Gold Diggers of '49

Gold Diggers of '49 (1935)

*** (out of 4)

Beans is out digging for gold and hits the big one. He rushes into town and soon everyone is out there digging. Porky Pig is helping Beans when their bag of gold is stolen so Beans must go after it.

GOLD DIGGERS OF '49 is a fairly entertaining short from Tex Avery and it features that wonderful animation that he is known for. There are a lot of good gags scattered throughout the running time but for me the highlight is simply the animation. This is especially true during a sequence where Beans feeds his car some extra fast gas. Just look at the detail as they go zipping by various things including picking up Porky. Speaking of Porky, this here was his second short and he's bigger than he's ever been, weight wise, and makes for an interesting father.

Beans (the character that resembles all kinds of others) is a prospector. He finds gold and announces it to all the people in town. They head out. Soon he is fighting off the bad guys (with an early version of Porky Pig). There are a few funny little bits as they dig for the yellow stuff, but it isn't all that remarkable. Special effects fall short.

"Gold DIggers of '49"* is a first...as well as a second. First, it is the first cartoon directed by Fred 'Tex' Avery. While it lacks the wonderful weirdness of his later MGM films, it is significantly better than the Harmon-Ising singing cartoons Looney Tunes was known for at the time. Second, it's Porky Pig's second film. And, unlike the first ("I Haven't Got a Hat"), Porky is older and fatter.

The cartoon is one starring a character long forgotten...mostly because he just wasn't that interesting. 'Beans' (I think he's supposed to be a cat) is the hero here and he and Porky and many others are all out looking for gold in 19th century California. There are a few nice laughs here and there...as well as a few nasty 1930s racial stereotypes which were not that unusual for the time.



*Nearly all of the cartoons by Looney Tunes and most other studios (aside from Disney) made black & white cartoons in 1935. This is because Disney bought exclusive cartoon rights to Three-Color Technicolor--the first true color film stock widely used by filmmakers. As a result, other studios either needed to use black & white or a two-color process, such as those made by Technicolor and Cinecolor....and the colors tended to be more orangy-green than color.

'Beans' is a golddigger in '49 and to many surprise he actually finds something, just as the sleepy town he's living in had no high hopes anymore (as we see in the introduction).

Beans instead of keeping the gold (that comes in coins, very handy indeed) for himself is telling everybody in town, including Porky Pig whose daughter he wants to marry. I love it when they find a book called 'how to find gold', it says 'Start to Dig!'.

Then enter a villain who steals what appears to be a sack of gold (but really was only Porky's lunch) but Beans gets it back in his supercar.

Not a lot going on in this cartoon, a bit racist at times but nothing to get too excited about on all accounts. 5/10.

It's 1849 and prospectors are searching for gold in Red Gulch. Our hero Beans finds it by way of a slot machine and inspires a small town to join the gold rush. There are lots of captions to move the story along, although they never explain what kind of animal Beans is. I suppose he look a bit like Felix the cat, but then most of the characters in the thirties did. Still the Warner brothers must have had high hopes for Beans, as he gets the honour of saying "That's all folks" at the end. Lots of silly animals appear, including an unnecessary barbershop quartet and a big fat pig who seems to be in charge of things. Could this slob really be Porky? He has the stutter, but that is the only recognizable feature.

Enter the villain employing an impressive lasso gun to steal Porky's most prized possession. If beans gets it back Porky tells him he can literally have his daughter. Luckily for Beans the girl does not look like her father but seems to be of the same unidentified black and white species as our hero. The chase scene features some early examples of the kind of lunacy that would make Supervisor Fred (Tex) Avery famous in later years, but the pace is much slower. The art of animation was so new at this time, that just seeing funny animals riding mules and horses, driving cars and playing racial stereotypes was good enough for a laugh.

4 out of 10