The Road to Glory

First time I watched this movie and I give it eight stars, it's a descent movie, worth watching. Warner Baxter is known for his Dr. Ordway series which I enjoyed. This is a serious drama about front line war in WW1, the French fighting the Germans. The love interest of the two leading men (June Lang) was quite attractive. The reason I didn't give a higher rating is that it moves a bit slow at first but the war authenticity is impressive, even by today standards. Unlike the other reviews I'm not describing details, seems that spoils it for those who read the reviews before watching the film.

1. Modern Times 2. Partie de campagne 3. Mr. Deeds Goes to Town 4. Swing Time 5. Show Boat 6. Le roman d'un tricheur 7. San Francisco 8. Fury 9. Dodsworth 10. Libeled Lady 11. After the Thin Man 12. La belle équipe 13. The Road to Glory

The horrors of trench warfare in WWI are effectively shown in this anti-war drama, in which there were two scenes that stuck with me for hours afterwards. In one, the mournful wails and moans of an injured soldier stuck on barbed wire 100 feet from the trench had dead would-be rescuers strewn about him. The enemy snipers purposely let him live to tempt his fellow soldiers to a rescue so they could kill them. In the other scene, soldiers in a bunker hear the enemy below them and realize they are digging into the area to place explosives to blow it up, and this sets off a panic. Director Howard Hawks paces the film well and has exceptionally good action scenes. There's also a love triangle between Capt. Warner Baxter and his subordinate, Lt. Fredric March (both excellent in their roles) for lovely June Lang, which was an essential part of the plot. I enjoyed the humor provided by Gregory Ratoff and seeing Lionel Barrymore in one of his last films he made without a wheelchair.

During the late 1920s-1930s, something unusual happened in Hollywood as well as Europe...films began to be released which depicted war as hellish. And, in these dramas set during WWI, there was a strong sense that the war was stupid and wasteful. Realistic? Absolutely...but far from the super-heroic look many later war films depicted.

"The Road to Glory" is about an outfit of French soldiers who are constantly given the roughest missions. Its leader, Captain LaRoche (Warner Baxter) seems tough and indifferent to his men's suffering...a brave front he puts on to deal with the impossible orders he's given. A new officer, Lt. Denet (Frederic March) is assigned to the unit. The film depicts both the suffering of the men as well as the woman that LaRoche and Denet both want.

The acting is very good in this one, which isn't surprising since March and Baxter are among the best (and most underrated) actors of the era. They're also helped along by many character actors who play various soldiers. Overall, with a gritty story and wonderful acting, this film is worth seeing....though I must warn you it's very depressing...which, if you think about it, it should be!

Howard Hawks reused the title of his1926 movie. This one owes some debt to Raymond Bernard's LES CROIX DE BOIS, particularly in the art decoration of the battlefield scenes. Yet the story itself is not anti-war. It recounts the growing professionalism and disillusionment of of Fredric March under the tutelage of his captain, Warner Baxter, in the ruined landscape of the Great War. In the end, all he has left is his profession, as he addresses the latest batch of soldiers, tells them of the unit's glorious history, and takes a drink.

It's clearly an A movie, with a cast that includes Gregory Ratoff, John Qualen, and Lionel Barrymore borrowed from MGM to play Baxter's father and private soldier in the regiment. June Lang plays the inevitable love interest and she's pretty shaky: visually excellent, good in some line readings, poor in others. That's probably Hawks' responsibility; he was fine with strong actresses, bit so much with lesser ones. I suspect he lacked the patience.

It's a war movie, so the big battlefield scene is important, and it's beautiful shot and edited. It was also noisy, and appropriately so, second only to ALL QUIET ON THE WESTERN FRONT for its shrieking chaos. It' a good movie, but not a great one; in the end it's too conventional, willing to admit that war is bad, but well, we're going into battle tonight, so let's get on with it. Hawks had not quite reached the point where he could make the movies he wanted. In the meantime, he was a professional, doing the job he was assigned as well as he could, even if it made little sense.