Stranded

Ever read George Brent's bio? He fled Ireland with a price on his head. It was reputed that he was a member of the IRA Active Service Unit, though he claimed he was simply a courier for Michael Collins. Dashing background, eh? More than his character here, the foreman of the team building the Golden Gate Bridge (more dashing glamor). But in this humble role, Brent positively shines as a comedic talent. Romancing Kay Francis, and fending off protection racketeers, he flies through the movie with apparent ease, making acting as they say "look easy." The scene when he takes Francis out for a date, and ends up chaperoning around four mail order brides and an unwed mother is hilarious -- his double takes are marvelous. One day, Warner will release this, and a new generation can appreciate George Brent.

Kay Francis and George Brent star in "Stranded" from 1935, which features Patricia Ellis, Donald Woods, and Barton MacLane.

Francis plays Lynn Palmer, who works for Travelers Aid. And that's where the title of the film comes from. Brent plays Mac Hale, a construction manager for the Golden Gate Bridge who comes to her office looking for one of his workers, whom he thinks might have gone to Salt Lake. He falls for Lynn and the two start dating.

Problems arise when Hale wants to get married, but he also wants Lynn to give up her job. He considers helping "losers" ridiculous and doesn't think they deserve what she does on their behalf. At the same time, a protection racket is trying to get $5000 a month from him, and when he won't agree, starts infiltrating his workers with troublemakers.

This film was an eye-opener for me about Travelers Aid - what a great organization. Francis plays a social worker there - I don't know what I thought Travelers Aid was, but it apparently helps people who are lost, victims of sex trafficking, people with no place to sleep, etc.

Francis is wonderful playing a woman who is warm, compassionate, and efficient. She and Brent have a wonderful scene where she has to take a pregnant mother to the hospital - that's the first stop - and the second is to get foreign brides to their grooms, and the brides spend the trip giggling at Brent.

Brent plays a tough guy, and he does a great job.

Great footage of the Golden Gate Bridge in progress.

Very enjoyable film.

STRANDED would be more aptly named THE GOLDEN GATE. There is some fascinating footage of the actual construction of the bridge and it adds to the excitement as the drama unfolds. George Brent is solid as the foreman on the construction job -- trying to keep his men in line and up against gangsters who want pay-off for "protection". George meets Kay Francis who plays with her usual self-assurance and grace as a Traveler's Aid worker.

Francis' role focuses on a compassionate look at the assimilation of foreign brides, assisting "lost" elders and children at the train depot. Her role also shows an understanding for the problems of unwed mothers. Francis' has a natural knack for making it all plausible -- she believes in her work and her role and is wonderful to watch. The surprise ending is a real switch from the usual 1930-60's fare as far as male-female roles are concerned.

Lots of great character actors show up: Ann Shoemaker, Robert Barrett, Frankie Darro, Henry O'Neil, Barton MacLane. Borgaze's direction and Delmer Daves pen add some nice comic touches keeping the drama light.

I was told that Frank Borzage could not read,at least at the beginning of his career.That may account for the extraordinary compassion he displays for his characters.A man who did not learn his work at the university,he is one of the greatest American directors of all time,and as far as the twenties and the thirties are concerned ,simply my favorite.I could not mention one of his films I do not like.Some are masterpieces ("Seventh Heaven "Street Angel' "No greater glory"the river" "little man what now?" "the mortal storm " "strange cargo" ),some are just good ,some such as "Stranded".

Lynn is a marvelous woman;we would like to see such characters in today's movies.She works for Travellers Aid ,she dedicates her life to helping stranded people ;she asks nothing in return and she carries on with little victories (the young boy and his father in jail) and big defeats (the old man);a thing that the man who is in love with her cannot understand:a selfish macho,he wants Lynn to be home as soon he is back from work.One realizes how much this female character is modern for 1935:in the melodramas of those years ,woman sacrificed her life when she was denied love ("only yesterday" "imitation of life" ;but Lynn is different ;she does not work for money or to make her way of life.She cares for the others,period.Like the doctor in "green light", the "three comrades" would do .

When the film begins ,Mack (George Brent)is not unlike Velma ,a girl who cannot understand Lynn (Kay Francis),for she only cares about herself.It will take a strike and horrendous events to make him understand Lynn's high-mindedness.

Kay Francis works for Traveler's Aid in San Francisco, helping people get to where they are going to, whether they're mail-order brides from overseas, or girls who think they can't go home with the baby from the dead husband her family disapproved of. George Brent is in charge of building the Golden Gate Bridge. Naturally they fall in love, and he wants her to quit her silly job, which she won't, so bye! Meanwhile protection racketeer Barton MacLane wants $5,000 a month, which Brent says no to. So Maclane gets some of his workers drunk, falling off the construction site to become splatters far below, and blaming Brent.

It's got a provenance that includes Frank Wead. That explains the muscular side of things, with men riveting red-hot rivets, and using an oxy-acetylene torch to light their cigarettes. All very phallic. But most of the time it seems like a Public Service Announcement for Traveler's Aid, which is doing good work even as Brent scoffs, and is still doing good work as I do this. Most of the mysticism is missing from this Frank Borzage movie, but what remains is a well-paced movie, with funny and sad vignettes, and a lynching at the end. Too bad the prowl cars pull up as it begins.