Roberta

Huckleberry Haines (Fred Astaire) and his band, the Wabash Indianians, arrive at Le Havre, in France, for a season in a Russian nightclub. However, the owner Alexander Petrovitch Moskovich Voyda (Luis Alberni) expects the arrival of an Indian band and he calls off their contract.

Haines and the band head to Paris, and his friend John Kent (Randolph Scott) decides to visit his Aunt Minnie (Helen Westley), who owns the fashion house Roberta, to use her influence to find a work for the band. John meets the manager Stephanie (Irene Dunne) and they immediately feel attracted for each other. Huck Haines meets in the Roberta's salon his old friend Liz with the artistic identity of Comtesse Scharwenka (Ginger Rogers) and she helps him to get a job with Voyda.

When Aunt Minnie passes away, John Kent is the heir of her fortune and also Roberta. However he decides to give the fashion house for Stephanie, but she proposes a partnership between them two. But when John's old passion, the gold digger Sophie Teale (Claire Dodd) seeks out John, the infatuated Stephanie decides to leave the business and travel abroad with the Russian Prince Ladislaw (Victor Varconi).

"Roberta" is an adorable musical with one of the most beautiful songs of the cinema ever. With music by Jerome Kern and lyrics by Otto A. Harbach, "Smoke Gets in Your Eyes" is performed by Irene Dunne. The plot is naive, but the musical numbers, the dances and the fashion parade are delightful. My vote is seven.

Title (Brazil): "Roberta"

Irene Dunne, Fred Astaire, Ginger Rogers and Randolph Scott shine in "Roberta," a 1935 film directed by William Seite, based on the Broadway play, with music by Jerome Kern.

This isn't a typical Astaire-Rogers film, so if you're looking for that, you may be disappointed. The emphasis here is on fashion, and on the design house of Roberta - in reality, John Kent's (Randolph Scott) Aunt Minnie (Helen Westley), a dressmaker who found success in Paris.

Astaire plays Kent's friend, Huckleberry Haines, a bandleader. Irene Dunne is Stephanie, the head designer at Roberta's. Actually, she and her doorman cousin Ladislaw (Victor Varooni) are Russian royalty.

Rogers plays Countess Schwarwenka, a troublemaking client who's recognized by Huckleberry as Lizzie Gatz, an old girlfriend from back home. The Countess gets Hucklebery and his band a job at the Cafe Russe, and Stephanie and John find they're interested in one another. Then Roberta dies, and John inherits the design shop.

The film is filled with not only beautiful music but the fashions of the day in gorgeous art deco settings, making for a very sophisticated and polished look. Astaire and Rogers are actually comic support, but they're knockouts.

The music consists of some familiar tunes, including the haunting "Smoke Gets in Your Eyes," sung by Irene Dunne and later danced by Astaire and Rogers, "Lovely to Look At," sung by Dunne and then danced by Astaire and Rogers, "Yesterdays," sung by Irene Dunne, and, of course, "I Won't Dance" - but they do. Astaire sings the lively "Let's Begin" as well.

This enchanting musical was re-made in 1952 as "Lovely to Look At," but somehow, it's not as good, lacking the cast. "Roberta" shows up on TCM occasionally. Don't miss it.

It seems really bizarre that after starring in "The Gay Divorcée," Rodgers and Astaire went back to playing supporting roles in this one. Leads Randolph Scott are Irene Dunne are fine, but Rodgers and Astaire are on blazing whenever they're on screen, so Scott and Dunne get pushed into the background.

The story is contrived and theatrical and not a particularly exciting one. However, four great songs and dances lift it into the must see category: "Smoke Gets in Your Eyes," "Lovely to Look At," "I Won't Dance," and I'll Be Hard to Handle." Please note that the last three have lyrics by Dorothy Fields. She may have been the greatest lyricist of the 20th century with songs like "Sunnyside of the Street," "A Fine Romance," "I'm in the Mood for Love" and "Big Spender" to her credit.

The movie is a little dated and tedious at an hour and forty minutes, but, at least 30 of those minutes with Ginger and Fred are enchanting.

"Nous Sommes étonné." as Fred says in the movie.

I grew up in the 1940s, and my sister and I went to the movies all the time. I recalled the name Irene Dunne, but I had never seen her in a movie. Well, last night I did in "Roberta" (1935). What a voice, like a nightingale. Her rendition of "Smoke Gets in Your Eyes" was the most beautiful version that I have ever heard. I found myself wishing she would sing for at least another half hour.

There were also the exquisite, exciting, beautiful gowns and furs. My own mother was a real beauty in the l940s, and seeing the fashions of that time really made me wish I was a woman during that era rather than a child. Then too, I loved the sets, done predominantly in white and ever so glamorous!

As if that wasn't enough of a treat we had the exquisite team of Astaire and Rodgers. Their numbers were breathtaking, two bodies that moved as one, smooth, free-flowing, what grace! I found the storyline boring, but the talent and beauty that filled the screen sure made up for that.

... because when it was made Ginger Rogers and Fred Astaire were still supporting players. The real stars of the film are Randolph Scott in modern dress not western garb,and queen and songbird of the RKO lot at the time, Irene Dunne. A somewhat musical rom-com, it has Huck Haines (Fred Astaire) and his big band arriving in France only to learn that their promised gig has fallen through. Huck's best friend John Kent (Randolph Scott) decides to look up his aunt, a dressmaker named Roberta (Helen Westley) to see if she has any advice on work for the band.

John ends up inheriting the dressmaking firm with Roberta's death, and he falls for lead designer Stephanie (Irene Dunne), while Huck meets up with Lizzie Gatz (Ginger Rogers) a neighborhood gal pretending to be European aristocracy.

Give this one a chance. I All four leads are charming and on top of their game. The costumes are elaborate, and the models are stunning, including a young blonde Lucille Ball. The songs are good, too, including the standard "Smoke Gets in Your Eyes".