Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box officeShowtimes & ticketsMovie newsIndia movie spotlight
    What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news
    What to watchLatest trailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily entertainment guideIMDb Podcasts
    OscarsEmmysToronto Int'l Film FestivalHispanic Heritage MonthIMDb Stars to WatchSTARmeter AwardsAwards CentralFestival CentralAll events
    Born todayMost popular celebsCelebrity news
    Help centerContributor zonePolls
For industry professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign in
  • Fully supported
  • English (United States)
    Partially supported
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
  • Cast & crew
  • User reviews
  • Trivia
IMDbPro

The Women in His Life

  • 1933
  • Passed
  • 1h 15m
IMDb RATING
6.3/10
275
YOUR RATING
C. Henry Gordon, Isabel Jewell, Roscoe Karns, and Otto Kruger in The Women in His Life (1933)
CrimeDramaRomance

A brilliant, successful criminal defense attorney's life is turned upside down when he takes on a case of a murdered woman who turns out to be an old flame who left him 10 years ago.A brilliant, successful criminal defense attorney's life is turned upside down when he takes on a case of a murdered woman who turns out to be an old flame who left him 10 years ago.A brilliant, successful criminal defense attorney's life is turned upside down when he takes on a case of a murdered woman who turns out to be an old flame who left him 10 years ago.

  • Director
    • George B. Seitz
  • Writer
    • F. Hugh Herbert
  • Stars
    • Otto Kruger
    • Una Merkel
    • Ben Lyon
  • See production info at IMDbPro
  • IMDb RATING
    6.3/10
    275
    YOUR RATING
    • Director
      • George B. Seitz
    • Writer
      • F. Hugh Herbert
    • Stars
      • Otto Kruger
      • Una Merkel
      • Ben Lyon
    • 15User reviews
    • 1Critic review
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos10

    View Poster
    View Poster
    View Poster
    View Poster
    View Poster
    View Poster
    + 5
    View Poster

    Top cast33

    Edit
    Otto Kruger
    Otto Kruger
    • Kent 'Barry' Barringer
    Una Merkel
    Una Merkel
    • 'Simmy' Simmons
    Ben Lyon
    Ben Lyon
    • Roger McKane
    Isabel Jewell
    Isabel Jewell
    • Catherine 'Cathy' Watson
    Roscoe Karns
    Roscoe Karns
    • Lester
    Irene Hervey
    Irene Hervey
    • Doris Worthing
    C. Henry Gordon
    C. Henry Gordon
    • Tony Perez
    Samuel S. Hinds
    Samuel S. Hinds
    • Thomas J. Worthing
    Irene Franklin
    Irene Franklin
    • Florence Steele…
    Muriel Evans
    Muriel Evans
    • Molly
    Raymond Hatton
    Raymond Hatton
    • Curly
    Jean Howard
    Jean Howard
    • Information Girl
    Paul Hurst
    Paul Hurst
    • Paul
    Don Brodie
    Don Brodie
    • Reporter
    • (uncredited)
    Claire Du Brey
    Claire Du Brey
    • Mrs. North
    • (uncredited)
    George Guhl
    George Guhl
    • Mr. Willis
    • (uncredited)
    Robert Homans
    Robert Homans
    • Cop
    • (uncredited)
    Olaf Hytten
    Olaf Hytten
    • Page
    • (uncredited)
    • Director
      • George B. Seitz
    • Writer
      • F. Hugh Herbert
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews15

    6.3275
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Featured reviews

    6SnoopyStyle

    like the premise

    Kent Barringer (Otto Kruger) is a self-assured cynical womanizing successful defense lawyer. He gets another guilty man off. He uses every trick to win his cases. He keeps a picture of an old flame to remind him that love is an illusion. He gets a case defending a supposed innocent murderer. He is shocked to find the victim to be his pictured ex.

    This is a pre-Code drama. I really like the premise and the start. I would like a more dashing and younger lead. Otherwise, Otto Kruger is pretty good. I don't buy the doppelganger defense. Everybody has a doppelganger. Kent didn't actually prove anything. As for the big case, I thought he would do more investigating after the loss. The second half is not as compelling.
    6jcasetnl

    Slightly uneven with weak ending

    This is part love story and part courtroom drama. Otto Kruger plays, Kent Barringer, a supremely confident trial lawyer who just can't lose, but is ultimately selfish and soulless. A woman begs him to work Pro Bono on the case of her father who is accused of murder, but after promising to do so, Kruger ignores her. When he finally gets around to reviewing the facts of the case, he realizes he is connected with it in a very personal way, and this realization ultimately leads him to a new approach on life.

    The film is entertaining but a bit too melodramatic and fantasy-bound for my tastes. Kruger is proficient in his role and great fun to watch. I look forward to seeing more of his work since is the first film I've ever seen him in. The supporting cast does good work yet there aren't any standouts.

    Fun Fact: This is the earliest on-screen appearance of a pinball machine.
    classicflm

    Worthy performances

    Not a great movie by any means. However, you will see Otto Kruger like you've never seem him before. His performance is outstanding, ond I had never been a fan of his ever, until now. See it just for him.
    8AlsExGal

    Otto Kruger has a not so magnificent obsession

    Kent "Barry" Barringer (Otto Kruger) is a hard cynical lawyer. He gets clients acquitted he knows are guilty using cute "tricks" such as having the defendant's double sit in court being identified by witness after witness only to introduce the real defendant sitting out in the crowd, thus causing reasonable doubt.

    Barringer has women betting a night with their bodies over a pinball game. He distrusts even "the women in his life" as cheating chiselers. You see, his wife ran out on him ten years before and something inside him died at the time, so he's spent his time becoming the world's best criminal attorney and "hate bedding" women ever since.

    Then one day an innocent appears at his office door - Her father is accused of killing her stepmother. When Barringer sees the dead woman's photo, he realizes that she is the wife who left him ten years ago. He breaks down - as long as there was life there was hope, but now she's dead. She'll never come back. Barringer abandons his practice and his clients and goes on a bender. But what of the girl's father and his trial? Watch and find out.

    This is one of my favorite legal precodes. It has everything and its pacing and ability to seamlessly transition from one genre to another is excellent. At first, the film is a courtroom drama, by the end it is a gangster tale. It really has no big stars in it, and Otto Kruger is in rare form in a rare leading role.

    Though made by MGM, it really doesn't seem like a film of the era or one that the studio cared very much about, and as a result of MGM's neglect it turned out to be something special. The best way I could describe it is as though MGM and WB had a child. And that child - this film - has the MGM class and WB's sass. I'd highly recommend it.

    With Una Merkel as Barringer's unflappable secretary, Ben Lyon as Barringer's straight arrow junior partner, Isabel Jewell as the woman who loves Barringer but might as well be talking to a rock when it comes time to talk of love, and Roscoe Karns as the same kind of wise-cracking assistant he played in 20th Century the following year.
    8csab-39797

    Otto Kruger at his best!

    This movie would have been mediocre at best had it not been for Otto Kruger's performance. His acting in this movie is so natural, so unlike most precode acting where the acting is over dramatic. I honestly kept wTching just for him, he totally drew me in.

    Best Emmys Moments

    Best Emmys Moments
    Discover nominees and winners, red carpet looks, and more from the Emmys!

    More like this

    Special Agent
    6.4
    Special Agent
    My Gun Is Quick
    6.1
    My Gun Is Quick
    Belle of the Nineties
    6.3
    Belle of the Nineties
    We're in the Money
    6.3
    We're in the Money
    The Firebird
    6.1
    The Firebird
    Men Must Fight
    6.2
    Men Must Fight
    The Strange Love of Molly Louvain
    6.4
    The Strange Love of Molly Louvain
    Half a Hero
    5.6
    Half a Hero
    The Stranger's Return
    6.9
    The Stranger's Return
    Bulldog Drummond in Africa
    6.0
    Bulldog Drummond in Africa
    Ladies of Leisure
    6.7
    Ladies of Leisure
    Monkey Business
    6.9
    Monkey Business

    Related interests

    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)
    Crime
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    Romance

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The opening scene features Otto Kruger playing a Pinball Machine. This is the earliest known on-screen appearance of a Pinball Machine in a major production. At the time, flippers had not yet been invented and pinball machines were often used for gambling. There was a lot of public debate at the time as to whether pinball was a game of skill or chance, and it was banned in many parts of the country. The movie played on that debate with Kruger making a bet with his lady-friend, and when complimented for his luck, replies "Not luck - skill."
    • Goofs
      All entries contain spoilers
    • Quotes

      Kent Barringer: In a case like yours, an ounce of showmanship is worth a ton of evidence.

    • Connections
      Referenced in Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood (2008)
    • Soundtracks
      We Must Have One More Rum-Tum-Tum
      (uncredited)

      Composer unknown

      Sung a cappella by Roscoe Karns and Irene Franklin

    Top picks

    Sign in to rate and Watchlist for personalized recommendations
    Sign in

    Details

    Edit
    • Release date
      • December 8, 1933 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Payment in Full
    • Filming locations
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA(Studio)
    • Production company
      • Metro-Goldwyn-Mayer (MGM)
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 15m(75 min)
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

    Contribute to this page

    Suggest an edit or add missing content
    • Learn more about contributing
    Edit page

    More to explore

    Recently viewed

    Please enable browser cookies to use this feature. Learn more.
    Get the IMDb App
    Sign in for more accessSign in for more access
    Follow IMDb on social
    Get the IMDb App
    For Android and iOS
    Get the IMDb App
    • Help
    • Site Index
    • IMDbPro
    • Box Office Mojo
    • License IMDb Data
    • Press Room
    • Advertising
    • Jobs
    • Conditions of Use
    • Privacy Policy
    • Your Ads Privacy Choices
    IMDb, an Amazon company

    © 1990-2025 by IMDb.com, Inc.