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IMDbPro

Something Always Happens

  • 1934
  • TV-G
  • 1h 9m
IMDb RATING
6.4/10
423
YOUR RATING
Ian Hunter and John Singer in Something Always Happens (1934)
On this IMDbrief we trace the origin of the B-Movie, how it evolved, and what it takes to earn the B-Movie badge of honor.
Play clip5:23
Watch Cowboys! Detectives! Giant Bugs! B-Movie History!
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Romantic ComedyScrewball ComedyComedyRomance

While trying to impress a woman, a man stumbles upon an idea that would double the profits of gas stations. Being rebuffed by the woman's father, he takes his idea to a rival company, who hi... Read allWhile trying to impress a woman, a man stumbles upon an idea that would double the profits of gas stations. Being rebuffed by the woman's father, he takes his idea to a rival company, who hires him and runs his competition out of business.While trying to impress a woman, a man stumbles upon an idea that would double the profits of gas stations. Being rebuffed by the woman's father, he takes his idea to a rival company, who hires him and runs his competition out of business.

  • Director
    • Michael Powell
  • Writer
    • Brock Williams
  • Stars
    • Ian Hunter
    • Nancy O'Neil
    • Peter Gawthorne
  • See production info at IMDbPro
  • IMDb RATING
    6.4/10
    423
    YOUR RATING
    • Director
      • Michael Powell
    • Writer
      • Brock Williams
    • Stars
      • Ian Hunter
      • Nancy O'Neil
      • Peter Gawthorne
    • 17User reviews
    • 2Critic reviews
  • See production info at IMDbPro
  • Videos1

    Cowboys! Detectives! Giant Bugs! B-Movie History!
    Clip 5:23
    Cowboys! Detectives! Giant Bugs! B-Movie History!

    Photos1

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    Top cast18

    Edit
    Ian Hunter
    Ian Hunter
    • Peter Middleton
    Nancy O'Neil
    Nancy O'Neil
    • Cynthia Hatch
    Peter Gawthorne
    • Mr. Hatch
    John Singer
    • Billy
    Muriel George
    Muriel George
    • Mrs. Badger
    Barry Livesey
    • George Hamlin
    • (as Barrie Livesey)
    Louie Emery
    • Mrs.Tremlett
    • (uncredited)
    Alec Finter
    Alec Finter
    • Man Refusing to Employ Peter
    • (uncredited)
    Janet Fitzpatrick
    • Girl
    • (uncredited)
    Arthur Hambling
    Arthur Hambling
    • First Duped Waiter
    • (uncredited)
    Anthony Holles
    • Tony
    • (uncredited)
    Jack Lambert
    Jack Lambert
    • Card Player
    • (uncredited)
    Maire O'Neill
    Maire O'Neill
    • Tenement Mother
    • (uncredited)
    Percy Walsh
    • Brent - Hatch's Colleague
    • (uncredited)
    Naunton Wayne
    Naunton Wayne
    • Man Refusing to Help Peter
    • (uncredited)
    Townsend Whitling
    • Blue Point Executive
    • (uncredited)
    Millicent Wolf
    • Glenda
    • (uncredited)
    George Zucco
    George Zucco
    • Proprietor of the Maison de Paris
    • (uncredited)
    • Director
      • Michael Powell
    • Writer
      • Brock Williams
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews17

    6.4423
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    Featured reviews

    6boblipton

    A Pious Hope

    Ian Hunter is broke, and that's how he likes it. He befriends young John Singer, they charm landlady Muriel George, and Hunter has a meet cute with Nancy O'Neil. Hunter has a big idea to make petrol stations busier. Miss O'Neil suggests he take it to Peter Gawthorne. Gawthorne throws him out of his office, so Hunter takes it to the failing competition. He also takes Miss Neil into the office as his private secretary. He doesn't know she's Gawthorne's daughter.

    Michael Powell's movie for Warner's Teddington branch bumps along at a good pace, with people speaking fast, things happening, and so forth. Yet the art deco look and lack of urgency about the characters' problems makes it feel a lot like the lesser stuff that RKO would be turning out in a year. I am struck by the idea that this is more a burlesque of the urban romcom than an example of the form itself, Matters fall into place far too quickly, then it's on to the next plot point. As facilely and pleasantly as it's directed, it feels insincere, as if everyone said "let's make this movie, and maybe the next one will be more interesting." And then everyone put in a full day's work, and did their best, and then just forgot about it when they came in to work the day after. But I feel that way about a lot of the lesser RKO romcoms too.
    7Handlinghandel

    Enormously Appealing Relic

    I call this a relic not because it is old. Oh no: Old movies are my thing. Nor because it has been essentially unknown in the United States until now, though that is interesting.

    It's because the mores have changed distinctly in 73 years. This relates to the little boy we first see in the film. He is a street orphan and is touchingly written, acted -- and directed, though what else would one expect from the great Michael Powell? Ian Hunter, quite charming as a loafer from a higher class, finds him on the street. He is down on his luck too; so he takes the boy under his wing. The first thing that would not pass muster with censors and/or would upset some viewers today is that he rents a room and has this child share it with him. Oh my! What a scandal that would create! And in addition, he makes pajamas for the child from the softhearted landlady's rug.

    Then, when things look up, he seems to have hired the child to work for the car company where he's wangled a job. (The film is primarily about his romance with the daughter of an auto magnate and his change in fortune.) The boy wears a uniform, no less! Child labor laws would make such employment for a little boy unacceptable.

    The acting is excellent throughout. The young woman, the boy, the landlady -- all are good. And Hunter shows himself a much more interesting actor than his roles in Kay Francis vehicles a few years hence would have suggested.
    8gcube1942

    A fine film, well worth your time.

    Without going into plot summaries I will stick to three main points: 1) I agree with all the nice things said by the other reviewers. If this is a "quota quickie" then bring on more! 2) You will not find another film where you get a peek under the bonnet of a 1934 Bentley, and with sound. 3) The best reason to watch this is Miss Nancy O'Neil. A total delight, wish she had made more films. At first I pondered about why the Brothers Warner did not bring her to Hollywood for a better career. But hey, the U.S.of A. had already "borrowed" Lilian Bond, Wendy Barrie, Margot Grahame, Benita Hume, Binnie Barnes, Diana Wynyard, Edna Best, Madeleine Carroll, Valerie Hobson, Elizabeth Allan, and others. Tough competition and perhaps Miss Nancy did not need the drama.
    6barnesgene

    Powell Mastering his Trade

    It's always interesting to experience the work of an artist before he really comes into his own, and so this little gem from director Michael Powell is a welcome addition to our knowledge of the man's genius. He has a boldness of vision, a sureness of hand, and an audacity far ahead of its time. Particularly telling are the way he cuts from one thread of the story to another. Not a single scene is one frame too long. Notice how, at the end, the scene of the butler closing the door as he just begins his knowing smile is suddenly interrupted by the final scene of the boy on the phone. A director with less moxie might be inclined to hold that butler scene a little longer so the audience can get all warm and sentimental, but not Powell. He knows he's got us where he wants us, and it's time to move on. A better story (hey, where'd that nice landlady go?) and a bit better acting (by which I mean, less American style acting) could possibly have garnered a few more stars, but it isn't important for a "quota quickie." I enjoyed it simply for what it was -- a lark.
    9atlasmb

    Charming, Charming

    Wonderful writing is what makes this comedy something special. This is just great storytelling. The film is charming and it offers a slate of characters that are very likable.

    Ian Hunter plays the part of Peter Middleton, an optimist who is suffering in the challenging economy, but always believes he will find a way to survive to the next day. He runs into a poor runaway named Billy (John Singer), and takes the kid under his wing. Now more motivated to find economic stability for the two of them, he sets off to ply his talents as a deal-maker. A misunderstanding results in an opportunity for Peter. And he meets Cynthia Hatch (Nancy O'Neil) with whom there is instant chemistry.

    Watch for Muriel George who plays the part of Mrs. Badger; she is delightful as the landlady with a tender heart.

    I would love for someone to remake this film and flesh it out a little, with modern references.

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    Related interests

    Meg Ryan and Billy Crystal in When Harry Met Sally... (1989)
    Romantic Comedy
    Barbra Streisand and Ryan O'Neal in What's Up, Doc? (1972)
    Screwball Comedy
    Will Ferrell in Anchorman: The Legend of Ron Burgundy (2004)
    Comedy
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    Romance

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Directed by Michael Powell, Something Always Happens (1934) is one of 23 "quota quickies" he was hired to helm for Teddington Studios, all of which were typically one-hour features needed to satisfy a legal requirement that cinemas in England exhibit a certain quota of British movies.

      The film's producer Irving Asher was an American who oversaw film production at Warner Brothers' British Studios. According to Powell in his autobiography, "A Life in Movies," Irving "had to make about 20 films a year to fulfill his British quota ... He went back to California each year with the head of his scenario department, raided the story department at Burbank and came back to Teddington with perhaps 50 scripts that had already been turned into films by those satanic mills and were already playing at Palaces and flea-pits all around the world, many of them with big stars like Bette Davis, Edward G. Robinson and James Cagney. Everything was run like a machine at Burbank and the average length of a script was 80 pages ... All that Irving had to do was hand the script to his story department, who cut it down to 50 pages and handed it over to a director like me. This was how tight little dramas like my Crown v. Stevens (1936), or comedies like "Something Always Happens"... arrived on the British screen. I made six or seven of these for Irving, slotting them in between other assignments. Jerry [Jackson] and he, both young Americans both in the quota-quickie business, were good friends. They carved me up between them, dovetailing their schedules so that I could work for both of them."
    • Goofs
      When Peter pushes over the fruit cart vendor and goes to duck through a doorway, a clear moving shadow of the boom microphone is visible to the left of the doorway.
    • Quotes

      Mrs. Badger: You'll get no food in this house until the rent's paid!

    • Soundtracks
      Spin a Little Web of Dreams
      (uncredited)

      Music by Sammy Fain

      Played at the restaurant when Peter pours champagne for Cynthia and himself

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    Details

    Edit
    • Release date
      • December 10, 1934 (United Kingdom)
    • Country of origin
      • United Kingdom
    • Language
      • English
    • Also known as
      • Succede sempre qualcosa
    • Filming locations
      • 12 St. Jame's Square, London, England, UK(Cynthia gets out of her Bently and enters here)
    • Production company
      • Warner Brothers-First National Productions
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 9m(69 min)
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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