IMDb RATING
5.3/10
1.3K
YOUR RATING
Jailed for murders he didn't commit, Randy escapes only to stumble into the den of the real murderers.Jailed for murders he didn't commit, Randy escapes only to stumble into the den of the real murderers.Jailed for murders he didn't commit, Randy escapes only to stumble into the den of the real murderers.
George 'Gabby' Hayes
- Marvin Black aka Matt the Mute
- (as George Hayes)
Artie Ortego
- Deputy Al
- (as Arthur Artego)
Horace B. Carpenter
- Ed Rogers
- (uncredited)
Tommy Coats
- Kidnapper Joe
- (uncredited)
Herman Hack
- Posse Rider
- (uncredited)
- …
Perry Murdock
- Kidnapper Slim
- (uncredited)
Tex Palmer
- Henchman
- (uncredited)
Mack V. Wright
- Deputy
- (uncredited)
Featured reviews
Another Wayne/Canutt/Hayes Lone Star entry, mostly enjoyable with the usual few tedious scenes thrown in. How any 52 minute movie can have tedious stretches is down to the love interest and various characters having to walk from one location to another. Riding is much more exciting after all!
It has a good start, with Wayne entering a saloon only to be greeted with a blood-bath, or was it just a good night previous? Chin-bald Hayes plays 2 characters, one the top baddie and the other a good-guy mute who has to write his words down on scraps of paper - more tedium. The key moment in RRA is after the heroine has said no to him as the good guy he starts to scribble an answer down to try to change her mind. Then he and the scriptwriter realise it won't do any good with only 5 minutes left so he petulantly blurts out "I'm fed up with this" and becomes his True Evil Self to her.
Some nice outdoor photography, nice print, nice scenes of the skinny Duke ambling around Alone before he's suddenly smitten with love. He improved his fight techniques in the coming years!
It has a good start, with Wayne entering a saloon only to be greeted with a blood-bath, or was it just a good night previous? Chin-bald Hayes plays 2 characters, one the top baddie and the other a good-guy mute who has to write his words down on scraps of paper - more tedium. The key moment in RRA is after the heroine has said no to him as the good guy he starts to scribble an answer down to try to change her mind. Then he and the scriptwriter realise it won't do any good with only 5 minutes left so he petulantly blurts out "I'm fed up with this" and becomes his True Evil Self to her.
Some nice outdoor photography, nice print, nice scenes of the skinny Duke ambling around Alone before he's suddenly smitten with love. He improved his fight techniques in the coming years!
John Wayne rides into a saloon and finds the player piano running and everyone in the place dead. The safe has been broken into as well. As Wayne investigates the scene the sheriff and posse arrive and promptly arrest Wayne vowing to get his gang as well. Breaking out of the jail with the help of the saloon owner because she knows he didn't do it Wayne is off to find out who did.
Though held by many as a classic, I'm not too sure of its status. Its certainly got some good moments and at least one classic moment in it, but its not really a classic sort of film. The opening of the film where John Wayne walks into the saloon and finds everyone dead is one of the creepiest sequences I've ever seen in any sort of film. There is something unsettling about the whole affair that really gets under your skin. Its the type of thing that makes you sit up and pay attention, I just wish the rest of the film was on on par with that one scene.
Unfortunately this 53 minute film also has a great deal of filler. There are frequent stretches were people just ride between locations. This doesn't include the chases which seem to spring up every five minutes or so. Its deadly and it kills the pace of the film which would be a taut 30 or 35 minute with out them.
Worth a look for that one scene if nothing else.
Though held by many as a classic, I'm not too sure of its status. Its certainly got some good moments and at least one classic moment in it, but its not really a classic sort of film. The opening of the film where John Wayne walks into the saloon and finds everyone dead is one of the creepiest sequences I've ever seen in any sort of film. There is something unsettling about the whole affair that really gets under your skin. Its the type of thing that makes you sit up and pay attention, I just wish the rest of the film was on on par with that one scene.
Unfortunately this 53 minute film also has a great deal of filler. There are frequent stretches were people just ride between locations. This doesn't include the chases which seem to spring up every five minutes or so. Its deadly and it kills the pace of the film which would be a taut 30 or 35 minute with out them.
Worth a look for that one scene if nothing else.
This was a fun old time western that was well plotted and fast moving.
John Wayne enters a "deserted" bar that is host to dead men. It is eerily empty except for a player piano running through its program and a set of eyes peering through a picture. This was pretty cool stuff for a 1934 early talkie.
Shortly we find that the set of eyes belong to an attractive young female, Alberta Vaughn, who is sole owner of the tavern now that her father has been murdered. We are introduced to other major players. . The most interesting is Matt the Mute. He is played by Gabby Hayes who doesn't resemble the Gabby Hayes that we are used to. He has no beard. There are a few other differences that would give too much plot away.
We shortly find out that John is on the side of the good guys. Good triumphs over bad as it should in all good old westerns. Throw in the great stunt rider, Yakima Canutt and Earl Dwire, who looked like his character of the old time sheriff. And you've got a fun old time western.
John Wayne enters a "deserted" bar that is host to dead men. It is eerily empty except for a player piano running through its program and a set of eyes peering through a picture. This was pretty cool stuff for a 1934 early talkie.
Shortly we find that the set of eyes belong to an attractive young female, Alberta Vaughn, who is sole owner of the tavern now that her father has been murdered. We are introduced to other major players. . The most interesting is Matt the Mute. He is played by Gabby Hayes who doesn't resemble the Gabby Hayes that we are used to. He has no beard. There are a few other differences that would give too much plot away.
We shortly find out that John is on the side of the good guys. Good triumphs over bad as it should in all good old westerns. Throw in the great stunt rider, Yakima Canutt and Earl Dwire, who looked like his character of the old time sheriff. And you've got a fun old time western.
I've never been a fan of westerns, which is probably why up until last night I'd never seen a film starring John Wayne. Of course it doesn't help that our lives only overlapped by a year, so I didn't have a great deal of opportunity to see any of his films (in the theater at least). I received this film in a VHS films lot that I won from ebay, so I finally popped it in last night and gave it a whirl.
I went in expecting a really low budget, really old western...needless to say, my expectations were pretty low. All in all, I'd have to say the film really isn't that bad. I don't have any other John Wayne films to compare it to, so thus far it's my favorite. I can however, compare it to other westerns, and frankly, it was no "Tombstone", but it was worth my time.
The story is nothing fantastic, but it's has it's moments. The acting was just fine as far as I could tell and overall production value was OK, granted it was made in the 30's, so again, I wasn't expecting much. One scene in particular made me laugh out loud. Whenever the halfway-house is shown from a bird's eye view it is CLEARLY a scale model, it's hilarious how bad it actually looks...but again...30's.
In any case, I have no idea who to recommend this film to, but I will say that it's really short (60 minutes) so it won't take up too much of your time and it's kind of fun to see a film this old to appreciate films of today and how far they've come, not to say that this is bad, but just to further appreciate film-making.
Hope you enjoy it.
P.S. I just realized that this film has the honor of being the 3rd oldest film I've ever seen (as of 7-26-2006).
I went in expecting a really low budget, really old western...needless to say, my expectations were pretty low. All in all, I'd have to say the film really isn't that bad. I don't have any other John Wayne films to compare it to, so thus far it's my favorite. I can however, compare it to other westerns, and frankly, it was no "Tombstone", but it was worth my time.
The story is nothing fantastic, but it's has it's moments. The acting was just fine as far as I could tell and overall production value was OK, granted it was made in the 30's, so again, I wasn't expecting much. One scene in particular made me laugh out loud. Whenever the halfway-house is shown from a bird's eye view it is CLEARLY a scale model, it's hilarious how bad it actually looks...but again...30's.
In any case, I have no idea who to recommend this film to, but I will say that it's really short (60 minutes) so it won't take up too much of your time and it's kind of fun to see a film this old to appreciate films of today and how far they've come, not to say that this is bad, but just to further appreciate film-making.
Hope you enjoy it.
P.S. I just realized that this film has the honor of being the 3rd oldest film I've ever seen (as of 7-26-2006).
John Wayne enters a saloon to find a player piano tinkling the ivories to a room full of dead people and is promptly arrested! The real culprit is Hayes, who masquerades as kindly Matt the mute (!) and had the men killed as part of a land grab scheme.
There isn't as much action in Randy Rides Alone as there is in some of the other John Wayne/ Lone Star productions, though there are a few good stunts courtesy of Yakima Canutt, the one where he leaps forward off a rolling horse being a particular standout.
What really makes this good is the irresistible chance to see one of the few performances in which the clean shaven George Hayes plays a black-hatted heavy.
Waynes quip, "That's the end of Matt the mute.", is priceless!
There isn't as much action in Randy Rides Alone as there is in some of the other John Wayne/ Lone Star productions, though there are a few good stunts courtesy of Yakima Canutt, the one where he leaps forward off a rolling horse being a particular standout.
What really makes this good is the irresistible chance to see one of the few performances in which the clean shaven George Hayes plays a black-hatted heavy.
Waynes quip, "That's the end of Matt the mute.", is priceless!
Did you know
- TriviaThough released in 1934 (5-6 years after the first talkies), the film is shot very much like a silent movie. Some scenes are silent except for the random sound effect. Dialog seems kept to a minimum, and sound quality of dialog is generally very poor (though this may be related to the quality of the specific print being shown by TCM). Camera moves are sometimes shaky and frame rate often makes movement jerky.
- GoofsThe Vollmer player piano shown in the saloon wasn't produced until the early twentieth century.
- Quotes
Marvin Black, alias Matt Matthews: Well, where's the money?
Henchman Spike: We didn't get it. It wasn't in the safe.
Marvin Black, alias Matt Matthews: Whaddya mean, you didn't get it?
Henchman Spike: I'm telling you we couldn't find it.
Marvin Black, alias Matt Matthews: And you call yourselves "bad men"! I should have left you where I found you - brandin' calves!
- Alternate versionsIn 1985, Fox/Lorber Associates, Inc. and Classics Associates, Inc. copyrighted a version with new original music composed and orchestrated by William Barber. It was distributed for television by Fox/Lorber.
- ConnectionsEdited into Meanwhile, Back at the Ranch (1976)
Details
- Runtime
- 52m
- Color
- Aspect ratio
- 1.37 : 1
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