Dangerous Corner

A very young Melvyn Douglas gives quite a solid performance in this screen drama adapted from a successful stage play. The film's origins are not at all disguised, and even the nice trick ending looks like the type of thing one would expect in theatre. There are a number of curious ideas that are spread throughout the film, especially in terms of distorting the truth, however there's relatively little action, with events told through dialogue, which makes it a bit overly talkative and a tad confusing. It is also inappropriately slow to build up and melodramatic, although never poorly done. It is hard to know what to make of the film, but by the end I did not feel like much had happened, and therefore I can only half-heartedly recommend it, although Douglas fans are sure to delight at seeing him here so young.

It's amazing how different 1934 looks to us now, on the evidence of this movie. An ensemble cast of no more than eight, all with speaking parts and none of them filmed anywhere but the standard three sets. Camera angles are static and rigid, only the occasional pan out when confessions are being made and these are legion. Clearly this script could not have been filmed without the invention of cigarettes - they are central to almost every scene and crucial to the turn of the plot itself.

The plot is strong and rather typical of J B Priestly in that much of the drama consists of revelations and contradictions. No-one is quite what they seem!

Plot— elite members of a publishing house gather for a celebratory evening only to find out one of their staff has apparently committed suicide. In the emotional aftermath, a number of hidden truths emerge.

There are elements of a mystery in the story, but overall, the film amounts to considerably more. The narrative appears fairly conventional until the upshot. Then the threads that have accumulated are exposed in an unexpected manner, and we're left with considerable food for thought. As a lesson in "sleeping dogs" the film succeeds brilliantly; as movie however, the narrative requires real patience. There's no action and darn few scene changes. Instead, the cast stands around in evening clothes and talks and talks-- it is, after all, a filmed stage play. At least a few interesting personal embarrassments get revealed as the story moves on, but how interesting you find the characters themselves is, I think, a matter of taste. Except for actor Keith's overdone Martin, the acting helps by being nicely accomplished.

Anyway, as a dramatized lesson in social truths, the movie rates highly. As a form of sheer entertainment, however, the movie's average, at best. My advice is to exercise patience because the upshot does furnish timely food for thought.

Watch this movie from 1934 (from a 1932 English play by J.B. Priestley)to see how early the English-speaking elite began to smash up their values, with a direct path to the mayhem and anomie of the 1960s/70s, and now the politically correct straightjackets of the early 21st century. I don't give it a 10 because of the excisions made to satisfy the censors - too bad for that, as it would have made the movie even more delicious.

For delicious it is, watching people throw up on their values as they wear magnificent gowns, even if we are living with the consequences now. Watch it to see what we need to recover...

Priestley is of the GB Shaw school - tradition and the wisdom of our ancestors is out the window, with no one knowing at the time what great new world awaits us. Unfortunately, we know now, and owe it all to these misguided geniuses for dramatic dialogue.

This film is full of surprises, twists and turns. The whodunit theme has the added plus of making the viewer think about big issues like, "what is truth?" The Dangerous Corner is taken when the main characters "spill their guts out" -- telling secrets and hidden feelings that lead only to conflict, hurt and despair. The film supports the theory, "Let Sleeping Dogs Lie" -- purporting that the mind can only come up with meager "small truths". The mystery is eventually solved in this innovative, intriguing film. Wonderful Virginia Bruce is on hand to admire, along with dapper Melvyn Douglas, Conrad Nagel and hammy Ian Keith. I've watched this film many times and had great conversations with friends afterwards. Unusual!