Reckless

Although Jean Harlow disliked playing this part in Reckless because she was a friend of Libby Holman on whom her part is based, she did it anyway, because it was a great part and she turned in a great performance. It was also her first of two films with William Powell whom she was going to marry at the time she died.

No doubt the notoriety of the Zachary Smith Reynolds suicide which was in the presence of Ms. Holman, well known torch singer from the twenties was a wonderful story. Can you see the wheels turning in Louis B. Mayer's mind? Star Jean Harlow in this film, also because of her own suicide scandal involving her late husband, Paul Bern. This can't miss at the box office and it didn't.

Of course if the film were made today, it would also include Libby Holman's lesbian affairs. As the Code was now in place, that was an aspect that MGM couldn't film in Reckless.

Although Harlow is clearly in the lead, Franchot Tone also got one of his best roles as the young millionaire from the horsey set who's not wrapped too tight although that's not apparent at first. For once his part from MGM did not include just wearing tails and being charming.

Of the leads William Powell is clearly in third place, he just has to be dapper and supportive as the family lawyer for Harlow and grandmother May Robson. He gets to do a great drunk act though. Speaking of Robson her part in Reckless probably led to her being cast as Janet Gaynor's grandmother in A Star Is Born.

This was an early film for Rosalind Russell who plays the girl Tone jilts when he marries Harlow. She plays it nice and supportive. Russell did China Seas as well with Harlow and in her memoirs, she says that Harlow was a kind, generous, and supportive to a new kid on the lot. Who could know she would be dead within two years.

Reckless is one of Jean Harlow's best acted parts in her career. Fans of her and Franchot Tone should not miss this film by any means.

It was one of the first Harlow movies I saw. Don't laugh, but I actually cried towards the end. But that's just me, I cried when I saw Saratoga too. I watch them again and again and I never get tired of them. I'm only 20 and I feel like I've been watching these movies forever.

This really seems like a Marion Davies vehicle: comedienne who really can't dance or sing is called upon to do so (but her songs are dubbed). This one has ornate, ridiculous-but-not-Busby Berkely routines, and the usual good, almost artistic, direction by Victor Fleming. But it also has William Powell and Jean Harlow! I've never seen Powell more relaxed and fun; he has obvious chemistry not just with Harlow but with May Robson as Granny! The scenes between him and May are a delight. And Harlow's acting is great! So it's a must-see for fans of Powell and Harlow. Just be prepared, the musical scenes are a joke, and the final scene is so ill-conceived it's a let-down. Otherwise, this is first-rate.

...this movie rapidly descends into maudlin melodrama that is practically unwatchable. The movie starts out with promise with a feisty Granny Lesie (May Robson) pulling a rather hung over Ned Riley (William Powell) out of bed to bail playful star Mona Leslie (Jean Harlow) out of jail. These early scenes would make any fan of these three want to stick around for more, but believe me, you'll regret that decision. Things go downhill rapidly when Mona meets avid fan and drunken playboy Bob Harrison Jr. (Franchot Tone), whose enthusiasm wanes and drunkenness worsens after the two are hastily married. Every indignity you can think of is flung at Harlow's character at a time in Harlow's life when she herself had recently been through a great personal tragedy, and you just get the feeling that MGM is using that tragedy to sell movie tickets. It really is a sad spectacle for any Harlow fan.

The melodrama grows to ridiculous proportions by the end of the film, with Mona Leslie even being booed by fans and her giving a preposterous on stage speech as a result. All of this just crowds out any promise with which the film started. Avoid this one.

Even with big stars and an expensive production with songs by Jerome Kern and Oscar Hammerstein this is a minor film reworking of the Libby Holman tragedy. Powell is fine but in the background as is Rosalind in an early film where she is still in her grand lady phase. Ever the trouper Jean does what she can in a part for which she is hopelessly ill suited. She was aware of her limitations as much as anyone but went ahead with this even after expressing her doubts because it provided an opportunity for her to work with Bill Powell with whom she was personally involved. She does fine in the dramatic portions and is snappy at the beginning but she was no singer and is obviously dubbed. As a dancer well...she was a fine comedienne.