Pigskin Parade

"Pigskin Parade" is a thoroughly enjoyable college football musical - the kind of fluffy, unpretentious froths 20th Century Fox usually done well. It recounts the events leading to a big charity football game between Texas State University and Yale.

Sure at times it's silly and corny; but when you come across an innocent and charming cast that includes Judy Garland (in her debut!), Betty Grable, Stuart Erwin, Arline Judd, Jack Haley, Patsy Kelly, Alan Ladd, Tony Martin, Elisha Cook Jr, plus those enchanting musical numbers, any flaw or implausibility has to forgiven.

The teaming of Jack Haley and Patsy Kelly as the married coaches guiding TSU at the Yale Bowl is itself fun to watch. You should see Haley's reaction when he finds out his wife has injured the team's star player! Stuart Erwin as the dour hillbilly tosser Amos Dodd later turned ace footballer is hilarious!

Judy Garland, on loan from MGM, looks very young in her role, three years before she starred again with Jack Haley in "The Wizard of Oz".

The young, up-and-coming Betty Grable, with her carefree enthusiasm, was a delight to watch again after she starred in another frothy campus musical "Old Man Rhythm"(1935). This is one her earliest roles and she handles it in a bouncy, exuberant manner like most of her best roles.

David Butler's direction is unpretentiously fluid, breezily mixing slapstick and highly uproarious songs/numbers. My favorites are "The Balboa", "It's Love I'm After", "You Say the Darndest Things" and "We're Glad to Be In College".

Watch it and Enjoy.

Except for a couple of seemingly endless musical numbers by a male trio or quartet--I don't recall how many there were--called the Yacht Boys, I found this movie to be consistently entertaining. I attribute this to what I found to be a charming cast, some well thought-out and performed musical numbers, and a story-line that doesn't take itself too seriously. In addition to these virtues, the movie offers some skilled comedy playing from Patsy Kelly and Jack Haley and, to a lesser extent, from Stu Erwin, as well as three stand-out musical numbers performed with an appealing vigor by young Judy Garland. Worth a look.

By all means not a great film, with a silly premise not made any less so. However it is easy to like and does liven up the spirits as long as not too much is expected.

'Pigskin Parade' is mainly notable for being the film debut of 14-year old Judy Garland, but it is worth watching for more than just historical interest. Garland's performance is certainly one of 'Pigskin Parade's' standout features, she is a real charmer here and not only does she look like she is having a lot of fun but she gets ample opportunity to show off her unmistakable vocal pipes and sounds fabulous for so young.

Tony Martin is also very early in his career, and does make an impression singing the film's best song "You're Slightly Terrific". Betty Grable is similarly charmingly perky, while Stuart Erwin, though am personally not sure about the Oscar-nomination especially with greats like Walter Brennan and Basil Rathbone also in the running in the category that year, is fun and endearing. A pre-'The Wizard of Oz' Jack Haley does just fine, while Patsy Kelly comes very close to stealing the show as a less than subtle character. Love her chemistry with Haley, which can be uproarious to watch. Nice to see Elisha Cook Jnr.

Visually, while not exactly lavish 'Pigskin Parade' is attractive enough, everything is shot well and it was made with care. The bright and breezy direction from David Butler helps. The songs are hardly award-worthy and they vary in the memorability and relevance factor but they are very energetic and pleasant, while they are not necessarily "great" songs count me in as somebody who enjoyed listening to them. "You're Slightly Terrific" and Garland's numbers come off best, and they're staged in a way that isn't big and bold but never static or indifferent either, due to that the cast seem to be enjoying themselves too much.

Scripting has its snappy and funny moments, the film never drags and has a breeziness throughout.

Not that 'Pigskin Parade' is perfect this said. The story is thin, does get contrived in places and is as old as the hills. Some of the script is corny and overly-silly, with some of the comedy over-played on odd occasions. Could have done with less of the Yacht Club Boys, they serve little purpose other than their songs and their performing style is neither interesting or fun and grates somewhat, trying to see them pass for college kids even for comedy strains credibility beyond belief.

Overall, not great but good undemanding fun. 7/10 Bethany Cox

Pigskin Parade is a light-hearted football-themed musical (how many of those are there?) and is most notable for being the feature debut for a young Judy Garland. MGM loaned her out to Fox (the only time she made a film at another studio for the next 14 years) because they didn't know what to do with the little girl with the grown-up voice. Guess they solved that problem, huh?

Not too much of the film is noteworthy aside from Judy's performances and it's interesting to note that she co-starred with Jack Haley, the father of the Tin-Man who she would star with, 4 years later, in the Wizard Of Oz.

PIGSKIN PARADE (20th Century-Fox, 1936), directed by David Butler, the studio's answer to the wide range of college musicals made popular in the 1930s, contains its own assortment of comedy, songs and a football game finale (hense the title) all told in 93 minutes. With a credit list of staff and actors listed on a rolling football, Stuart Erwin, who appears late into the story, heads the cast, though the real leads are Patsy Kelly and Jack Haley in that order. By today's standards, its sole interest is on future musical film stars in smaller roles: Betty Grable (in 20th-Fox debut) and Judy Garland (on loan from MGM), resulting to one of the most musical college movies up of that time.

The slight plot begins in a conference room where a deliberation meeting at Yale University as the board of directors select for its charity game the football team from the University of Texas to play against them in New Haven, Connecticut. A clerical error between Freddie (George Offerman Jr.) and Sparks (Eddie Nugent) has them getting the team from Texas State University in Prairie, Texas, instead. Winston "Slug" Winters (Jack Haley), a coach from Flushing, Long Island, arrives by train with his wife, Bessie (Patsy Kelly) to his new assignment in shaping up the team. "Biff" Bentley (Fred Kohler Jr.), the football captain chosen to lead the team to victory, meets with an accident of a fractured leg, forcing Winters to find an immediate replacement. Hoping to acquire Stanley Russell, Bessie, accompanied by fellow students, Chip Carson (Johnny Downs) and his girl, Laura Watson (Betty Grable), encounter Sairy Dodd (Judy Garland) whose older brother, Amos (Stuart Erwin) is seen tossing melons long distances into a basket. Impressed by his accurate throw, Amos is chosen as Bentley's substitute, acquiring a college scholarship for both he and his sister in the process. All goes well until the unexpected occurs.

Taking amiable support for Arline Judge playing Sally Saxon, the college vamp; Elisha Cook Jr. as Herbert Terwillinger Van Dyke, the wimpy socialist; Dixie Dugan (Ginger Jones); Grady Sutton, and Sam Hayes playing himself as the radio announcer of the football game. Look quickly for future leading man, Alan Ladd, in a minor bit as one of the students.

Along with Patsy Kelly's antics and sarcasms, and Jack Haley's bit of confusion, there's time for songs, lots of them. Composed by Sidney Mitchell and Lew Pollack, song interludes include: "T.S.U. Alma Mater" (sung by students); "You're Slightly Terrific" (Sung by Anthony "Tony" Martin, danced by Dixie Dunbar); "Woo-Woo" (written/performed by The Yacht Club Boys); "T.S.U. Alma Mater" (reprise); "We'd Rather Be in College" and "Down With Everything" (The Yacht Club Boys); "Balboa" (sung by Dixie Dunbar, cast members/Judy Garland); "You Do the Darndest Things" (sung by Jack Haley); "The Texas Tornado" and "It's Love I'm After" (both sung by Garland); "The Football Song/Texas Sunshine" (written and performed by The Yacht Club Boys) and "The Texas Tornado" (sung by cast). Although all the musical interludes are delivered in a very entertaining manner, the true musical highlight is unquestionably 14-year-old Judy Garland's rendition of three lively songs, much of them forgotten. Garland's scenes are limited but makes the most of it with her singing ability and transformation from barefoot hillbilly gal in pig-tales to talented singing teenager. The Yacht Club Boys as 14 year career students, are an interesting foursome of comic strip-type faced characters. They perform their specialty numbers well, never missing a beat. Interestingly, Betty Grable, singer and dancer in her own right, doesn't get a solo number to herself. As for Stuart Erwin has the distinction of being the only actor to head the cast and earn an Academy Award for Best Supporting Actor for his performance. If anyone deserves an acting honor in the supporting category is Patsy Kelly, who, in true form, is very funny as the assertive wife who calls the plays for her husband.

Television revivals for PIGSKIN PARADE have been few and far between over the years. In 1996, American Movie Classics selected PIGSKIN PARADE as part its annual film preservation series. Availability on home video came about that same time. The names of Grable or Garland, mostly Garland, are the reasons why this routinely done musical has been kept from oblivion.Clam shell video boxes with Garland's face on the cover might have made this an easy sell, but disappointment for those expecting her to be the lead. Later placed on DVD with Garland, Erwin, Kelly and Haley on the cover, Fox Movie Channel along with Turner Classic Movies (TCM premiere: January 7, 2011, as part of its Betty Grable tribute) have also taken part of cable television revivals.

As silly as it appears, PIGSKIN PARADE is the kind of college musical made watchable for Depession era audiences, a sort of reminder of how films of this nature have proved successful with an assortment of stars working with limited plot material. (*** touchdowns)