The Prisoner of Shark Island

This film, coming out at a time when the nation as a whole and Hollywood in particular tended to be sympathetic toward the South, presents a one-sided account of the events surrounding the Lincoln assassination of 1865. This was due to some extend by the visual impressions created by D. W. Griffith of Kentucky, especially his seminal "The Birth of a Nation" which made heroes out of the clandestine hate organization, the KKK. From a political standpoint, the South had become important as a result of many powerful congressmen and senators being from that region which by now had become the stronghold of the Democratic Party, "The Solid South." Pecuniary matters are usually the deciding factor for Hollywood, and there existed a large ticket-buying public in that part of our nation. The Civil War became The War Between the States or the War of Northern Aggression. The volatile issue of slavery was replaced with the states rights rationalization, forgetting that South Carolina and the other ten Confederate slave states withdrew from the Union so their right to own chattel would not be bothered. The right to own slaves became one of the main planks in the Confederate Constitution.

"The Prisoner of Shark Island" presents the Southern view of history. It also conveniently omits the incriminating evidence against Dr. Mudd, that he knew Booth well. In fact, he was the one who had introduced Booth to a leading conspirator, John Surratt. After setting Booth's leg, Booth did not leave the Mudd house but stayed the night and was ably assisted by Dr. Mudd. Evidence indicates that Mudd knew much more than he ever admitted about Booth and the assassination conspiracy. The murder of Lincoln occurred in the federal district of Washington, D.C., not in a state, hence the reason for the military tribunal. Needless to say, the conduct of the trial would have been much different had it been a civilian rather than a military one. The fact that the one who pulled the trigger, Booth, was killed before coming to trial also muddied the water.

The part of "The Prisoner of Shark Island" that sticks with history best is Dr. Mudd's heroic efforts to combat disease at the prison. This justifiably led to his pardon by President Andrew Johnson.

The acting, direction, and cinematography are first rate. Written by a Southerner, Nunnally Johnson, the historical facts are a bit skewed but otherwise the script is a good one. If the viewer keeps an open mind, this is a very entertaining picture.

I caught this one on American Movie Classics as part of its John Ford retrospective and found it to be an extremely well-done film that stand up very well for its 60-plus years. Lots of tension, and the action is extremely well-paced. Good acting all-around, especially from Claude Gillingwater as Mudd's feisty father-in-law.

One of John Ford's more under-appreciated movies is this biopic of Dr Samuel Mudd, the doctor who set John Wilkes Booth's broken leg after the assassination of Abraham Lincoln. Dr. Mudd (Warner Baxter) is convicted of being a part of the assassination and sent to a Union prison on the Dry Tortugas, a small group of islands off the coast of Florida. The prison island is surrounded by sharks, hence the movie's title. While there he endures brutal treatment and living conditions. When the prison is stricken with an outbreak of yellow fever, Dr. Mudd rises to the occasion and heroically saves lives.

It's solid entertainment directed by one of the greats with a script from Nunnally Johnson and starring a fine cast. In addition to Warner Baxter, who does an excellent job in the lead, the cast includes Gloria Stuart, Harry Carey, and Claude Gillingwater. Ernest Whitman is good as Mudd's friend (and his former slave!). John Carradine shines as an abusive Union guard ("Hiya, Judas!"). Ford's direction is superb, as one might expect, and he wrings every ounce of emotion out of each scene. While some parts of the movie are historically accurate (or at least close), it's inaccurate in many places. The primary example being the portrayal of Dr. Mudd as a complete innocent who knew nothing of Booth before the man showed up at his door with a broken leg. In reality, Mudd was a Confederate sympathizer who had met Booth on more than one occasion. It is true there is no concrete proof that Mudd knew about the assassination plot or knew that Lincoln was dead when Booth arrived at his house, but there is enough room for doubt that we still don't know the extent of his guilt or innocence to this day. But, as I always say with these biopics, I don't look to movies for history lessons but rather to be entertained. On that front, this is very successful.

This is an engaging film about the doctor who treated John Wilkes Booth after the Lincoln assassination. The film goes on to show how all the defendants in the case were hanged except Mudd. He was sent to a lovely spot off the coast of the Florida keys, but with no air conditioning. We see his treatment and attempt to escape as well. I will not reveal the conclusion of the film, but Dr. Mudd is the origin of the saying "His name is Mudd, now" meaning that you have lost your reputation. Good acting by Warner Baxter and good viewing.

Dr. Samuel Mudd thought he was being kindly by setting a stranger's broken leg in the middle of the night. He didn't know the stranger was John Wilkes Booth on the run after killing President Lincoln. Mudd was tried as a conspirator in the assassination plot and sentenced to a living hell to a prison a prison off the Florida Keys. Legendary director John Ford took this true story and turned it into one of the best films about the Civil War. Every scene has true suspense (the assassination itself, troops finding Booth's boot at Mudd's house) or genuine sentimentality (Lincoln asking Union troops to play "Dixie") While Warner Baxter (as Mudd) and Gloria Stuart do wonders with their roles, the real scene stealer is John Carradine. His performance as a sadistic Sargent at Shark Island is chilling, like something out of a horror movie. The ending is a bit dated, otherwise this is top notch John Ford.