Satan Met a Lady

I can practically recite "The Maltese Falcon" by heart, so I was intrigued by this alternate filming. I put the tape in and immediately went "What the. . . ." Then I picked up the box and saw the word "comedy." so I sat down and watched it on its own terms. It's a hoot. the trick is to never really think about the great Bogart version and just think of it as a send-up of the genre. It is much better this way. I especially the ditsy blonde secretary, and the bumbling gunsel.

They had to have kidnapped Bette Davis and forced her to do this film at gun point. For the studio to waste the time of this major star was indeed a crime. This flick was painful, I'm talking major "kaka". It probably single-handedly caused a drop of Trumpet sales during that period when it was released.

The only saving grace was Marie Wilson who played the role of the secretary, Miss Murgatroyd. I'm sure she was the inspiration for all those actresses who perform or do that stereotypical nasal ingenue dumb Blonde shtick.

Having said all that the film is still an amusing watch if you take a couple of hits of "devil's lettuce".

The second version of Dashiell Hammett's The Maltese Falcon came in the wake of the big success of a cinematic adaptation of another of the author's novels, The Thin Man. So here we get a comic version starring a wise-cracking gentleman, Warren William (who had played Julius Caesar in DeMille's Cleopatra). The comedy is sometimes desperate. It's played WAY over the top. If they had toned in down a tad, and maybe got William Powell instead of Warren William, it would have been a great film. Which would have been terrible because then, if it had been a success, Warner Brothers wouldn't have deigned to remake it five years later. We wouldn't have the 1941 masterpiece, John Huston's career might have went an entirely different way, and film noir wouldn't have developed as we know it. Film history might look damn different just because of this goofy little adaptation! It's generally considered the worst of the three adaptations, but I really liked it. It's a heck of a lot better than the stale '31 version, and it stands as a nice little companion piece to the '41 version. A couple of the actors I really liked, notably Alison Skipworth in the Gutman role (all character names have been changed, by the way, but I'll keep to the originals), Arthur Treacher as Cairo, and Maynard Holmes as Wilmer (shockingly uncredited where several less important characters were!). The best of the best, though: Marie Wilson in the Effie role. Oh. You thought I was going to say Bette Davis. Nah. She's probably the least of the three Brigids. The secretary role is expanded a bit, and she's almost made Spade's love interest. Wilson gives a very cute comic performance. Well worth checking out.

Dash Hammett wasn't a very good writer, but he was something of a genius in creating characters that sell. Films with his characters were only successful when heavily filtered through the inventive context of a filmmaker.

Hammett hated it, this messing with his tone. But the original "Falcon" was something of a disaster. Someone had the idea (possibly Van Dyke) of making the Thin Man as a comedy. It was a huge success and has in retrospect been one of the most influential films of the era. So it only made sense for us to see this similar reworking of "Falcon" shortly after the Thin Man's success.

But Van Dyke had a sense of timing and the ability to integrate that rhythm into the whole long form. This poor fellow has no such sense, so the humor is all over the place, each character driving their own bus.

So when you watch it, you have to decide which character to align your perspective with. Though I cannot recommend the picture, if you do see it, I do recommend you become the ditsy blond secretary (who cannot even spell her own name).

She's every bit capable of carrying this movie, where the detective cannot.

I don't suppose she invented the ditz, but it was this girl, here a nineteen year old Marie Wilson who combined a Betty Boop "whoop" to become the sexually available, innocent but hungry, absolutely sweet but terminally dumb blond. Its great fun watching her mouth, a great mouth, one of the era's great mouths managed by an unappreciated master.

The end of the movie is supposed to be something of a tragedy as the Bette Davis character is lost. But because our detective (something of a breezy dolt) has this ready girl to fall back on, the effect is lost.

Ted's Evaluation -- 2 of 3: Has some interesting elements.

Surprise! Satan Met a Lady is an easy breezy detective dramedy VERY LOOSELY based on the Dashiell Hammett Book, The Maltese Falcon. This book had been adapted for the film before (in 1931) and, more famously, after (1941), This version made its way to the silver screen in 1936, with Bette Davis in rare form in a comedic role. Warren William, who could be as suave as the similar and better known actor William Powell, plays it fast and loose as a detective out to settle a mystery-and maybe find himself very rich. This version of the Hammett tale has been sadly underrated due to the fact that many of its naysayers were suffering under a misapprehension concerning the tenor of the film. In their attempt to set it under the same microscope as its more famous remakes and premakes, many of the critics overlooked the simple truth that this is a light, comic bit of film fluff concocted to entertain a mid-Depression Era audience with its confection of comedy, mystery, and romance. It has none of the nihilistic brooding of the original book, nor the leering innuendo or virtuoso performances of the two other films. What it does provide is a diverting pastiche of one liners and clever story lines that keep its audience on the edge of their seat. Even if they're almost falling out of their seats for laughter, there's always a reason for the viewers to use (and not lose) their heads. I'd like to see most movies do that today (and at 76 minutes.)

The casting of the principal stars is first rate. There's always a glint of a coiled cobra in Warren Willliam's silver-tongued shamus. But most of the time he keeps his gun in his pocket and his tongue in his cheek. Even his name is a parody of the nickname for a detective. Bette Davis matches him line by line and sets the movie at its pace. she was still a young actress and everything she says and does is as real and as fresh as homebaked bread. Allison Skipworth makes a charming but sinister villianess. Arthur Treacher (hilarious as a thief with manners) and portly Porter Hall round off this mad quad of moneygrubbers all showing that not only is the love of money the root of all evil, it can also be very, very, funny. Like Arsenic and Old Lace and Beat The Devil, Satan Met a lady is one movie that was ahead of its time and, after more than 65 years, is still got plenty of zest and zing. A Thumbs up for Satan Met a Lady.