The Little Minister

• Romantic drama based on the novel and play by J. M. Barrie, from RKO and director Richard Wallace. Gavin (John Beal) is the new minister assigned to a church in a small Scottish town, circa 1840. His youth and slight frame belie his fiery rhetoric and impassioned sermons. The locals chafe under the oppressive rule of Lord Rintoul (Frank Conroy), and a mysterious gypsy girl (Katharine Hepburn) gives valuable intelligence about the Lord's attempts to suppress revolt using armed troops. Gavin falls for the gypsy girl, but she has a secret that may doom them both. Also featuring Byron Foulger in his film debut.

Judging by the description, I was reluctant to watch this, as it doesn't sound like something I'd care for, despite the presence of Hepburn (for whom I watched) and a couple of the supporting players. I was surprised to find myself enjoying this, and more than the average viewer, judging by the IMDb score. I thought Beal assayed his role perfectly, a combination of youthful self-righteousness and naive social blunderer, and that Hepburn was strong, funny, attractive, and vibrant. Among the others, Alan Hale was a stand-out as the hulking town drunk looking for redemption. This was the sixth, and so far final, film version of the Barrie work.

John Beal is the new minister at a small church in Scotland. He comes across Katharine Hepburn, who seems to be a wild gypsy girl and falls in love. He does not know she is the ward of the local laird, and affianced.

Miss Hepburn was riding high at RKO at this point, having come off an Oscar for MORNING GLORY and the huge financial successful of LITTLE WOMEN. Within a few years her career would take a tumble and she would be labeled box office poison. For the moment it's a solid film version of J. M. Barrie's popular play, with a supporting cast that includes Alan Hale, Beryl Mercer, Donald Crisp, and Andy Clyde. Director Richard Wallace had his cast speak in stage-Scottish accents that I occasionally found baffling. However, the choice of properties seems to have been right in the then-current sweet spot of Miss Hepburn's star persona.

Co-star John Beal had made his screen debut only the previous year, and this was his third movie performance. He would appear in more than a hundred movies and television shows over the following sixty years before dying in 1997 at the age of 87.

This was the last film version made of this delightful story based on James Matthew Barrie's first major successful novel and play, and it is long overdue for a modern remake, done with similar charm, beauty, and simplicity, please.

Here we find a timeless tale of a fresh-faced, youthful pastor boy, direct out of seminary, who loves his mother and has affection for his congregation, but who finds himself flaunting convention by falling in love against his will with a wild, beautiful gypsy girl. You could no more imagine this girl sitting quietly in a church praying than you could imagine Ted Kennedy becoming a Republican.

Gavin the minister, though he is "little" in physical size, is not small in courage or intellectual honesty. He knows he is falling in love with this girl, but can't seem to help himself. He fights his feelings, but still he is attracted, like a moth to a flame. She tricks him and teases him in their first encounters, yet he still comes back for more. There's just something different about this Babbie that he cannot resist (and one senses the gypsy girl feels the same way about Gavin). We see their relationship growing, the congregation begins to suspect something is distracting their beloved new minister from his duties, and an inevitable confrontation is in the works.

I won't give away any more, but go rent the video sometime or catch it on AMC or TCM, especially if you wish to see Katherine Hepburn in one of her most poignant, humorous and delightful performances (she even sings, too!). Kudos also to the late John Beal, who was perfectly cast as Gavin Dishart, the little minister. And an A-plus goes to Max Steiner for his lovely background musical score. Also, read the book by JMB when you get a chance; one can't put it down.

Very rarely was Katharine Hepburn cast as the Scot she was by descent. Our most popular image of her was with that clipped Bryn Mawr accent, cool, elegant, and sophisticated. She only played two Scots in her life Queen Mary Stuart who if truth be told was more French than Scots and the gypsy waif in The Little Minister.

This was certainly an unusual project for Kate requiring her to adapt a Scottish burr to her speech. She also plays the mysterious gypsy girl who stirs the elders of that Presbyterian congregation more than they realize. She certainly stirs the new minister in town, John Beal who's come to live there with his mother Beryl Mercer.

In an odd way Kate's character of Babbe is like the ditzy heiress in Bringing Up Baby, wreaking havoc wherever she goes, but charming Cary Grant as she does John Beal here. If James M. Barrie had twisted the plot in a Somerset Maugham direction, Kate's Babbe could easily have been a Scottish Sadie Thompson. Turn that one over in your mind.

But she's a lot more than she seems as Beal and the rest eventually find out. Beal does well as the earnest young man in his first parish, trying hard to do the right thing, but hormones just seem to be getting in the way. They'll do that. Good thing Kate was not a Sadie Thompson character.

The Little Minister is based on a novel by James M. Barrie about an unfamiliar time for Americans. I'm sure the film did well in the British Isles for RKO where they would have been more familiar with the history and mores of the time. Still it's an unusual part for Katharine Hepburn, her devoted fans would be the first to agree.

It's 1840 Thrums, Scotland. Gavin Dishart arrives with his mother to be the new Minister in the rural town. The town is impressed with his righteous talk. Babbie (Katharine Hepburn) is a cunning irreverent gypsy and there is a town ban on the gypsies. She pranks them by inciting a revolt against imaginary troops and then the real soldiers arrive. At every turn, Babbie is able to trick Gavin until finally, he is able to proclaim his love for the gypsy.

It's silly that Hepburn is playing a gypsy and she is dressed like the most stereotypical gypsy. It is saved by her shear playfulness and the eventual explanation of the truth. Initially, she's the cat and Gavin is little more than her play thing. That's kinda fun. She broadly play acts and he falls for it every time. It turns into a romantic melodrama and she makes it work.