The Raven

'The Raven' seems like it was trying to recreate the success (artistically) of Edward G. Ulmer's 'The Black Cat' released the previous year. Once again horror legends Karloff and Lugosi are teamed up in a movie supposedly inspired by Edgar Allen Poe. Of course it has nothing much to do with Poe apart from Lugosi reciting Poe's poem once or twice and having his own private version of 'The Pit And The Pendulum' in his basement. 'The Raven' isn't as inspired and as downright strange as 'The Black Cat' but it's still very good. Karloff receives top billing but this is Lugosi's movie all the way. He plays a brilliant surgeon and Poe buff who is talked into saving the life of a beautiful young girl (Irene Ware). He then becomes obsessed by her and when he can't get what he wants decides to punish her, her fiance (Lester Matthews) and her father (Samuel S. Hinds). Along the way he has turned criminal Karloff into a disfigured monster and forces him to help. Lugosi is really terrific as the mad surgeon and his performance will delight his fans. Recommended.

BELA LUGOSI never had a role that made better use of his stylized ham emoting than his mad surgeon here. The camera holds him in close-ups that emphasize the penetrating gaze and knitted eyebrows as he obsesses about an attractive woman he wishes to marry.

He steals every scene he's in with his heavy emphasis on certain words and his inflection that has menace in every syllable. By comparison, Boris Karloff (top-billed) has a cameo role that he plays with his usual skill, managing to get some sympathy for a basically unsympathetic character--a man who served time as a killer. Between the two of them, they create a minor thriller that is the kind of horror film Universal was famous for in the '30s.

Lugosi being a man obsessed by Edgar Allen Poe's torture devices in stories like 'The Pit and the Pendulum', approaches every scene with relish, obviously delighted with his role as a surgeon who declares: "I love torture!" The plot, of course, is outrageously preposterous but just try to turn away as he puts into place his plan for the girl, her father and her fiance--as well as his servant Karloff.

None of it is believable, but it's all great fun in the tradition of Universal thrillers. Perfect for Halloween!!

Dr. Vollin (Lugosi) who's a Neurosurgeon with a large interest in Poe inspired torture comes out of retirement for a wealthy judge to save his daughter that was seriously injured in a auto wreck. During the recovery state the doctor falls for the girl and wants to marry her. Though, the doctor has a plan to torture his guests and with help from an unwillingly on the run murderer Bateman (Karloff) who's face was disfigured by the doctor when he wanted his face changed. So now he must do his biding or the doctor won't restore his face.

"The Raven" is a pretty good BW horror film that truly delivers the goods even though it's not particularly grand or inventive. It holds a fairly entertaining if rather routine narrative of clichés (stormy night in strange house). Though, you can't go wrong with a stormy night in a horror film. Saying that, it's the evoking presence of Karloff and Lugosi when on screen that makes it a great spectacle as there performances overshadow the rather foreseeable material or plot. For a mostly talkative film it doesn't have a sluggish feel and it moves at a rather brisk pace.

It had a ludicrous plot with some far-fetched scenario's (A quick recovery after surgery) and unintentionally humorous moments. After a real talkative first half about these amusing Poe torture designs we get to see them finally in use. It's too bad he used them towards the end, as not much torturing did happen, but mostly talk of these devices. Though, when it did happen there was a lot of imagination and interesting ideas. This is when the sudden thrills pick up in the last 20-mintues and it suddenly gets quite claustrophobic further along the film goes. In which Dr. Vollin really tightens the screws in some energetic and upbeat scenes. These scenes aren't terribly suspenseful, but the confrontations between Bateman and Vollin are vibrantly compelling and the devices achieve such a horrific mood. The climax is rather grand too. The ending was rather sudden and you can say lame for my liking. Dialogue was a mix bad with some engaging dialogue from the leads coming across as poetic and other times it was rather stilted or just plain corny.

A rather enforcing and roaring music score surrounds and captures the terror superbly. The film is well shot and is very atmospheric indeed. There is such great use of shadow and lighting composition in the mansion and a superb layout of the dungeon with its torture devices. The storm helps the atmosphere to be effective too. Karloff's character with the disfiguring is treated with decent make-up effects and it really does keep you glued at staring at it.

Rather mundane performances from the cast except for the two strong central leads and maybe with the exception of Samuel S. Hinds as Judge Thatcher. It's definitely one of Lugosi's best performances as the sadistic Dr. Vollin. Lugosi gives us his usual evil grimaces and at times goes over-the-top in delivering the dialogue. While Borris Karloff gives a solid performance, but I wouldn't class it as one of his greatest. He shines as the demented criminal Edmond Bateman who's lurking around the house with great effect.

For me it was a competent shocker that holds some unforgettable scenes and performances.

MORD39 RATING: *** out of ****

I have always loved this strange little film, even as a kid. Bela Lugosi has one of his greatest roles as the insane Dr. Vollin, a part which ranks right up there with Dracula and Ygor. It's also one of those rare times where he actually upstages Boris Karloff.

At only 60 or so minutes, the 1935 version of THE RAVEN is brisk entertainment with all the golden elements of a fine horror movie: a crazed doctor, his misshapen assistant (Karloff), secret rooms and lots of thunder and lightning. There are trap doors, a creepy dungeon, and a torture chamber. This film doesn't pretend to be profound or a literary rendition of Poe's works... it's just Bela and Boris - the two greatest horror stars of all time - doing what they do best.

The comedy in the film is rare, and doesn't detract from it. The main issue at hand is Dr. Vollin's jealous need for revenge to satisfy his own tortured soul...by inflicting horror on those he feels have caused his misery. The moment where Bela blackmails Karloff and cackles maniacally has no equal.

A perfect companion to THE BLACK CAT, it's not cinematically as good, but I have always had much more fun with it. Highly recommended for fans of "classic" horror!

Horror legends Karloff and Lugosi return after the success of The Black Cat the previous year in this deliciously warped slice of horror. Lugosi is sublime as the unhinged Dr Vollin who is coaxed out of retirement to save the life of a pretty dancer {Irene Ware as Jean Thatcher}. He does but in the process becomes infatuated with her and sets about having her all to himself. This spells bad news for her father, Judge Thatcher {Samuel S. Hinds} and her fiancé, Dr. Jerry Holden {Lester Matthews}. Enlisting the help of wanted criminal Edmond Bateman {Karloff} whom has been disfigured by Vollin with the promise of restoring his face, he plots to do away with the men in Jean's life down in his Edgar Allen Poe inspired torture chamber basement.

Running at just over one hour, The Raven simmers nicely as the characters form, and then boils to the surface for the furious last quarter. In the build up we have been royally treated to some truly excellent scenes as Vollin steadily grows more deranged. The unmasking of Bateman post surgery is unnerving, and thanks to Karloff's ability at making a criminal sympathetic, heartfelt. This is followed by a mirror sequence that is a horror highlight of the 30s and puts us in no doubt that Vollin is a terrifying creation. The creepy house setting is naturally a horror staple but one can't help wondering what a better director than Lew Landers could have made with the simple but effective premise? It's solid enough from Landers, some nice shadow play etc, but what stops it breaking out into genre classic status is its lack of a creeping menace type atmosphere. Which is a shame as it has a potent score from Clifford Vaughan. Still, The Raven is a fine genre piece showcasing two genuine icons, and in spite of its obvious simplicity and little flaws, ends triumphantly in a blaze of insanity and ironic cruelty. 8/10