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IMDbPro

The Girl from 10th Avenue

  • 1935
  • Approved
  • 1h 9m
IMDb RATING
6.7/10
1.5K
YOUR RATING
Bette Davis in The Girl from 10th Avenue (1935)
A lawyer impulsively marries a stranger after his fiancée dumps him.
Play trailer2:13
2 Videos
10 Photos
Drama

A lawyer impulsively marries a stranger after his fiancée dumps him.A lawyer impulsively marries a stranger after his fiancée dumps him.A lawyer impulsively marries a stranger after his fiancée dumps him.

  • Director
    • Alfred E. Green
  • Writers
    • Charles Kenyon
    • Hubert Henry Davies
  • Stars
    • Bette Davis
    • Ian Hunter
    • Colin Clive
  • See production info at IMDbPro
  • IMDb RATING
    6.7/10
    1.5K
    YOUR RATING
    • Director
      • Alfred E. Green
    • Writers
      • Charles Kenyon
      • Hubert Henry Davies
    • Stars
      • Bette Davis
      • Ian Hunter
      • Colin Clive
    • 16User reviews
    • 7Critic reviews
  • See production info at IMDbPro
    • Awards
      • 1 win total

    Videos2

    Original Trailer
    Trailer 2:13
    Original Trailer
    Girl From Tenth Avenue Clip
    Clip 2:57
    Girl From Tenth Avenue Clip
    Girl From Tenth Avenue Clip
    Clip 2:57
    Girl From Tenth Avenue Clip

    Photos9

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    Top cast35

    Edit
    Bette Davis
    Bette Davis
    • Miriam Brady
    Ian Hunter
    Ian Hunter
    • Geoffrey Sherwood
    Colin Clive
    Colin Clive
    • John Marland
    Alison Skipworth
    Alison Skipworth
    • Agnes Martin
    John Eldredge
    John Eldredge
    • Hugh Brown
    Phillip Reed
    Phillip Reed
    • Tony Hewlett
    Katharine Alexander
    Katharine Alexander
    • Valentine
    Helen Jerome Eddy
    Helen Jerome Eddy
    • Miss Mansfield
    Bill Elliott
    Bill Elliott
    • James
    • (as Gordon Elliott)
    Edward McWade
    Edward McWade
    • Art Clerk
    Adrian Rosley
    • Marcel
    André Cheron
    • Max
    • (as Andre Cheron)
    Vesey O'Davoren
    • Servant
    • (scenes deleted)
    Sam Ash
    Sam Ash
    • College Club Guest Outside Bar
    • (uncredited)
    Brooks Benedict
    Brooks Benedict
    • Waldorf Diner
    • (uncredited)
    Davison Clark
    • Detective #2
    • (uncredited)
    Heinie Conklin
    Heinie Conklin
    • Waiter at Marchand's
    • (uncredited)
    James Donlan
    James Donlan
    • First Detective
    • (uncredited)
    • Director
      • Alfred E. Green
    • Writers
      • Charles Kenyon
      • Hubert Henry Davies
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews16

    6.71.4K
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    Featured reviews

    6blanche-2

    Bette Davis eyes

    Bette Davis was 27 when she made "The Girl from Tenth Avenue" in 1935. She's very slim and pretty, and as someone points out on this site, she looks more realistic than Joan Crawford did in these roles because Warners was less concerned with glamor. Davis did some roles in the early days where she was glamored up, such as "The Man Who Played God" and "Fashions of 1934" where she looks very pretty. Even in black and white, those huge blue eyes of hers really pop. When I saw her in person when she toured with John Springer, who interviewed her on stage, that's the first thing you noticed. That and that she looked so much better than she did in most of her roles.

    "The Girl from Tenth Avenue" is about shopgirl, Miriam, who takes pity on society drunk Geoff (Ian Hunter) whose ex-girlfriend Valentine (Katharine Alexander) has just married someone else. Miriam marries him, and the two are happy, and he's sober, until Valentine tosses her husband (Colin Clive) out. Then she tears after Geoff. Since Miriam is from a different social class and self-conscious about it, she feels threatened.

    Predictable class-conscious drama with nice performances. This is early Davis, before Warner Brothers realized that she was a forceful actress. It would be a couple of years yet before she hit her stride. Alison Skipworth provides the comedy as Mrs. Martin, who tries to counsel Miriam through her troubles.

    Primarily for Davis fans.
    6SnoopyStyle

    flawed romance

    After his girlfriend Valentine French dumps him to marry a wealthy suitor, prominent lawyer Geoffrey Sherwood (Ian Hunter) gets drunk and impulsively marries Miriam Brady (Bette Davis) whom he had just met.

    This has a dash of Pygmalion with a love quadrangle. The Pygmalion part could be more acute and it would help to have Geoffrey do the teaching. The issue is that Geoffrey and Miriam need to build more chemistry in their relationship. He's a drunk and she has no reason to want him other than finances. Quite frankly, I'm fine with dumping Geoffrey with Valentine if they still want each other. I don't see the romantic connection between Geoffrey and Miriam. Any chemistry is generated by the power of Bette Davis' charisma and I question her reasoning. Otherwise, this is an emotionally flawed romance.
    5Doylenf

    Bette Davis before Warner Bros. gave her good roles...

    Strictly for die-hard Davis fans.

    She's a shop girl from the wrong side of the tracks who meets lawyer IAN HUNTER, on a drunk bender, and decides to restore him to his better self on the spur of the moment. Once he's reformed, she has a struggle trying to keep him from former flame KATHARINE Alexander. (For some reason, my computer refuses to put "Alexander" in caps). It's not a typo.

    It's a trifle, the kind of film Davis would come to detest in that it was nothing more than a routine melodrama with some comedy interludes from ALISON SKIPWORTH as a landlady who wants to spruce up Bette's ability to mix with IAN HUNTER's society friends.

    Made worth a look only for Bette Davis' performance. She's trim, blonde and almost pretty with those Bette Davis eyes lined with mascara. Unfortunately, it's a weak script with a predictable ending. COLIN CLIVE has little to do but he does play a good drunk scene.

    TCM is showing this as part of their Depression-era films.
    Single-Black-Male

    The 27 Year Old Bette Davis

    She had no sex appeal and was as interesting to watch as paint drying on a winter's day. This is just the opinion of Universal International. Warner Brothers and RKO saw her differently because she garnered academy awards for them.
    6bkoganbing

    .......and the guy from 5th Avenue

    The Girl From 10th Avenue is one of those B programmers that the brothers Warner were throwing Bette Davis into before they realized what a talent they had. She had already done and got rave reviews for Of Human Bondage, but it made not a whiff of difference. She was a few films from her consolation Oscar for Dangerous.

    When Davis got films really beneath her she just went full blown Bette with the voice and the mannerisms that impressionists made a living on for decades. In this film she's a shopgirl who lives in Hell's Kitchen on 10th Avenue who happens to aid a 5th Avenue playboy Ian Hunter when he's been out on a toot. The two wind up married. But can they make a go of it and can Bette fit in with the society just five city blocks from her roots.

    This was another Depression Era plot, the shopgirl who marries well and tries to make a go of it. Joan Crawford over at MGM was well known for these roles, though the best of them was the gold digging Crystal in The Women. Davis has to deal with Katharine Alexander who Hunter had broken off with and Hunter has Alexander's ex-husband Colin Clive as a confidante.

    Who really scores well is Alison Skipworth who back in the day was a Floradora girl who made a society catch of her own. Skipworth shows Davis the ropes in her own inimitable style.

    The Girl From 10th Avenue gets a couple of notches higher rating simply because Davis pushes it up.

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    Related interests

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The original play opened in New York on 2 November 1914.
    • Goofs
      While drinking with John at the College Club, Geoffrey fills his glass in three successive shots without drinking the previous contents.
    • Quotes

      Geoffrey Sherwood: Now I'm in oil.

      Hugh Brown: So is a sardine.

    • Connections
      Referenced in Fat Chance (1981)
    • Soundtracks
      Bridal Chorus
      (uncredited)

      from "Lohengrin"

      Music by Richard Wagner (1850)

      Played on an organ before the wedding

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    Details

    Edit
    • Release date
      • June 1, 1935 (United States)
    • Country of origin
      • United States
    • Languages
      • English
      • French
    • Also known as
      • Men on Her Mind
    • Filming locations
      • Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, USA(Studio)
    • Production company
      • First National Pictures
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 9m(69 min)
    • Color
      • Black and White
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.37 : 1

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