Adventure in Manhattan

This is a fun film for all Jean Arthur and Joel McCrea fans and it is available online. The basic premise is that Joel McCrea is a likable newshound who angers some of his cronies with his boundless ego and they play a little joke on him. Enter Jean Arthur. After some ready made coincidences and a lot of tomfoolery the mystery is solved. In between we have some ideas stolen from earlier pictures and at least a couple that are stolen for later films. I find that kind of stuff fun so I definitely recommend this one as time well spent.

Let me begin by saying that McCrea and Arthur make one of the best looking, likable, elegant and best acting duos I have ever had the pleasure to watch. ADVENTURE IN MANHATTAN is a zany tale about a newsman (McCrea) who can predict robberies - exactly why he has prediction powers no one can say.

Dialogue is full of repartee and it is rather advanced for a 1936 flick.

Director Edward Ludwig does a great job, cinematography is top drawer and the script does not make a whole load of sense but that is what makes this film so charming,

Joel McCrea and Jean Arthur have an "Adventure in Manhattan" in this 1936 film, also starring Thomas Mitchell and Reginald Owen, and directed by Edward Ludwig.

McCrea plays a sharp criminal reporter who is convinced that a world-famous thief, believed dead, is actually very much alive and responsible for some big heists that have taken place. He meets Arthur, a young actress, and the two fall in love as McCrea tries to prove his theory.

This is a really enjoyable film, with delightful performances by McCrea and Arthur. It's a bit all over the place - part screwball, part mystery. I frankly didn't see much of Nick and Nora Charles in it as others have. But the dialogue is bright, McCrea and Arthur have good chemistry, and some aspects of the mystery are good. McCrea is often thought of as sort of a poor man's Gary Cooper: a handsome, hunky all-American. In westerns there is more of a similarity, with Cooper having more gravitas, but McCrea's lighter touch and more overt personality lent themselves well to comedy. That's where he and Cooper parted company.

Enjoyable, and with a better script, it would have been terrific.

It could have been a good, tough crime heist film without those comedy lines. A true excellent bank heist, through a tunnel, not an armed robbery plot. But Edward Ludwig, whose speciality will be adventure movies - CARIBBEAN, JIVARO, SANGAREE - Ed Ludwig missed the opportunity to give us a good film noir. He did it with THE LAST GANGSTER though, starring Edward G Robinson, for Metro Goldwyn Mayer, not a real tough and gritty noir either, but still good. So, back to this one, even the Joel McCrea's presence doesn't save the whole for me. Just entertaining, fun, yes, but with such crime ingredients, it could have been different and better. As if you decided to prepare an excellent dish, with the adequate ingredients choice and quantity, but with the wrong cooking time on the cooker or in the oven.

After a big success in Mr. Deeds Goes to Town which really established Jean Arthur as the rival in screwball comedy to Carole Lombard, she got cast in some routine films that sought to take advantage of her new image. Adventure in Manhattan was one of them and while it's plot verges on the silly it could have been a lot better, but for some really bad miscasting.

The guy who could have brought off the role of the wise cracking crime reporter was over at Warner Brothers. This part James Cagney could have phoned over to Columbia, but in the hands of all American hero Joel McCrea it really looks forced.

Some high profile robberies have taken place and crime reporter McCrea thinks and has written that the culprit of all these has been a master criminal along the lines of Professor Moriarty. Problem is that this guy is believed dead by all, but McCrea.

McCrea is right and it's revealed early enough in the film to be Reginald Owen who is now in the guise of a theatrical producer. And Jean Arthur is an aspiring young ingénue in the cast of a World War I play he's producing.

One of the problems I had with this plot was that Professor Moriarty and many of the master criminals in real life and fiction usually work alone or with as few accomplices as possible. The scheme that Owen has involves a considerable gang and I really can't swallow that somewhere along the line somebody doesn't slip up.

Thomas Mitchell in one of his earliest screen roles is McCrea's editor and he's his usual good self. Arthur makes the best of a routine assignment and it took someone like Preston Sturges to bring out the real comedian in Joel McCrea.