IMDb RATING
5.8/10
337
YOUR RATING
A famous detective is invited to a swanky party at an elegant mansion, but before the night is over he finds himself involved with gangsters, blackmail and murder.A famous detective is invited to a swanky party at an elegant mansion, but before the night is over he finds himself involved with gangsters, blackmail and murder.A famous detective is invited to a swanky party at an elegant mansion, but before the night is over he finds himself involved with gangsters, blackmail and murder.
James P. Burtis
- Mike 'Jeff' Jefferies
- (as James Burtis)
E.H. Calvert
- District Attorney McDougal
- (as Capt. Calvert)
Stanley Blystone
- Henchman Joe
- (uncredited)
Sidney Bracey
- Jenkins - Butler
- (uncredited)
Don Brodie
- Henchman
- (uncredited)
Lester Dorr
- Party Guest
- (uncredited)
James Eagles
- Harry Randel
- (uncredited)
Paul Ellis
- Tony Cosmato
- (uncredited)
Featured reviews
Murder at Glen Athol is a neat little mystery with a bit of comedy, a bit of romance, a bit of gangster picture thrown in—not much of any of those other elements, just enough to keep the viewer slightly off-balance. John Miljan is vacationing detective Bill Holt, a man who keeps his own balance, deftly managing a variety of suspects, the usual dumb cops, and a quickly-developing love affair with Jane Maxwell (played by Irene Ware), who is given brief consideration as a suspect but obviously works better as a love interest.
John Miljan is more familiar as the scheming crook he played in so many movies, but here at the center of this story he gets a chance to show some strong qualities as a lead, and some versatility in the range of his relationships with the other characters. His banter with James Burtis, the requisite housekeeper/assistant/right-hand man, is light but amusing enough. (Miljan's attempt to take a vacation and write his memoirs is interrupted in the film's opening scene by Burtis's insistent vacuuming around the desk Miljan is typing at.) His interactions with the various suspects are cool and cautious, as he isn't (and we aren't) sure just who might take a shot at him, stick a knife in him, or whack him on the side of the head. (Those things do seem to happen in this particular house he's visiting.) He shows deference to the police investigators, but doesn't throw away any valuable clues by turning them over, either.
Miljan's romance with Irene Ware is perhaps the oddest of these relationships. I'm not overly picky, and I know things have to move fast in a 64-minute movie, but this detective drops some lines that are awfully sappy for as serious-minded a character as he otherwise seems. Entering the gambling room at the house party, she declines to play, but he thinks he'll take a whirl at the roulette table anyway: "No matter what happens, it'll still be the luckiest night of my life." "Why do you say that?" she wonders. "Oh," he replies, "I just happened to meet a girl named Jane Maxwell." --Even Jane Maxwell finds this a bit much, and laughingly answers, "Well, come on, Mr. Detective, we'll see how lucky you are."
The mystery elements are done well; the picture moves along at a splendid clip. Well worth a viewing.
John Miljan is more familiar as the scheming crook he played in so many movies, but here at the center of this story he gets a chance to show some strong qualities as a lead, and some versatility in the range of his relationships with the other characters. His banter with James Burtis, the requisite housekeeper/assistant/right-hand man, is light but amusing enough. (Miljan's attempt to take a vacation and write his memoirs is interrupted in the film's opening scene by Burtis's insistent vacuuming around the desk Miljan is typing at.) His interactions with the various suspects are cool and cautious, as he isn't (and we aren't) sure just who might take a shot at him, stick a knife in him, or whack him on the side of the head. (Those things do seem to happen in this particular house he's visiting.) He shows deference to the police investigators, but doesn't throw away any valuable clues by turning them over, either.
Miljan's romance with Irene Ware is perhaps the oddest of these relationships. I'm not overly picky, and I know things have to move fast in a 64-minute movie, but this detective drops some lines that are awfully sappy for as serious-minded a character as he otherwise seems. Entering the gambling room at the house party, she declines to play, but he thinks he'll take a whirl at the roulette table anyway: "No matter what happens, it'll still be the luckiest night of my life." "Why do you say that?" she wonders. "Oh," he replies, "I just happened to meet a girl named Jane Maxwell." --Even Jane Maxwell finds this a bit much, and laughingly answers, "Well, come on, Mr. Detective, we'll see how lucky you are."
The mystery elements are done well; the picture moves along at a splendid clip. Well worth a viewing.
"Murder at Glen Athol" is a B-movie with a limited budget and mostly no-name stars. John Miljan stars in the film and he has a face you might recognize--he played bad guys in quite a few Bs. He was a pretty good actor and his lovely voice sounded a lot like a combination of Otto Kruger's and Charles Butterworth's--but he never became a big star. Instead, he found steady work in lower-budget films. Here in this film, however, it's one of those times where he actually got to play the hero--and he did a nice job of it.
Miljan plays a famous detective who is on vacation. And, like most famous factional detectives (such as Charlie Chan and Jessica Fletcher), a vacation means someone will get murdered and this cop will get called in to help the locals solve the crime. This is just one of those screen clichés you'll just need to accept without questioning.
So why did I like it enough to give it a 7 (which is a very high score for a B)? Well, the acting and production values were surprisingly good, the murder mystery and how Miljan's character dealt with the murders was unique and I liked the sidekick--who, though a bit dumb, wasn't THAT dumb and often was quite handy--something that you couldn't say about most detective sidekicks (such as Birmingham Brown or Dr. Watson). All in all, an enjoyable film that managed to be a bit better than you'd expect. And, considering you can download it free from the link on IMDb, that's plenty of reason to see it.
Miljan plays a famous detective who is on vacation. And, like most famous factional detectives (such as Charlie Chan and Jessica Fletcher), a vacation means someone will get murdered and this cop will get called in to help the locals solve the crime. This is just one of those screen clichés you'll just need to accept without questioning.
So why did I like it enough to give it a 7 (which is a very high score for a B)? Well, the acting and production values were surprisingly good, the murder mystery and how Miljan's character dealt with the murders was unique and I liked the sidekick--who, though a bit dumb, wasn't THAT dumb and often was quite handy--something that you couldn't say about most detective sidekicks (such as Birmingham Brown or Dr. Watson). All in all, an enjoyable film that managed to be a bit better than you'd expect. And, considering you can download it free from the link on IMDb, that's plenty of reason to see it.
Reuben Marshall plays a detective on vacation in a ritzy suburb writing about his exploits when invited to a party where death visits a couple of the guests. Marshall, his Irish sidekick in tow, discovers who the culprit is in this very interesting little mystery dealing with an above-average mystery plot. The story has several red herrings laced into it and is compelling for its age and era. The acting is nothing spectacular, but everyone concerned does a workmanlike job. There is also a generous dose of humour within the mystery. Some of the characterizations are very one-dimensional, yet, as a whole, the picture is generally well-crafted. I think it is odd that the film does not have a little more noteriety as it is a much better film than many mysteries of the same period.
A famous detective gets invited to a swanky party at an elegant mansion, but finds himself searching for a killer after a murder occurs at the mansion.
A few people are murdered, starting with gaily amoral Muriel Randall (Iris Adrian), who has divorced one elderly husband (he becomes corpse number two), driven a younger second husband to insanity (he ends up with Rigor Mortis, too) and advancing vampishly on his younger brother - apart from her flings, she is using her inside-knowledge of a gangland rub-out to extort booze and cash from local racketeer Gus Colleti (Noel Madison).
When Muriel turns up stabbed in bed, it's no wonder that everyone is suspect - and Bill is especially keen on proving that the pretty Jane Maxwell (Irene Ware), first wife of the second husband, didn't do it. Cause he fancies her ...
Murder at Glen Athol is a wellcrafted mystery with interesting suspects and a clever detective who is well played by John Miljan- his sidekick isn't too annoying as he provides some humour. This mystery can be taxing in a sense you have to pay close attention in terms of suspects or you get lost (I found myself rewinding a few times). However, it's an engaging film with good acting, breezy energy and a good finale that had my brain doing somersaults to keep up with the hero's explanation of who was the murderer, and his stiff "chicken" was the trigger.
A few people are murdered, starting with gaily amoral Muriel Randall (Iris Adrian), who has divorced one elderly husband (he becomes corpse number two), driven a younger second husband to insanity (he ends up with Rigor Mortis, too) and advancing vampishly on his younger brother - apart from her flings, she is using her inside-knowledge of a gangland rub-out to extort booze and cash from local racketeer Gus Colleti (Noel Madison).
When Muriel turns up stabbed in bed, it's no wonder that everyone is suspect - and Bill is especially keen on proving that the pretty Jane Maxwell (Irene Ware), first wife of the second husband, didn't do it. Cause he fancies her ...
Murder at Glen Athol is a wellcrafted mystery with interesting suspects and a clever detective who is well played by John Miljan- his sidekick isn't too annoying as he provides some humour. This mystery can be taxing in a sense you have to pay close attention in terms of suspects or you get lost (I found myself rewinding a few times). However, it's an engaging film with good acting, breezy energy and a good finale that had my brain doing somersaults to keep up with the hero's explanation of who was the murderer, and his stiff "chicken" was the trigger.
In free tubi, it's called murder at glen athol, but in imdb and europe, it's the criminal within. Detective holt, on vacation, attends a party which gets out of control, ending with a couple murders. Muriel, the overly friendly next door neighbor, is caught up in all this. Now it's up to bill to see if he can solve it before the local cops. The gangsters are selling booze to the rich, and trying to make a profit. Who else is involved? The doctor? The police? This one is a pretty complicated plot... the story goes all over the place. The picture and sound quality are pretty bad. It does have subtitles, but because it was voice recognition, it frequently guesses the wrong words. They actually discuss fingerprints, but aren't able to get good prints that will help. And it has kind of an odd rushed ending. Bill miljan had started in the silent films. Was in tons of films, but usually in supporting roles. I recognize many of the titles where he participated, but played mostly background roles. Directed by frank strayer.... he had directed a bunch of the "blondie" films. Based on the novel by norm lippincott.
Did you know
- TriviaHolt and his bride sail for their honeymoon in Europe on the RMS Queen Mary.
- Quotes
Muriel Randel: I'm picking you up tomorrow afternoon in the roadster. We'll go places and drink things!
- Crazy creditsOpening credits are displayed as pages of a book.
Details
- Release date
- Country of origin
- Language
- Also known as
- Murder at Glen Athol
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 7m(67 min)
- Color
- Aspect ratio
- 1.37 : 1
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