A cruise ship heads south from L.A. with a variety of passengers - a reporter, a P.I., crooks, a general etc.A cruise ship heads south from L.A. with a variety of passengers - a reporter, a P.I., crooks, a general etc.A cruise ship heads south from L.A. with a variety of passengers - a reporter, a P.I., crooks, a general etc.
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A rather innocuous comedy The Captain Hates The Sea marked the farewell performance for silent screen star John Gilbert. After failing to make a comeback with his greatest co-star Greta Garbo in Queen Christina, Gilbert was given his walking papers by MGM. He was fourth billed in this film whose star was Victor McLaglen.
Given the incredibly good cast of familiar character players The Captain Hates The Sea should have been a lot better than it was. But it's hampered by a confusing script.
The main plot line involves former cop now turned private detective Victor McLaglen after some stolen bonds and he believes that Fred Keating and Helen Vinson have them. If one is used to seeing McLaglen as some of the oafish characters he played in later John Ford films, you'll be in for a surprise. He's by no means a dummy in The Captain Hates The Sea, though he does think a bit with his male member when it comes to Vinson.
John Gilbert who by this time had descended into alcoholism in real life is cast as a dissolute playboy looking to take the cure on the sea voyage. It was a part hitting too close to home, but that may have been the reason he was so good in it.
Another story line involves married couple John Wray and Wynne Gibson. She was a woman of easy virtue whose self righteous husband never lets her forget it.
Such familiar people as Walter Catlett, Donald Meek, Alison Skipworth and even the Three Stooges get their moments in the film. Presiding over all of this is Captain Walter Connolly who is constantly berating steward Leon Errol. Leon Errol who was born in Australia in the only time I ever heard him on film actually uses an accent from the land of his birth. Which makes me wonder if that was his natural speech or did he lose it in his years on stage and screen on both sides of the pond and only recall it for this film.
With such a colorful cast of familiar players The Captain Hates The Sea should be viewed. You'll probably like it as I did, but can see definite room for improvement.
Given the incredibly good cast of familiar character players The Captain Hates The Sea should have been a lot better than it was. But it's hampered by a confusing script.
The main plot line involves former cop now turned private detective Victor McLaglen after some stolen bonds and he believes that Fred Keating and Helen Vinson have them. If one is used to seeing McLaglen as some of the oafish characters he played in later John Ford films, you'll be in for a surprise. He's by no means a dummy in The Captain Hates The Sea, though he does think a bit with his male member when it comes to Vinson.
John Gilbert who by this time had descended into alcoholism in real life is cast as a dissolute playboy looking to take the cure on the sea voyage. It was a part hitting too close to home, but that may have been the reason he was so good in it.
Another story line involves married couple John Wray and Wynne Gibson. She was a woman of easy virtue whose self righteous husband never lets her forget it.
Such familiar people as Walter Catlett, Donald Meek, Alison Skipworth and even the Three Stooges get their moments in the film. Presiding over all of this is Captain Walter Connolly who is constantly berating steward Leon Errol. Leon Errol who was born in Australia in the only time I ever heard him on film actually uses an accent from the land of his birth. Which makes me wonder if that was his natural speech or did he lose it in his years on stage and screen on both sides of the pond and only recall it for this film.
With such a colorful cast of familiar players The Captain Hates The Sea should be viewed. You'll probably like it as I did, but can see definite room for improvement.
Lewis Milestone, ace director-for-hire, seems to have been having a terrible year in 1934: between the fascinating train wreck of HALLELUJAH I'M A BUM and this one, he seems to have, temporarily at least, lost his way.
Anyway, this picture is another fascinating failure because while there are many wonderful performers and performances in it -- Jack Gilbert, who would die shortly, was not the only actor whose career was on the slide and thus available on the cheap: Victor McLaglen and Wynne Gibson undoubtedly did not command as much money as they would have a few years earlier. Everyone gives fine performances, but they never quite come together as a whole, the way GRAND HOTEL does with its sense of fatality. THE CAPTAIN HATES THE SEA remains a series of vignettes linked by location. Perhaps too much landed on the cutting room floor.
Others have commented on Gilbert, so let me note one of my favorite talents behind the camera: Joseph August. In a third of a century as a director of photography, from William Hart westerns in the 'Teens through PORTRAIT OF JENNIE, he showed you beauty with every shot, and never -- or rarely -- so that you noticed the work that went into it. His traveling shots moved only to tell a story, his compositions focused your attention where it should be, his lighting let you see peoples' faces -- take a look at the Three Stooges, away from the flat light that they worked in for all their shorts. They are suddenly human beings for their few scenes here -- and August was one of the masters of framing. If you have the patience for a second viewing, notice how windows, plants, people, every detail changes the effective shape of the frame, often to superb psychological purpose.
To sum up, this movie as a whole does not work -- normally I would rate it a five out of ten, as another mediocre, derivative work. But the talent on display makes it substantially better than average.
Anyway, this picture is another fascinating failure because while there are many wonderful performers and performances in it -- Jack Gilbert, who would die shortly, was not the only actor whose career was on the slide and thus available on the cheap: Victor McLaglen and Wynne Gibson undoubtedly did not command as much money as they would have a few years earlier. Everyone gives fine performances, but they never quite come together as a whole, the way GRAND HOTEL does with its sense of fatality. THE CAPTAIN HATES THE SEA remains a series of vignettes linked by location. Perhaps too much landed on the cutting room floor.
Others have commented on Gilbert, so let me note one of my favorite talents behind the camera: Joseph August. In a third of a century as a director of photography, from William Hart westerns in the 'Teens through PORTRAIT OF JENNIE, he showed you beauty with every shot, and never -- or rarely -- so that you noticed the work that went into it. His traveling shots moved only to tell a story, his compositions focused your attention where it should be, his lighting let you see peoples' faces -- take a look at the Three Stooges, away from the flat light that they worked in for all their shorts. They are suddenly human beings for their few scenes here -- and August was one of the masters of framing. If you have the patience for a second viewing, notice how windows, plants, people, every detail changes the effective shape of the frame, often to superb psychological purpose.
To sum up, this movie as a whole does not work -- normally I would rate it a five out of ten, as another mediocre, derivative work. But the talent on display makes it substantially better than average.
This oddly-named film is so titled because the captain (Water Connolly) states this fact as his ship sets sail. The actual film, however has little to do with its captain. The upshot Columbia Pictures' "The Captain Hates the Sea" is done in the storytelling style of MGM's "Grand Hotel" but with more of the humor attempted in "Dinner at Eight" - you will be able to cast the "Dinner at Eight" stars quite easily into this film. The main story involves police detective Victor McLaglen (as Junius P. Schulte) following slight-of-hand Fred Keating (as Danny Checkett) on ship, seeking some swiped bonds (they're as good as money). Mr. Keating is, in turn, trails pretty Helen Vinson (as Janet Grayson), and both men become rivals for her affection...
That may be the main story, but the focus of attention clearly falls on fourth-billed John Gilbert (as Steve Bramley)...
Mr. Gilbert plays an alcoholic writer from Hollywood, taking the cruise to quit drinking and start writing his great American novel. Gilbert gets a good amount of screen time, and was, if you had to pick one of the "ensemble" cast, the main star of "The Captain Hates the Sea". Most importantly, this was Mr. Gilbert's last appearance, as he would die prematurely, in just over a year. Gilbert's death has been linked to his chronic alcoholism, and he appears drunk in this film. Since the role calls for him to be drunk, you could say he utilized "method" acting. But, really, on close inspection, this this was a sad role for a dying man. One of his co-stars also appears inebriated, and most of the top-billed men in the cast were notorious drinkers...
Gilbert had built a fairly solid career, over a decade, but his popularity exploded in 1925, due to appearances in "The Merry Widow" and "The Big Parade". In these two productions, Gilbert advanced himself not only as a romantic star, but also as a serious actor. The quality of Gilbert's performance had advanced so that no less than Lillian Gish chose him to co-star in her next production. And, later, Greta Garbo insisted he be cast in "Queen Christina" (1934), which turned out to be Gilbert's last excellent production. "Queen Christina" was also a big "box office" hit, out-grossing all of the older Garbo/Gilbert films. His earlier sound films weren't bad, either - but Gilbert was no longer a superstar, and he didn't know how to be anything but one.
***** The Captain Hates the Sea (10/22/34) Lewis Milestone ~ John Gilbert, Victor McLaglen, Fred Keating, Helen Vinson
That may be the main story, but the focus of attention clearly falls on fourth-billed John Gilbert (as Steve Bramley)...
Mr. Gilbert plays an alcoholic writer from Hollywood, taking the cruise to quit drinking and start writing his great American novel. Gilbert gets a good amount of screen time, and was, if you had to pick one of the "ensemble" cast, the main star of "The Captain Hates the Sea". Most importantly, this was Mr. Gilbert's last appearance, as he would die prematurely, in just over a year. Gilbert's death has been linked to his chronic alcoholism, and he appears drunk in this film. Since the role calls for him to be drunk, you could say he utilized "method" acting. But, really, on close inspection, this this was a sad role for a dying man. One of his co-stars also appears inebriated, and most of the top-billed men in the cast were notorious drinkers...
Gilbert had built a fairly solid career, over a decade, but his popularity exploded in 1925, due to appearances in "The Merry Widow" and "The Big Parade". In these two productions, Gilbert advanced himself not only as a romantic star, but also as a serious actor. The quality of Gilbert's performance had advanced so that no less than Lillian Gish chose him to co-star in her next production. And, later, Greta Garbo insisted he be cast in "Queen Christina" (1934), which turned out to be Gilbert's last excellent production. "Queen Christina" was also a big "box office" hit, out-grossing all of the older Garbo/Gilbert films. His earlier sound films weren't bad, either - but Gilbert was no longer a superstar, and he didn't know how to be anything but one.
***** The Captain Hates the Sea (10/22/34) Lewis Milestone ~ John Gilbert, Victor McLaglen, Fred Keating, Helen Vinson
As another poster has stated, John Gilbert had taken to heavy drink after his dismissal from MGM for having a less-than-adequate speaking voice, at least according to Louis B. Mayer. Director Milestone convinced irascible Columbia Studio chief Harry Cohn to hire Gilbert for this movie, promising Cohn that he would keep Gilbert sober by shooting at sea, away from bars and nightclubs. Problem was, many of the other actors in this film also had tremendous thirsts- Victor McLaglen and Leon Errol, to name a couple- and they found ways to hide their bottles even while filming on water. It wasn't long before the drinking began holding up the shooting, prompting a telegram from the studio: "What's holding up production? The costs are staggering." To which Milestone replied: "So is the cast."
This is a poorly paced and scripted little drama, that might have inspired the creators of "The Love Boat". It's all about the passengers and the crew aboard a cruise ship, and their various misadventures and intrigues.
It is the cast that redeems this picture from being a forgettable piece of mediocrity. All put in good performances - although I wasn't sure what The Three Stooges were doing in the film!! Alison Skipworth is especially memorable as a rather flirtatious rich widow.
But the film is made unforgettable by a magnificent performance from the great silent star John Gilbert, in his final film. Having fallen from super-stardom with the coming of sound, he had descended into alcoholism, and would die just two years after this film was completed. Ironically he portrays an alcoholic trying to reform - and he plays it with such dignity, grace, charm and wit, that he makes us realise today what a great screen actor we lost in John Gilbert. A sad final role perhaps, but he at last proved to the world that he could have been a fine talkie actor.
It is the cast that redeems this picture from being a forgettable piece of mediocrity. All put in good performances - although I wasn't sure what The Three Stooges were doing in the film!! Alison Skipworth is especially memorable as a rather flirtatious rich widow.
But the film is made unforgettable by a magnificent performance from the great silent star John Gilbert, in his final film. Having fallen from super-stardom with the coming of sound, he had descended into alcoholism, and would die just two years after this film was completed. Ironically he portrays an alcoholic trying to reform - and he plays it with such dignity, grace, charm and wit, that he makes us realise today what a great screen actor we lost in John Gilbert. A sad final role perhaps, but he at last proved to the world that he could have been a fine talkie actor.
Did you know
- TriviaJohn Gilbert's final appearance in a feature film; he subsequently appeared as himself in an MGM short subject.
- GoofsRight after the stern line is cast off, showing us the ship's starboard side is at dockside, the Captain (Walter Connolly) orders the helm, "Hard to starboard" - which would apparently send the ship right back into the dock. The 'Hard to Starboard' command by the Captain isn't a goof at all, as his very next command is 'Both engines slow astern'. In other words he's reversing the vessel and in that case starboard is the correct direction.
- ConnectionsEdited into Dunked in the Deep (1949)
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Ett skepp kommer lastat...
- Filming locations
- San Pedro, Los Angeles, California, USA(harbor scenes)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 33m(93 min)
- Color
- Aspect ratio
- 1.37 : 1
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