The Affairs of Cellini

This period drama-comedy is a treat to watch. It has a quite serious plot but at the same time it makes it more flexible to make people laugh, this shows a script well adapted to the screen. A good decision that is short because it juices everything and gets to the point right away.

The performances are brilliant from first to last: Fredric March as Cellini, a slick opportunistic assassin who manages to escape his punishment, falls in love with the Duchess of Florence and creates trouble in the palace. A very seductive and sexy performance as well as good.

Constance Bennett as the Duchess of Florence, an intelligent and empowered woman beyond stepping into the seduction of Cellini. Brilliant performance and a shame the absence of her nomination at the Oscars.

Frank Morgan earned him his first Oscar nomination for the role of the Duke of Florence, a noble fool who plays to give orders. He is the comedy of the film.

Fay Wray as an ordinary village girl, who arrives at the palace by coincidence and begins to take an interest in that lifestyle.

Enjoyable from start to finish, great production work and from Gregory La Cava.

Because this movie starred Fredric March, I was sure to see it. However, after seeing it, I can't exactly say it's a must-see film...or that I even liked it. It's not that it's a bad movie, but it's not all that great, either.

March plays the title character--a man who was a goldsmith for the Medicis in Renaissance Italy. Through much of the film, Cellini spends his time chasing women and killing people in sword fights (wow...Freud would have had a field day if he'd ever met a guy like this). It's all very well acted yet stilted because it's essentially a costume drama--the sort of films I don't particularly like--though I am a huge fan of classic Hollywood. My problem with this film and others like it is that so much energy and time and money is spend on sets and costumes that the rest of the film usually suffers. The only real plus for the film is the nice and jovial performance by Frank Morgan--he was a lot of fun and quite in his element. Otherwise, it's just another costumer combined with a light comedic/romantic touch--the sort of film Errol Flynn or John Barrymore (during the silent era) would have excelled at if they'd been given such a role.

As for me, I never got into the film very much as it seemed like a silly sort of trifle of a film, but also could see it was a quality production. Perhaps there were just too many knowing glances between Constance Bennett and March to make this a particularly rewarding film to watch.

There for me is always at least one main reason for seeing any film. In the case of 'The Affairs of Cellini' it's the cast. Having enjoyed very much over the years the work of Fredric March, Constance Bennett and Frank Morgan. Gregory La Cava seemed a good choice for director and have liked some of his other work, big examples being 'My Man Godfrey' and 'Stage Door'. And of course there is my long term love for classic film, with an attempt to appreciate all genres and decades.

1934's 'The Affairs of Cellini' is a good deal of fun and is worth watching. A great film it may not quite be, but there are many good things and the things the film was seen for in the first place are not wasted in any way at all. It is a strong representation of the cast members, it has enough to show why La Cava's work is worth checking out and anybody that loves classic film should see 'The Affairs of Cellini' once at least, even if it is just for classic film completest sake.

A lot of good things are good here. The cast all perform very well to brilliantly, with the standout performances belonging to beguiling Bennett and especially the wonderfully jovial Morgan (who steals the film). It is beautifully designed, with sumptuous settings and costumes (Fay Wray looks ravishing) all complemented by the photography.

It is a wittily scripted film, with the best moments bubbling like bubbles on top of a champagne glass. La Cava was clearly having fun with the material and clearly knew what to do with it, this was hardly a sign of a director who was out of his depth or over-taxing himself. It is mostly also very compelling story-wise.

Having said all of those positive things, 'The Affairs of Cellini' can be a bit too on the slow side and stagy, which actually was not an uncommon problem for similar films from this era.

Did also think that occasionally the farcical element has a try too hard feel.

Overall, while not loving it there is a lot to praise about this film. 7/10.

Nominated for four Academy Awards including Best Actor for Frank Morgan (best known for his many roles in "The Wizard of Oz"), this film is a rare gem that's well worth it's 80 minutes. The film showcases wonderful performances from an all-star cast that includes Fredric March ("The Best Years of Our Lives"), Fay Wray ("King Kong"), and Constance Bennett. Witty and clever dialogue is a strong point in the film and everyone makes this comedy as funny as it can be.

Fox Movie Channel is showing this from time to time, so definitely stop and see it if you have the chance. Not only will you get to a rare Oscar-nominated film, but a brilliant comedy with a remarkable cast.

Constance Bennett was born to play a Medici. Her combination of hauteur and ooh-la-la makes this role a perfect fit. Frank Morgan, as her dithering husband, is amusing but less plausible.

Fredric March, as the title character, is good. He was always good. Possibly not the heartthrob he needs to be, he is nevertheless both cocky and handsome. Fay Wray is excellent as a commoner whose tastes are too prosaic for the dastardly lover Cellini. She looks beautiful (as does Bennett.) This is certainly atypical Gregory La Cava. It is probably not very accurate historically. But as costume pieces go, it's very compelling. A few years later, another studio made one that is more famous. That was "Marie Antoinette." It was better researched and is still somewhat well known. But it is really dull.

The costumes here are gorgeous. Now and then the music is appropriate to the time. A theme that seems distinctly 19th Century Romantic runs through, though.

The supporting cast is up to the task. It's hard to imagine what people sitting down in a theater in 1934 made of this. Bennett was still a big star so maybe they were happy to see her. It's an oddity, no doubt about it. But it's very good.