The Lives of a Bengal Lancer

It's hard to remember sometimes when you get caught up in watching a film like Lives of a Benger Lancer that in fact the British were the occupiers and the bandits were in fact fighting against who they considered invaders.

The British didn't take over India in a classical war of armed conquest. During the 17th and 18th centuries they were among a whole series of European powers who were looking for trading rights and who gradually made deals with several of the local rulers like the ones you see portrayed in this film. A guy named Robert Clive finally defeated the French and the British were the only ones left on the subcontinent except for two Portugese enclaves on the Indian west coast.

Great Britain ruled very little of India directly. They only could run it with a LOT of collaboration which they had. They were seen as occupiers however, even by those who collaborated.

Having said that the British Army over its period in India established a great military tradition. In fact their army in India was viewed as almost a wholly separate entity.

The Lives of the Bengal Lancers is part of that tradition. True to Hollywood in order to have Americans star in a British location we make them Canadians. Well, Gary Cooper was from Montana and that's close enough to Canada. Franchot Tone with his clipped and professionally stage trained speech patterns I guess Paramount figured could pass for British. And Richard Cromwell was given an American mother.

Cooper is a frontier officer who is sent to meet two new arrivals, Tone from another regiment and Cromwell straight from Sandhurst. Cromwell is the son of the post commander a real spit and polish type played by Sir Guy Standing. Their clash is what sets off the events of this film.

Douglass Dumbrille plays a very smooth and deadly villain as bandit leader Mohammed Khan. And C. Aubrey Smith is fine as the fort's second in command.

The later and more comic Gunga Din had a lot of the same plot in it. The final battle between the British lancers and Dumbrille's forces is pretty exciting though the heroics of our three officers today's audience might find a bit much.

Still The Lives of a Bengal Lancer is a good action adventure saga and a fine tribute to the men who served in the lancers.

exotic, romantic, useful for discover the old virtues and conventional India, mixture of drama, humor and noble intentions/ gestures, with a legendary cast, it is a great show. maybe , a perfect one. the old scent is its great virtue. than - the story, impeccable in each detail. and the inspired image about duty and honor. it is an useful film. not only for acting or for the heroic scenes but for the grace to do a good job who has the opportunity to seems be remarkable. because each detail, the dialog, the same ingredients for Middle East policy are impressive. a film with taste of event for many viewers. for the status of piece from a precious lost world.

I picked this little beauty up simply because of Gary Cooper and the subject matter. Having loved Gunga Din, this seemed like a good choice. Cooper as Macgregor, the top billed hero of the piece gives a strong, warm and wry performance. The stand-out surprise of the piece though, is that he is up-staged at nearly every turn by Franchot Tone. The banter between the two is great and takes full advantage of the witty and cynical dialogue. Young Richard Cromwell on the other hand makes very little impression until the final scenes of the picture. The British institution that is C. Aubrey Smith, makes a wonderful patriotic speech from under his formidably bristling eyebrows that brings the house down.

The story-line is pretty standard stuff, three heroes in the face of overwhelming odds fight to uphold British dominance on the Indian Frontier. The strength of the film lies in the characterizations of the leads and the incredible settings and action sequences. A good deal of first rate horsemanship is also in evidence as we are treated to a full Lancer charge and scenes of tent pegging and pig sticking. The final battle is a glorious and exciting sequence that modern film makers would learn a great deal from. The script does have its goofy moments in the later torture sequences as we are treated to lines like "We have ways of making men talk" and are shown the old bamboo under the fingernails bit, but even the cliches seem fitting.

If grand adventure with an emphasis on style is your idea of a good time, you'd be hard put to find a better example than this film!

Pretty good film. Surprisingly complex characters and plot elements for such an old film. Good action sequences and direction. The only criticism I can think of that I had on viewing this movie isn't even really fair, that the cobra didn't look real. I guess their computer graphics lab wasn't quite up to snuff! If you like old films, this one is worth a look.

Directed by Henry Hathaway, The Lives of a Bengal Lancer from 1935 is an excellent film that today is not as well-known as films like Beau Geste and Gunga Din.

The film stars Gary Cooper, Franchot Tone, Richard Cromwell, Guy Standing, C. Aubrey Smith, and Douglas Dumbrille.

The story takes place in India, in the northwest frontier. The 41st Bengal Lancers have had casualties due to a rebel leader, Mohammed Khan. Replacements for the lost men appear: Lt. Forsythe (Tone) and Donald Stone (Richard Cromwell), the son of the head of the Lancers, Colonel Stone. Lt. Alan McGregor (Cooper) rooms with them, due to the fact that he's usually in trouble. Forsythe loves singing "Mother Macree" and pushing McGregor's buttons; but McGregor bonds with the young Stone. Eventually all three become friends.

When Stone's son is kidnapped by Mohammed Khan, McGregor and Forsythe want to go after him, but Stone forbids it. The two men dress as Indians and go to Khan's base to rescue Stone.

Rousing film with plenty of action, which was one of Hathaway's specialties, with all locations in California but under the hot sun, it could be India. This is the movie where the famous line "We have ways of making you talk" comes from, except that's not the line, it's "We have ways of making men talk" - somehow these famous lines are never exact.

Gary Cooper is excellent -- gorgeous as usual, energetic, and passionate. I just saw him in "Ten North Fredrick" so it was a delight to see him in this, 23 years earlier, so young and strong. Tone, who replaced Henry Wilcoxin is very good, and baby-faced Richard Cromwell is right for his role as a kid who wants to be treated like one of the Lancers and not have any special privileges. Cromwell was married to Angela Lansbury for five minutes or so, and was in and out of films, working ultimately as an artist.

Lots of action and adventure - hard to know why it isn't appreciated today because the characters are strong, with real relationships and good dialogue. I think I know why - Gunga Din is a George Stevens' film, and Beau Geste was directed by William Wellman. Since Hathaway isn't considered a director in that league, I have a feeling this film is often passed over. It's a shame; it deserves rediscovery.