Rendezvous

If you like William Powell enough (or another actor in this film) and its venue, you may flow with it. It is a weaker one to my view, and while not a throwaway, not really picked up by anyone in particular. The character Russell played was incongruous and annoying, though she was probably refreshing as a newcomer. There's a bit too much overdone flip and horsiness about her performance here and in a lot of her pictures, to my taste. Likely, it's a script flaw, but given the level of weight of the decoding project at hand, her stunts are incongruous at best. The fact that she had such easy access is also unbelievable, despite her connections by relation. Also, she doesn't really work with Powell's character. After about her third shenanigan, I think, that's it for her. He'll move on. But he trots right along and they end up together. What? That a man of his caliber would hook up with a loose cannon like that just really doesn't work. And they aren't believable together. Binnie Barnes' character, though the villainess, was easier to take down, being consistent and well enough done. This essentially war picture has its interest, but I can't say after one more run through, I would care to repeat. But I do hang onto my classics and after some time, enjoy going back for just the era and actors. One can always ogle the clothes if nothing else.

Not an often shown film, nor a great one, this is worth your time if TCM ever shows it again. The plot is somewhat dated but nevertheless interesting -- code breaking and spy catching -- if you ignore some of the excesses that were probably added by Hollywood. Folding in comedy, drama, and action into what would probably have made an excellent military training film, we are left unsatisfied with the overall effect. Yet there is a hint of the "Thin Man" chemistry between William Powell and Rosalind Russell that brings a smile to your lips. Fair but I am not sorry that I watched it.

Most of these reviews mention how Russell was a poor replacement for Loy. I didn't really make that connection as I'm a fan of Russell's from My Girl Friday. She was much better in MGF, I will grant you, but it didn't lessen my enjoyment of Rendezvous just because Loy was not in it.

William Powell plays Bill Gordon, a genius puzzle solver, who gets duped into becoming a code breaker for the Army by Russell's Joel Carter when America enters WWI. She is the niece of the Asst Secretary of War and uses her connections to get Gordon placed at a desk in Washington D.C. to keep him near. Its supposed to be cute and romantic, but it comes off as spoiled and cruel. Gordon then goes on to break an important spy message and leads him to a ring of spies operating in town.

Powell is amazing as usual. The opening scene where Joel mistakes him for a Russian singer and Gordon plays along is vintage Powell. He had great comedic chops and timing. The code breaking scenes are fantastic as Powell conveys wit, genius, and tension as his character goes through the long hours and countless failures trying to crack the code. As I said, Russell has done better work. Her role is is to act as a ditsy foil to Powell and it doesn't work.

The supporting cast is brilliant. While Russell was a the weak link in her first major role, the rest of the cast does great work. Binnie Barnes and The Joker himself, Caesar Romero, as German spies are top notch. Lionel Atwill as Gordon's boss provides a looming presence. With a tighter script and less pratfalls from Russell, this could have been a wonderful spy drama. It seemed they tried too hard to shoehorn in the comedy instead of letting it develop naturally with the plot.

If you are fan of Powell's this is a movie that needs to be part of your viewing library. If not, focus on the code breaking scenes and its still a fun ride.

WILLIAM POWELL and ROSALIND RUSSELL have good chemistry here--although Russell gets the short end of the stick with an annoying "comic" character who disrupts everything in sight, including the plot.

The spy ingredients are nicely handled and there's a lot of behind-the-scenes decoding efforts going on in the World War I era that add interest to the storyline.

Nice to see Lionel Atwill on the good side for a change and Binnie Barnes is fine as a femme fatale heavily involved in the spy network. Cesar Romero keeps a poker-face as one of the ring members but is convincing enough in a minor role.

None of it makes for a great movie, but it passes the time quickly with an interesting glimpse of Russell before she perfected her comedy technique and Powell already at the peak of his comic timing. Cast includes Samuel S. Hinds and Charley Grapewin (Dorothy's uncle in 'The Wizard of Oz').

A rather uneasy mixture of comedy and suspense--but a stronger script would have helped considerably.

I'm a big fan of William Powell, Rosalind Russell, screwball comedies, and old spy flicks. Wouldn't it have been nice for the two stars to have been in the same movie? After their amusing meeting near the beginning sets up a fine romantic comedy to follow, Powell glides into a serious espionage drama, while Russell goes full-throttle Gracie Allen ditz, with a side order of lovestruck Ginger Rogers.

Film series about The Thin Man, Bulldog Drummond or the lesser-known Torchy Blane, manage to blend the comedy and mystery elements into a harmonious union. This one plays out like a double bill that got spliced into a single mismatched plot. What a waste of talent and opportunity to start with such a promising pairing and end up with Russell's character so woefully out of place for the last 3/4 of the production.