Night Waitress

... But the movie is pure Lew Landers.

Margot Graham is exotic as the title character. Her acting, at least here, isn't very interesting. But she has a tough yet intelligent look.

Graham is a woman on parole. She is working as -- yes: a waitress. And in a waterfront dive.

The rest is stock criminals. We have a stock romance. We have a boat and an Asian helper. None of the actors in these roles made much impression on me.

It isn't really bad. (And some Landers films reality ARE bad.) It's just routine. We've seen essentially the same movie many, many times. But Graham makes this one stand out.

Margot Grahame has just been put on probation. She goes back to work at Billy Gilbert's waterfront fish restaurant. She wants to work and avoid trouble. Sailor Gordon Jones wants to date her. When gangsters kill a criminal in the restaurant, she's the only witness. The gang starts looking for her.

It's a nice, atmospheric B movie that doesn't bother with gloss. Director Lee Landers, just breaking out of B westerns the year this was made, shoots quickly and efficiently, with San Pedro standing in for San Francisco in the shipside shots.

Margot Grahame was Britain's highest-paid screen actress in this period. Dubbed 'the Aluminum Blonde', she was a skilled performer, trying to break into the much more prosperous American industry.

With a fine cast of then-minor players - the IMDb claims this is Anthony Quinn's first feature; it's really his fifth - it's a good example of what could be done on a small budget.

Minor effort with Edward Hopper-like waterfront setting. Margot Grahame and Gordon Jones (did I get the names right?) are interesting leads. Routine crime story has nice touches, its heroine is lower-class and depicted without condescension (quite a rarity for Hollywood). Low budget, interesting art direction, short and sharp action scenes, above average for its type. Anthony Quinn (unbilled) has a few scenes as a gangster.

Night Waitress (1936)

** (out of 4)

Decent crime picture from Lew Landers has Helen Roberts (Margot Grahame) getting a waitress job after being put on probation for a crime the police think she knew about but couldn't really prove. Once working the woman gets involved with a young man (Gordon Jones) but what she doesn't know is that this location is a hot spot for gangster crime and soon she's threatened with going back to jail. There's romance, crime and drama here but none of the three things are exactly done good. For the most part this is just a 57-minute "B" picture that was obviously made to play second tier to something much bigger and as long as you don't take it too serious or expect too much you should at least be slightly entertained. I think Landers does a nice job with what he has to work with as he at least keeps the picture moving at a fast pace and for the most part the seedy locations feel real. Both Grahame and Jones do a nice job in the leads and help carry the picture and we also get to see Billy Gilbert in the role of the restaurant owner. If you look quick you can even spot a very young Anthony Quinn in a few spots. The biggest problem with the picture is that nothing ever really works well enough to make the film a good one. Still, fans who enjoy these forgotten, low-budget pictures will still want to check it out.

A not bad little programmer directed with flair by Lew Landers about a night waitress, Helen Roberts (Margot Grahame), on probation who is trying to get her life together working in a waterfront dive run by none other than Billy Gilbert, who is virtually wasted in a routine bit part. Seems Helen's new boyfriend, Martin Rhodes (Gordon Jones of "The Green Hornet" fame), is somehow mixed up with gangsters who are after a hidden cargo he has. The result is murder and hot pursuit by both mobsters and police of Helen and Martin. The approximately hour-long second feature moves at a fast pace, filled with excitement and adventure.

Keep your eyes open for Anthony Quinn as one of the hoods, Don "Red" Barry as a victim, and Frank Faylen as a policeman, each just beginning his screen career. Gifted comic Willie Best is also seen briefly as a passerby with only one line. The cinematography by Russell Metty captures all the griminess, desolation, and seediness of the San Francisco waterfront. It's fun to hear the seamen sing "The Monkeys Have No Tails in Zamboanga," later popularized by US soldiers in the Pacific in World War II. Many John Wayne fans will recall it being sung by Lee Marvin in John Ford's "Donovan's Reef."