Porky digs up some gold and send Beans to town to stake a claim.Porky digs up some gold and send Beans to town to stake a claim.Porky digs up some gold and send Beans to town to stake a claim.
Photos
Billy Bletcher
- Gold Thief
- (uncredited)
Tommy Bond
- Beans
- (uncredited)
The Californians
- Cowboy Vocalists
- (uncredited)
Joe Dougherty
- Porky Pig
- (voice)
- (uncredited)
Bernice Hansen
- Little Kitty
- (voice)
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
It's 1849 and prospectors are searching for gold in Red Gulch. Our hero Beans finds it by way of a slot machine and inspires a small town to join the gold rush. There are lots of captions to move the story along, although they never explain what kind of animal Beans is. I suppose he look a bit like Felix the cat, but then most of the characters in the thirties did. Still the Warner brothers must have had high hopes for Beans, as he gets the honour of saying "That's all folks" at the end. Lots of silly animals appear, including an unnecessary barbershop quartet and a big fat pig who seems to be in charge of things. Could this slob really be Porky? He has the stutter, but that is the only recognizable feature.
Enter the villain employing an impressive lasso gun to steal Porky's most prized possession. If beans gets it back Porky tells him he can literally have his daughter. Luckily for Beans the girl does not look like her father but seems to be of the same unidentified black and white species as our hero. The chase scene features some early examples of the kind of lunacy that would make Supervisor Fred (Tex) Avery famous in later years, but the pace is much slower. The art of animation was so new at this time, that just seeing funny animals riding mules and horses, driving cars and playing racial stereotypes was good enough for a laugh.
4 out of 10
Enter the villain employing an impressive lasso gun to steal Porky's most prized possession. If beans gets it back Porky tells him he can literally have his daughter. Luckily for Beans the girl does not look like her father but seems to be of the same unidentified black and white species as our hero. The chase scene features some early examples of the kind of lunacy that would make Supervisor Fred (Tex) Avery famous in later years, but the pace is much slower. The art of animation was so new at this time, that just seeing funny animals riding mules and horses, driving cars and playing racial stereotypes was good enough for a laugh.
4 out of 10
"Gold DIggers of '49"* is a first...as well as a second. First, it is the first cartoon directed by Fred 'Tex' Avery. While it lacks the wonderful weirdness of his later MGM films, it is significantly better than the Harmon-Ising singing cartoons Looney Tunes was known for at the time. Second, it's Porky Pig's second film. And, unlike the first ("I Haven't Got a Hat"), Porky is older and fatter.
The cartoon is one starring a character long forgotten...mostly because he just wasn't that interesting. 'Beans' (I think he's supposed to be a cat) is the hero here and he and Porky and many others are all out looking for gold in 19th century California. There are a few nice laughs here and there...as well as a few nasty 1930s racial stereotypes which were not that unusual for the time.
*Nearly all of the cartoons by Looney Tunes and most other studios (aside from Disney) made black & white cartoons in 1935. This is because Disney bought exclusive cartoon rights to Three-Color Technicolor--the first true color film stock widely used by filmmakers. As a result, other studios either needed to use black & white or a two-color process, such as those made by Technicolor and Cinecolor....and the colors tended to be more orangy-green than color.
The cartoon is one starring a character long forgotten...mostly because he just wasn't that interesting. 'Beans' (I think he's supposed to be a cat) is the hero here and he and Porky and many others are all out looking for gold in 19th century California. There are a few nice laughs here and there...as well as a few nasty 1930s racial stereotypes which were not that unusual for the time.
*Nearly all of the cartoons by Looney Tunes and most other studios (aside from Disney) made black & white cartoons in 1935. This is because Disney bought exclusive cartoon rights to Three-Color Technicolor--the first true color film stock widely used by filmmakers. As a result, other studios either needed to use black & white or a two-color process, such as those made by Technicolor and Cinecolor....and the colors tended to be more orangy-green than color.
'Beans' is a golddigger in '49 and to many surprise he actually finds something, just as the sleepy town he's living in had no high hopes anymore (as we see in the introduction).
Beans instead of keeping the gold (that comes in coins, very handy indeed) for himself is telling everybody in town, including Porky Pig whose daughter he wants to marry. I love it when they find a book called 'how to find gold', it says 'Start to Dig!'.
Then enter a villain who steals what appears to be a sack of gold (but really was only Porky's lunch) but Beans gets it back in his supercar.
Not a lot going on in this cartoon, a bit racist at times but nothing to get too excited about on all accounts. 5/10.
Beans instead of keeping the gold (that comes in coins, very handy indeed) for himself is telling everybody in town, including Porky Pig whose daughter he wants to marry. I love it when they find a book called 'how to find gold', it says 'Start to Dig!'.
Then enter a villain who steals what appears to be a sack of gold (but really was only Porky's lunch) but Beans gets it back in his supercar.
Not a lot going on in this cartoon, a bit racist at times but nothing to get too excited about on all accounts. 5/10.
Tex Avery has gone on to far better cartoons since, but 'Gold Diggers of 49' is not a bad first cartoon at all, while not great it's decent.
Wasn't crazy about Porky here, really like him as a character but his taller and slobbery look is nowhere near as appealing as the design that we're more familiar with, pretty crude from personal opinion actually. Nor with Joe Dougherty's voice work, Mel Blanc's Porky stutter is much more natural while Dougherty's sounds annoying and overdone. One gag misfires too, and that's the racially stereotypical gag with the Chinese dogs.
However, while Avery's animation style became more refined later on there are some really imaginative and beautiful visuals here, especially in the chase sequence with lots of fluidity, crispness and meticulous detail. The music is no Carl Stalling, but it's lively, charmingly orchestrated, rousing and dynamic enough. There are some good gags, though Avery's succeeding cartoons were more consistent in humour and were sharper and wittier, especially the barber shop gag and the chase sequence, the latter being the highlight of the cartoon. There are some cute moments too, and the whole stuff with the gold makes for good fun.
Beans is not one of the funniest ever characters and there are more interesting ones too, but he is compelling and amusing enough and he's likable. Kitty is adorable, and the villain is suitably dastardly. The chemistry between the characters is also enjoyable, and apart from Dougherty the voice acting from Bernice Hansen and Billy Bletcher is very good but the lack of Mel Blanc is much lamented.
All in all, a decent first cartoon for Avery but he went on to do better. 7/10 Bethany Cox
Wasn't crazy about Porky here, really like him as a character but his taller and slobbery look is nowhere near as appealing as the design that we're more familiar with, pretty crude from personal opinion actually. Nor with Joe Dougherty's voice work, Mel Blanc's Porky stutter is much more natural while Dougherty's sounds annoying and overdone. One gag misfires too, and that's the racially stereotypical gag with the Chinese dogs.
However, while Avery's animation style became more refined later on there are some really imaginative and beautiful visuals here, especially in the chase sequence with lots of fluidity, crispness and meticulous detail. The music is no Carl Stalling, but it's lively, charmingly orchestrated, rousing and dynamic enough. There are some good gags, though Avery's succeeding cartoons were more consistent in humour and were sharper and wittier, especially the barber shop gag and the chase sequence, the latter being the highlight of the cartoon. There are some cute moments too, and the whole stuff with the gold makes for good fun.
Beans is not one of the funniest ever characters and there are more interesting ones too, but he is compelling and amusing enough and he's likable. Kitty is adorable, and the villain is suitably dastardly. The chemistry between the characters is also enjoyable, and apart from Dougherty the voice acting from Bernice Hansen and Billy Bletcher is very good but the lack of Mel Blanc is much lamented.
All in all, a decent first cartoon for Avery but he went on to do better. 7/10 Bethany Cox
At the time this cartoon was made, Porky Pig (of course to be one of the Looney Tunes/Merrie Melodies biggest stars) and Beans (the Boston cat who sadly didn't catch on), had been introduced to viewers as schoolkids in 'I Haven't Got a Hat'. That was a charming cartoon with strong characterisations.
'Gold Diggers ...' makes both characters into adults, and not only that, Beans wants to marry Porky's daughter (who appears to be another cat, and not a pig ...). To do this he needs to get into Porky's good books by finding and guarding gold.
Some fun gags (Beans driving a car so fast he turns into a blur of lines) and the interest factor of seeing another embryonic version of Porky Pig - still not quite the classic version we know and love - makes this film more important that it perhaps would have been without those associations.
'Gold Diggers ...' makes both characters into adults, and not only that, Beans wants to marry Porky's daughter (who appears to be another cat, and not a pig ...). To do this he needs to get into Porky's good books by finding and guarding gold.
Some fun gags (Beans driving a car so fast he turns into a blur of lines) and the interest factor of seeing another embryonic version of Porky Pig - still not quite the classic version we know and love - makes this film more important that it perhaps would have been without those associations.
Did you know
- GoofsThe year when the action takes place is established by a calendar inside a covered wagon, showing '1849' and 'July' with the '1' for the first day in the third box on the first line (usually indicating a Tuesday). July 1, 1849 was a Sunday.
- Alternate versionsThis cartoon was colorized in 1995, with a computer adding color to a new print of the original black and white film. This process preserved the quality of the animation in the original cartoon.
- ConnectionsFeatured in Behind the Tunes: A Conversation with Tex Avery (2004)
- SoundtracksYou're the Flower of My Heart, Sweet Adeline
(1903) (uncredited)
Music by Harry Armstrong
Lyrics by Richard H. Gerard
Sung by a quartet
Details
- Release date
- Country of origin
- Language
- Also known as
- Золотоискатели 49-го
- Production company
- See more company credits at IMDbPro
- Runtime
- 8m
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content