Mary Shelley reveals the main characters of her novel survived: Baron Henry Frankenstein, goaded by an even madder scientist, builds his monster a mate.Mary Shelley reveals the main characters of her novel survived: Baron Henry Frankenstein, goaded by an even madder scientist, builds his monster a mate.Mary Shelley reveals the main characters of her novel survived: Baron Henry Frankenstein, goaded by an even madder scientist, builds his monster a mate.
- Nominated for 1 Oscar
- 6 wins & 4 nominations total
Boris Karloff
- The Monster
- (as Karloff)
Anne Darling
- Shepherdess
- (as Ann Darling)
Robert Adair
- Hunter in Woods
- (uncredited)
Norman Ainsley
- Archbishop
- (uncredited)
Summary
Reviewers say 'Bride of Frankenstein' is acclaimed for its themes of isolation and companionship, enhanced by impressive visual effects and atmospheric cinematography. Boris Karloff and Elsa Lanchester deliver iconic performances, while humor and camp elements enrich the horror genre. The monster's emotional depth and quest for acceptance are significant improvements. Franz Waxman's score elevates the eerie and dramatic atmosphere.
Featured reviews
Without a doubt, this is one of the greatest horror movies of all time and the highlight of James Whale's career. The atmosphere evoked from the sets is near perfect, and although actually filmed on the Universal back-lot, you can believe that you are being led through a 19th century Bavaria. Although Karloff portrayed the monster only 3 times, this was undoubtedly the pinnacle of his career, and the film that most fans will remember him for. Mention should also be made of the excellent performance given by Ernest Thesiger as Doctor Pretorious. I've been interested in movies since I was 4 years old and have "Bride of Frankenstein" to thank for that. Superb.
Everything went right; from the opening,where Lanchester plays Mary Wollstonecraft Shelley with a gleam in her eye, and overly sweet sarcasm, to the beginning of the sequel, where Karloff is thought dead, to Lanchesters Nefertiti hair near the end , her priceless reactions.
Karloff is excellent as a monster wanting a mate. Una O'Connor is a scream as Minnie, the old biddy who is screeching to see the Monster killed, then shrieks when she spots the Monster. She is told to shut up at least five times in the film. Ernest Thesiger as Dr. Pretorius is a great mix of horror and humor; he robs graves, and also swigs gin out of laboratory beakers, has supper on top of a coffin, gets the Monster to have cigars with him.
Franz Waxmans' playful score, the cinematography and set design that are both reminiscent of "The Cabinet of Dr. Caligari" (1919), Everything works. The perfect mix of horror and humor.
Karloff is excellent as a monster wanting a mate. Una O'Connor is a scream as Minnie, the old biddy who is screeching to see the Monster killed, then shrieks when she spots the Monster. She is told to shut up at least five times in the film. Ernest Thesiger as Dr. Pretorius is a great mix of horror and humor; he robs graves, and also swigs gin out of laboratory beakers, has supper on top of a coffin, gets the Monster to have cigars with him.
Franz Waxmans' playful score, the cinematography and set design that are both reminiscent of "The Cabinet of Dr. Caligari" (1919), Everything works. The perfect mix of horror and humor.
10crisso
Forget the likes of "The Godfather II" and "The Empire Strikes Back" - "Bride of Frankenstein" is THE greatest example of a sequel completely surpassing the original in terms of sheer brilliance. Coming four years after the original 'Frankenstein' in 1931, director James Whale was originally reluctant to make a sequel but changed his mind after being allowed to make the film more on his own terms. No other director has ever managed to blend horror, comedy and pathos as successfully Whale. The film features some of the most memorable scenes in cinema history, notably the monster's encounter with a lonely hermit and the introduction of 'The Bride'. The film has it all: superb casting, tremendous sets and make up, memorable dialogue ("To a new world of Gods and monsters") and a brilliant score by Franz Waxman. Boris Karloff must surely be one of the greatest actors to ever appear on film. He manages to improve on his initial characterisation of the Monster, due mainly to the addition of dialogue ("Friends, good!"), and, unlike in the first movie, actually makes us feel total empathy for the Monster. Colin Clive returns as the reluctant Doctor F, Una O'Connor makes a wonderful addition as the twittering and hysterical Minnie, but it is Ernest Thesiger who steals the film with his hilarious performance ("Have a cigar. They are my only weakness") as the sinister Dr. Pretorious. Although Elsa Lanchester appears as the Bride for only about 2 minutes at the film's finale, it will be the role for which she is forever associated. The film is regarded as the high point of the Universal horror series and stands as a testament to the genius of James Whale.
James Whale's 'Frankenstein' was a landmark movie (released in 1931, a year of two other landmark movies, Todd Browning's 'Dracula' and Fritz Lang's 'M'), and one of the most important and influential movies ever made. 'Bride Of Frankenstein' is a very rare beast, a sequel which not only equals, but surpasses the original! In my mind it is the greatest sequel in the history of motion pictures, and a strong contender for the greatest horror movie of all time. It's certainly one of the most original, stylish and entertaining ones, that's for sure. Horror legend Boris Karloff reprises his role as The Monster and manages to top his brilliant original performance, and give his character even more depth and emotion. Colin Clive reappears as Dr. Frankenstein, and legendary character actor Dwight Frye (Fritz in the first movie and Renfield in 'Dracula') plays another memorable supporting role as Karl. The beautiful Valerie Hobson replaces Mae Clarke as Elizabeth (a smart move!), and the eagle eyed with spot future stars John Carradine and Walter Brennan in bit parts, but the best thing about the movie apart from Karloff, is the addition of Elsa Lanchester as The Monster's "bride", and the wonderfully eccentric Ernest Thesiger as the nutty and sinister Dr. Pretorious. Karloff, Thesiger and Lanchester between them are responsible for some of the most memorable scenes in cinema history, particularly the "I...love....dead....Hate....living" exchange, the sequence with the blind hermit (absolutely heartbreaking!), and of course, the totally unforgettable meeting between The Monster and his mate! This is still an astonishing movie experience almost seventy years after it was made. Every single time I watch it I marvel at it. 'Bride Of Frankenstein' is one of the best movies I have ever seen, horror or otherwise. This movie comes with my highest possible recommendation!
I love the first Frankenstein, it was shocking and enthralling despite the complaints of it being dated and slow. Maybe so but I still love it. The Bride of Frankenstein is a wonderful sequel to an already wonderful film, and surpasses it technically I feel. Even if the acting is a little forced in the beginning scene, with the exception of Elsa Lanchester, that is such a minor flaw compared to how good and enjoyable this film was. If you ask me Bride of Frankenstein is one of the greatest achievements in the history of horrordom.
First of all, it is extravagantly produced. The sets are really imaginative, the cinematography is beautiful and the costumes are extravagant. Along the way I noticed two improvements compared to the first film. One is that Bride of Frankenstein is faster in pace, and two the music score is more haunting and melancholic here, Franz Waxman was the perfect choice for composer. Bride of Frankenstein also has some really effective scenes, the ending was very well done as was the unveiling of the bride to the sound of wedding bells and the miniature people in the bell jars, but I found the scene between the monster and the blind hermit especially touching. James Whale's direction is innovative just like in the first film, and the script is also very good and adds to the atmosphere. The acting is excellent, Colin Clive is very good once again as the eccentric Henry Frankenstein, and Ernest Thesiger gives a genius turn as Doctor Pretorious. Valerie Hobson is alluring and sympathetic as Elizabeth, occasionally overdoing it with the hysteria but she was fine overall, while Elsa Lanchester is good as Mary Shelley but electrifyingly beautiful as the bride. Once again though, Boris Karloff gives the finest performance, his towering presence and frightening look ensures for some scares, but he is very poignant as well, as his monster only wants to fit in and is rejected by everybody.
Overall, a wonderful sequel, and not to be missed! 10/10 Bethany Cox
First of all, it is extravagantly produced. The sets are really imaginative, the cinematography is beautiful and the costumes are extravagant. Along the way I noticed two improvements compared to the first film. One is that Bride of Frankenstein is faster in pace, and two the music score is more haunting and melancholic here, Franz Waxman was the perfect choice for composer. Bride of Frankenstein also has some really effective scenes, the ending was very well done as was the unveiling of the bride to the sound of wedding bells and the miniature people in the bell jars, but I found the scene between the monster and the blind hermit especially touching. James Whale's direction is innovative just like in the first film, and the script is also very good and adds to the atmosphere. The acting is excellent, Colin Clive is very good once again as the eccentric Henry Frankenstein, and Ernest Thesiger gives a genius turn as Doctor Pretorious. Valerie Hobson is alluring and sympathetic as Elizabeth, occasionally overdoing it with the hysteria but she was fine overall, while Elsa Lanchester is good as Mary Shelley but electrifyingly beautiful as the bride. Once again though, Boris Karloff gives the finest performance, his towering presence and frightening look ensures for some scares, but he is very poignant as well, as his monster only wants to fit in and is rejected by everybody.
Overall, a wonderful sequel, and not to be missed! 10/10 Bethany Cox
Frankenstein Through the Years
Frankenstein Through the Years
Take a closer look at some of the iconic potrayals of this misunderstood monster, from Boris Karloff to Jacob Elordi.
Did you know
- TriviaCinematographer John Mescall's drinking had become so problematic that the studio had to provide a car to get him safely to and from the set. James Whale liked that he worked fast and rarely wasted time fussing with incidental camera and lighting hardware. He was still very good at his job, even when drunk.
- GoofsAt the end of Frankenstein (1931), the injured Henry is taken back home and resting in bed when the film ends. Yet at the beginning of this movie (following the Shelley/Byron prologue), Henry is still at the windmill and wounded. Since Frankenstein (1931) was still in circulation, new prints were released that excised the happy ending. So there were no continuity issues - at least, not in 1935.
- Quotes
Doctor Pretorius: To a new world of gods and monsters!
- Crazy creditsIn the opening and closing credits, "The Monster's Mate" is listed as being played by "?." Elsa Lanchester is only billed as playing Mary Shelley.
- Alternate versionsThe Director's cut was 87 minutes long, but Producer Carl Laemmle Jr. imposed a number of cuts, to tame down the Director's "excesses". The Prologue was cut (making difficult to understand the present dialogue), the body count was reduced from 21 to 10, two love scenes between the couple and a toy representing the Monster with a child have been deleted. This ammount of 12-minute footage has subsequently been lost, making it impossible to reconstruct the initial idea by 'James Whale'.
- ConnectionsEdited into House of Dracula (1945)
- SoundtracksFrühlingslied (Spring Song) Op.62 #6
(1842) (uncredited)
Written by Felix Mendelssohn
Danced by Marie DeForrest
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- La novia de Frankenstein
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $397,024 (estimated)
- Gross worldwide
- $11,533
- Runtime
- 1h 15m(75 min)
- Color
- Aspect ratio
- 1.37 : 1
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