Little Swee'pea

Like cartoon producer Max Fleischer's star character Popeye the Sailor, Swee'Pea first appeared in E.C. Segar's comic strip THIMBLE THEATRE. In the baby's animated debut, LITTLE SWEE'PEA, he is an effective foil for Popeye. Here, the sailor takes the baby to the zoo. However, Swee'pea escapes from his carriage and wanders along the cages of various large and dangerous animals. The bulk of the cartoon concerns Popeye's efforts to rescue Swee'pea from these beasts while trying to avoid being mauled himself.

As in most of the Max Fleischer Popeye cartoons I have seen, LITTLE SWEE'PEA has a lot of clever and enjoyable gags. One particularly inventive sequence has Popeye searching for Swee'pea in a hippo's cage only to find the baby right inside the hippo when the beast opens its mouth. One wonders why this particular zoo lacks any staff to prevent babies like Swee'pea from entering these cages. Then again, if anybody was around to stop Swee'pea we'd be denied the joy of seeing Popeye struggle with the animals, wouldn't we? For this cartoon, the Fleischer staff used live-action backgrounds. The results are impressive, creation a 3-D illusion. I've never seen the colorized version of LITTLE SWEE'PEA, nor do I desire to. From what I hear, the people who recolored this black-and-white cartoon obliterated these attractive backgrounds.

And there's always the joy of listening to Jack Mercer as Popeye. He provides an ideal voice characterization, a deep gravelly voice that nevertheless conveys a jovial warmth, revealing the sailor's golden heart beneath his rough exterior. One also gets to hear Mercer's muttered ad-libs, although in my opinion there aren't enough in this particular cartoon.

LITTLE SWEE'PEA, like most of the Max Fleischer Popeye cartoons I've seen, remains fresh and funny after over sixty years. Like all fine cartoons, this is essential family entertainment, testifying to the greatness of both the Max Fleischer studio and Jack Mercer.

When this show was on I watched it every time I could! I thought that the characters were really funny and all had great personalities. The animation in My opinion was crisp, clean, and really clear. Not to mention beautiful! Most of the characters in this show are hilarious like the Looney Tunes characters that we all love. in My opinion these characters are the funnies and talented ever seen. In fact, The things that goes on in this series' cartoons are in My opinion nuts which that is what makes them hilarious! There are so many to like and laugh at and the silly things they do! If you like the original Looney Tunes then I strongly recommend that you watch this show!

Popeye is taking Olive Oyl to the zoo. It turns out that she's busy and he takes Swee'Pea instead. Baby's day out becomes one big adventure. This is a classic Popeye. He keeps saving the baby from the animals. Swee'Pea with the crocodile is a classic scene. There are a few other great bits. The only thing that I don't like is Popeye's closing song where he says he'll never have a baby. It's too cynical for Popeye. Overall, this is a great classic.

I grew up watching this Popeye and unlike the heroes the kids have to look up to today he was honest, truthful and always did the right thing even when it meant more trouble for his "predicamink". Granted Popeye never took himself to seriously but that's just another factor that endeared him for me. Just simply a great cartoon as all the old Popeye cartoons are. Oh and for those of you asking about Swee'Pea and where he came from, he was an orphan. One legend has it that Popeye found him in the Swee'Pea vines, thus the name. The other legend says he was left on the Oyle family's' doorstep. According to this version when first introduced to Popeye he "socked" him right in the eye and Popeye said he "layed me in the Swee'Peas!" Thus another origin for the name. Olive seemed to have became his adoptive Mother. So take your pick of origin legends but please allow this to put to rest any notion of Swee'Pea being an illegitimate child once and for all. Let us not tarnish the long standing respect for Popeye and his world.

This is basically a 'Baby Herman' movie: a baby keeps obliviously wandering into perilous situations, and then just as obliviously wandering out of them again ... while the frantic guardian, all too aware of the danger, keeps getting hurt. But at least this cartoon gives Popeye a change from his usual formula of trading punches with Bluto or some other menace.

Is Swee'Pea meant to be Olive Oyl's nephew, or is he her illegitimate son? Whatever he is, Olive dumps him on Popeye for the day. Popeye dumps Swee'Pea into the pram, and heads for the zoo. There's some nice multiplane animation during the trip to the zoo, and the sequence with the cartoon elephant seems to contain some rotoscoped footage of a live-action elephant.

Most of the gags are quite obvious. At one point, Swee'Pea rides bareback astride a leopard while the soundtrack plays 'Hold that Tiger'. Given that choice of music, why didn't the animators put Swee'Pea on a tiger instead of a leopard? I suspected that there was some gag coming up involving the leopard's spots, which wouldn't work as well with a tiger's stripes. Sure enough.

I dislike movies about babies, and I like cartoon babies even less. Popeye is funnier without Swee'Pea, and it's unfortunate that Olive's role in this toon is so brief that it gives her nothing to do. More for the impressive animation than anything else, I'll rate this 6 out of 10. The Fleischer Studio's cartoons were released through Paramount. After they lost Fleischer, the cartoons produced by Paramount's in-studio animation unit were consistently the worst animation output by any major Hollywood studio. Even the worst Fleischer Popeye cartoon is far better than any of the post-Fleischer Popeyes.