    • Ray Enright
  • Writer
    • Ralph Spence
  • Stars
    • Chester Morris
    • Vivienne Osborne
    • Frank McHugh
  • See production info at IMDbPro
  • IMDb RATING
    5.6/10
    452
    YOUR RATING
    • Director
      • Ray Enright
    • Writer
      • Ralph Spence
    • Stars
      • Chester Morris
      • Vivienne Osborne
      • Frank McHugh
    • 23User reviews
    • 9Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos4

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    Top cast13

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    Chester Morris
    Chester Morris
    • Neil Broderick
    Vivienne Osborne
    Vivienne Osborne
    • Martha Winters
    Frank McHugh
    Frank McHugh
    • Clancy
    Allen Jenkins
    Allen Jenkins
    • Dugan
    Henry Stephenson
    Henry Stephenson
    • Thornton Drake
    Grant Mitchell
    Grant Mitchell
    • Austin Winters
    Charles Middleton
    Charles Middleton
    • Jerry Simons
    Oscar Apfel
    Oscar Apfel
    • Asa Marsden
    Virginia Howell
    Virginia Howell
    • Mrs. Quincy
    Cornelius Keefe
    Cornelius Keefe
    • Henderson
    Edward LeSaint
    Edward LeSaint
    • Coroner
    Gus Robinson
    • Pompey
    Bud Geary
    Bud Geary
    • Co-Pilot
    • (uncredited)
    • Director
      • Ray Enright
    • Writer
      • Ralph Spence
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews23

    5.6452
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    Featured reviews

    4tobermory2-1

    One Good Moment

    I have to agree with the reviewers who think the bumbling cops spoil an otherwise good murder mystery romp. What was the director thinking? However, there is one director's moment that shines, if you're paying attention, hilariously. This movie should have had more moments like this and a lot less of the cops doing one schtick over and over and... It is when the mute housekeeper, played in a wonderfully creepy manner by Virginia Howell, uses sign language to talk to Vivienne Osborne. Osborne's character says, "I don't understand." And Howell signs again only much more slowly.
    rick_7

    Slow-moving, low-budget mystery with a good cast

    Tomorrow at Seven (Ray Enright, 1933) is like a Monogram Chan before the fact: a creaky, archaic mystery with a none-too-surprising culprit - but fun just the same. Chester Morris (later Boston Blackie in Columbia's exceptional B movie series) is a novelist investigating the inspiration for his latest book, a killer known as The Black Ace. He travels to see wealthy Henry Stephenson, who's also researching said homicidal maniac, and before you can say "when you finish that jigsaw, it's going to contain a threat from the killer", Stephenson's secretary finishes a jigsaw, and finds it contains a threat from the killer. This is a slow-moving production that recalls movies made in the early days of sound cinema, but the name cast keeps the questionable narrative afloat and it's a delight to see legendary character actors Frank McHugh and Allen Jenkins as a pair of thick cops. "Anyone touch the body?" a creepy coroner enquires of them. "Nobody," replies McHugh confidently. "Only Dugan and me and Drake and that guy Henderson and Broderick."
    5dbborroughs

    Good mystery ruined by two unfunny cops

    A killer known as the Black Ace is on the loose. The Ace leaves a calling card with the time of his victims death on it. The Ace has killed several prominent people and a rich friend of some of the victims, Winters, is looking to put a stop to it. Chester Morris plays a mystery writer putting together a book on the killer. He meets the daughter of Winters on a train on his way to offer what he knows in the hunt for the killer. Not long after that Winters receives a death threat and while in the middle of an air plane flight the flights flicker for a moment and he is killed.

    This is an okay film that is ruined by two bumbling cops Dugan and Clancy who push a witty and clever mystery into the realm of silly. Normally I like the work of Frank McHugh and Allen Jenkins but here they just come off as being bumbling fools. Its awful, or rather not funny. They take the desire to know more out of the mystery and the laughs out of the comedy. There is no real reason for them to exist except to kill time.If you can divorce them from the rest of the movie this is a good little mystery, something not easy to do.

    Worth seeing if you run across it. Not sure its a rental but on late night TV its worth trying.
    7jayraskin1

    Light and Breezy Murder Mystery

    I was impressed by Chester Morris as the square-jawed hero. He seems to be a more rugged version of Dick Powell. He is Clint Eastwood intense in some scenes, but quite relaxed on others. Great 1930's character actors Frank McHugh and Alan Jenkins provide some laughs as two bumbling, cowardly cops.

    The plot is intriguing. A killer taunts his victims and the police by sending them the Ace of Spades as a sign that they're going to be murdered the following night at 7 P.M.. There are several nicely done scenes with some suspense, including an early 1930's passenger plane ride with lounge chairs rather than the passenger seats we're used to.

    I thought the number of suspects should have been increased. There are really only about three people who could have committed the murders. Most good murder mysteries give us at least four or five to consider.

    Still, a mixture of light humor together with a few moments of danger makes this film quite pleasant.
    6BaronBl00d

    Stylish Little Mystery-Thriller

    The Black Ace warns his victims ahead when the time will come for them to die. Such is the basic premise of Tomorrow at Seven directed by Ray Enright and scripted by Ralph Spence. Interwoven into this basic premise is a young Chester Morris going to a Mr. Thorton Drake because he knows all there is to be known about the Black Ace. Morris is writing a book, meets a cute secretary that can introduce him, and all the main characters from that point on - including two cops included for protection - board a small plane to go to a huge mansion in Louisiana. All this to escape the ominous note saying Mr. Drake, played indelibly by Henry Stephenson, would die "tomorrow at seven." The old Southern home is reminiscent of the home used in the 1939 version of The Cat and the Canary(also taking place in Loiusiana). This film works because it has a pretty tight and inventive script, some good direction, and good acting. The mystery is not too terribly easy to solve - and though I figured it out - I could never be 100% sure!

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      "Crime doesn't pay" says Neil Broderick. This maxim, originating as a slogan of the FBI and given wide currency by the cartoon character Dick Tracy, was first recorded in 1927.
    • Quotes

      Clancy: What's up, Mr. Drake?

      Thornton Drake: You of course know this 'Black Ace.'

      Clancy: Oh, sure. We *just* missed catching him about 6 months ago.

      Dugan: Sure, we trapped one of his earwiggers. It was like this: I'm wise this guy blatts out for stoolin'. So I'm crowdin' him wit' the heater but he don't belch. I know he's an alky stiff so I start feedin' him the dynamite when Clancy walks in wit' this guy's twist. She's all full o' happy dust and leapin'. He calls for a blizzard so we let 'er have it, figgerin' on the beef, see? She don't open up on the Black Ace, but she spills enough on this earwigger to get him fried in New York last September.

      Thornton Drake: What's he talking about?

      Clancy: [to Dugan] How many times have I gotta tell ya? These guys don't understand them technical terms!

      [to Drake]

      Clancy: What he's tryin' to say is this: We buttoned one o' the Black Ace's spies who dropped a dim. He's sweatin' the guy with a rod, but it's no dice. But he remembers that the guy's a stew! So he starts givin' him a jolt now and then. Just then I breezes in with the guy's moll. She's a snowbird. So I gives her a sniff of the gold dust and she opens up on the guy. Last September they gave him the hot squat. That's what he's tryin' to tell ya.

      Neil Broderick: [to Dugan] You were a little vague.

      Dugan: [offended] Who's a vag?

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    Details

    Edit
    • Release date
      • June 2, 1933 (United States)
    • Country of origin
      • United States
    • Languages
      • English
      • American Sign Language
    • Also known as
      • A las siete en punto
    • Production company
      • Jefferson Pictures Corporation
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 2m(62 min)
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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