Bonnie Scotland

Stan and Ollie travel all the way to Bonnie Scotland to collect on an inheritance left by Stan MacLaurel's late grandfather. Both he and his cousin June Lang are provided, but she's not of age and she's under the firm guardianship of Colonel Vernon Steele and his scheming Mrs., Anne Grey.

William Janney, the clerk in lawyer David Torrence's office is in love with June Lang, but she's spirited off to India during the British Raj. Never mind, Stan and Ollie and poor young Janney also find their way there as the scene of the plot shifts from Bonnie Scotland to India with the Highlanders.

It's all a pretty thin plot, but good enough to hang some of Stan and Ollie's best screen moments on. One of my all time favorites is when Ollie has an encounter with a snuff box which was half of Laurel's inheritance the other half being a set of bagpipes. Another is when Stan and Ollie try to use the bedsprings in their hotel to grill some fish and nearly burn poor Mary Gordon's establishment down.

After the boys go into the Indian Army they become the bane of the existence of their old nemesis, Sergeant James Finlayson. In the end Janney, Finlayson, and the boys provide a hilarious ending to a tribal rebellion.

Films like Lives of a Bengal Lancer and Charge of the Light Brigade about the British Raj take one good beating from producer Hal Roach and his intrepid and incomparable stars. For fans of Stan and Ollie the world over.

Laurel and Hardy go to Scotland, because Laurel has an inheritance there from his Scottish uncle.In Scotland boys join the Indian army-by accident.Bonnie Scotland is a nice Laurel and Hardy comedy from 1935.It has some very funny parts, like when the boys are making the fish and who could forget the dancing scene with the boys.

This time, Laurel and Hardy are off to Scotland to collect an inheritance from Laurel's uncle Angus Ian McLaurel. This is one of their more elaborate features, as they proceed to joining the Indian Army and fighting off the Arabs who are invading the country. Directed by perennial L&H director, James Horne. Great score, culminating Scottish folk tunes and the usual classic score by Marvin Hatley.

After a particularly wicked day, having to contend with the weather outside and the workplace inside, I settled down to view a serendipitous broadcast. Fans don't seem to hold this feature film with Mr Laurel and Mr Hardy in as high regard. It was the first one of theirs I'd seen from start to finish besides their take on Babes in Toyland, the broadcast of which is a New York metropolitan-area Christmas tradition.

You certainly don't view this for the acting, topicality or thematic consistency. The transition from a heat-shrunken pair of pants to India by way of the Highlanders made me blink, and I half-expected an extra to blurt, "It's like Gunga Din all over again!"

But one brilliant scene displayed the worst fear of anyone on parade, and what could only be called a dance set to "100 Pipers" had to have been spur-of-the-moment. Perhaps I was especially susceptible to five (count 'em) scenes that instantly generated tears of helpless laughter: The snuff box and the footbridge, the bagpipes and glass smoking water pipe (they're apparently related), the candle beneath the bed beneath the...fish...and the final five or so minutes that had to have inspired The Goon Show.

I bless the gents' memory for the gift...and that of Leatherpuss too!

This is a good film, but unfortunately some dunderhead insisted on adding a side love interest that did not in any way involve Stan and Ollie. Why, if you have the greatest comedy team ever would you insist on adding pointless subplots? Who cares if the boy gets the girl--I want more Stan and Ollie. And, because of this, the amount of funny stuff that the boys do is limited to probably a short's worth of humor--stretched out to feature length! When Stan and Ollie ARE on film, they are good--not great. But, even good Laurel and Hardy is well worth watching.

For a better full-length Laurel and Hardy movie, try PARDON US, A CHUMP AT OXFORD or especially SONS OF THE DESERT. And, try to avoid the musical Laurel and Hardy full-length films such as THE DEVIL'S BROTHER or BABES IN TOYLAND. Once again, I want JUST Laurel and Hardy--no love stories, subplots or music--just 100% pure Stan and Ollie!