Twentieth Century

Funny and intelligent comedy features a brilliant performance by Barrymore, spoofing his earlier "Svengali" role. He looks and acts a lot like Peter Sellars would in later similar performances; now morose, then practically jumping with energy. Lombard also turns in a right-on performance.

Here is a film where Hawks really finds his mark, because the comedic action is perfectly timed, flows nicely, and feels natural, and even includes some early Hawks "overlapping dialogue".

Hardly a dull moment, miles above its peers.

Howard Hawks' early foray into screwball comedy pits the wonderful pairing of John Barrymore and Carole Lombard against each other. She is Lily Garland, a Broadway actress about to break in Hollywood; he's her theatrical producer and on-off beau, desperate for her to stay. Around half of the film is taken up with them screeching at each other, leaving the supporting actors with very little to do.

There is a lot of sparkle here, great performances from the two leads, who work together just fine, and a screenplay which moves almost as fast as the train which gives the movie its title. Ten years after this was made, both Barrymore and Lombard were dead, but this stands as a fine epitaph for them together.

Why this loud talky mess gets top ratings from professionals stumps me (TMC, Maltin, et al.). The only thing I can figure is they're overly impressed by pedigree—namely Hawks, Lombard, Barrymore, and the writing team of Hecht and MacArthur. But once you get past the legendary reputations, the results are more annoying than impressive. It seems someone confused frenetic with amusing, while the arm waving babble is simply non-stop. It's like everyone will laugh if you just say it loud enough with enough spastic energy.

Barrymore, in particular acts like he's heck-bent on climbing the walls. But the lines aren't funny, and neither are the situations—reputations or no. Maybe the screenplay is aimed at show-biz types who will catch on to esoteric inside jokes. Some such is the only explanation I can think of. Hawks, fortunately, appears to have learned his lesson. His Binging Up Baby (1938) amounts to a masterpiece of madcap. It's everything this indulgent mess isn't, but should be. There appears to be a moral to this movie, but whatever it is, it's not a good one.

Completely over the top, silly but very funny, Twentieth Century makes the most of Carole Lombard and John Barrymore's comedic talents. This film marked the beginning of Lombard's fabulous career (tragically cut short in 1942) and the end of Barrymore's. They truly are two of the best performers that motion picture history has ever seen. I really envy Lombard's ability to laugh on cue, and Barrymore's ability to pull hilarious facial expressions.

Oscar Jaffe, (John Barrymore), a big time director, made Mildred Plotka – now named Lily Garland – a star, but HIS career is taking a battering after Lily packed up her life with him and on stage for Hollywood stardom. They accidentally meet on the Twentieth Century Limited – and hilarity ensues! There is some fantastic physical comedy here and both Barrymore and Lombard are fantastic as the overly dramatic actor/director couple who are only real "from curtain to curtain". It's a great balance of drama/comedy.

My favourite part was definitely the start. I laughed out loud when Barrymore says "Dinga-linga-ling". After seeing him in Dinner at Eight (1933), I was surprised he had THIS much talent for comedy. Carole of course is her usual perfect self. I believe neither overshadows each other. I was very impressed with both of them. However, I have not forgotten the brilliant supporting cast, with the likes of Walter Connolly, Roscoe Karns and Ralph Forbes.

Twentieth Century is a classic screwball comedy which could please the harshest of critics. Dramatic, funny but in many ways climatic. I would have enjoyed it even it had been disappointing as all the fashions were absolutely divine! Wonderful to see Hollywood's greatest actors produce such fine work together. A classic through and through.

John Barrymore leads a great cast in this zany comedy of life in the theater. His performance alone is worth seeing as he proves what a gift he had for comedy. The rest of the cast is wonderful too. And if you disagree, I'll close the iron door on ya!