The Case of the Velvet Claws

As it turned out I happened to see the TV version that Raymond Burr did on his hour long Perry Mason show. Spoiled it a bit because I knew who did the deed. Still seeing the same story done by another actor as Mason was interesting. And was it ever different.

This one started with Warren William as Mason and Claire Dodd as Della Street invading Judge Clara Blandick's chambers and demanding to be married. The barest hint of a romance was present on the Mason television shows. But off Della and Perry go to the apartment and then the plan is for a honeymoon lodge in the country.

All that gets interrupted by Wini Shaw toting a gun and demanding to retain Warren William in a blackmail scheme against the publisher of a Confidential type magazine called Spicy Bits. What she doesn't tell him is that her husband is the secret owner of the rag and she's been stepping out on him with a candidate for office.

In a confrontation Shaw actually believes she shot her husband, but as in television Perry Mason defends no guilty clients. That's a parameter not broken. And if you watched the series you know who did the crime.

What was fascinating to me in The Case Of The Velvet Claws was how Paul Drake's character was changed from a professional well dressed William Hopper who owned his own agency to Eddie Acuff, a rather seedy looking retainer who even got into a drag to tail someone.

The Case Of The Red Velvet Claws has some nice sparkling urban Warner Brothers type dialog handled with aplomb by William. That was a guy who did all kinds of series, Perry Mason, Philo Vance, and Michael Lanyard The Lone Wolf. And all sounded as urbane and sophisticated as Warren William was in real life.

Definitely for fans of Warren William if not Erle Stanley Gardner's sleuth with a law degree.

Perry Mason and Della Street marry at the beginning. I don't think that ever happened in the TV series.

This is a sleek, stylish movie, with good acting and chic sets.

I had forgotten that Wini Shaw was in the opening credits and was wondering who that fabulous fatale femme could be. In a dark wig she is very persuasive as the precursor to the betraying woman of film noirs, which would follow a few years later.

What a talent she was!

Perry Mason marries Della Street (in a ceremony performed by a female judge -- how often did you see THAT in older films) but their honeymoon is interrupted by a woman with a gun demanding Perry help her stop a scandal rag from publishing a story. Soon the paper's owner is murdered and Perry finds himself the prime suspect.

This is the fourth in WB's Perry Mason film series and the last starring Warren William. If you're new to this series but are familiar with Perry Mason from either the books or the Raymond Burr TV show, you will be surprised by what you find here. This is Perry Mason in name only. The character in this series is pretty much your typical '30s detective, smooth with the ladies and quick with a wisecrack. Pretty Claire Dodd returns as Della Street after being replaced by Genevieve Tobin in the third film. Eddie Acuff is Perry's right hand stooge, Spudsy Drake. For his part, Warren William is...well, more of the usual Warren William screen persona that I've seen in many films from the period. He's enjoyable although, as I've said, nothing like the Perry Mason I grew up watching reruns of on TV. It's an entertaining B detective film. Nothing more memorable than that but a good time-passer.

"The Case of the Velvet Claws," made in 1936, is a Perry Mason mystery that has Della and Perry as newlyweds starting off on their honeymoon. In the TV series, and even more in the TV movies later on, there was always that unspoken love between Della and Perry - and no one knew what went on after office hours. In real life, Erle Stanley Gardner married his secretary Jeanne right before he died, I suppose so she could inherit. So in some sense, the Perry-Della thing was modeled on his real life.

The two don't get to start their honeymoon because a woman (Wini Shaw) kidnaps Perry at gunpoint. She pays him $5000 to make sure a story about to be published in a tabloid about a politician doesn't come out - because it's about him and a woman, and she's the woman. Perry later finds out she's the wife of the owner of the paper! When the owner is found dead, Perry's own client blames him for the murder.

Warren William gives his usual lighthearted, devil my care performance. Even though his portrayal has nothing to do with Perry Mason, he's a riot. Instead of Paul Drake, he has some sort of an assistant named Spudsy Drake. The exotic-looking Winifred Shaw brings class and spark to her character. Who can forget her "Lullaby of Broadway" opening in "The Gold Diggers of 1935?" She had a very special quality. For some reason, her career died. Probably Warners failed to pick up her option in 1939. A shame.

I enjoy these films, but don't confuse them with Erle Stanley Gardner's Perry Mason. He hated these movies.

After the disgraceful silliness of THE CASE OF THE LUCKY LEGS, Warren William's Perry Mason seems back on firm ground in a film that takes itself much more serious without forgetting to include healthy doses of character humor. What sets this one apart from the others is Perry & Della getting MARRIED (a development completely forgotten in the follow-up that starred Ricardo Cortez) and Perry being the #1 murder suspect, having been to see the victim moments before he was bumped-- a situation he has all too often had to get his clients out of-- including the woman's husband in this case. She had threatened both Perry and her husband with a gun, and would only NOT be a suspect to anyone watching this because it would just be "too obvious"!!

Of WW's 3 Dellas, my favorite, Claire Dodd returns after having been absent from the previous installment. All 3 Dellas in the first 4 pictures have something to recommend them, I just happen to think Dodd is the most attractive (though Genevieve Tobin's was without a doubt the FUNNIEST). Sadly, Allan Jenkins, who played in cop in ...THE HOWLING DOG and "Spudsy" Drake in eps. 2 & 3, is replaced here by Eddie Acuff, who just doesn't seem to "work". Very oddly, Olin Howard returns as Coroner Wilber Strong from ...THE CURIOUS BRIDE, after having played a different doctor in the previous film! (Did anyone at Warner Brothers care about "continuity" in this series??)

The standard routine of set-up, murder, investigation and courtroom expose so far is limited to ...THE HOWLING DOG. In WW's other 3 films, he solves the murders at a dinner party, in his office during a medical check-up, and at the hang-out of the killer before moving on to the street in front of a hotel. The only time we see the inside of a courtroom in this film is when Perry & Della get hitched-- and when she tries to have it annulled. CRAZY!!

The other point of interest for me was actress Carol Hughes (my favorite "Dale Arden" from 1940's FLASH GORDON CONQUERS THE UNIVERSE) who is almost completely unrecognizable in here due to bright blonde hair and a southern accent.

I love Warren William's Perry Mason-- I DO! And I wish he'd done a lot more of these. But I also wish he'd done more like the 1st one, where at least, despite the huge differences, I could actually recognize the format and the character of the "real" Perry Mason, instead of this rambling comedic chaos WB kept foisting on audiences!