Three Smart Girls

It has been said that Deanna Durbin invented teenagery. This first film was one of the best. The humorous story presented a delightful 14 year old Deanna, a little beauty with a gorgeous voice, as the "Miss Fixit" in a family split by divorce. For plot summary, see other IMDb entries, but quickly Deanna and her two older sisters plan to go to America from Switzerland to prevent their father from remarrying. With an excellent supporting cast especially Barbara Read and Nan Grey as the sisters, good direction and editing, the film succeeds in captivating one even on subsequent viewings. Of Deanna's three songs, only "Il Bacio" is from the classical repertoire, but when she sings it in that police station scene, the film's place in history is assured. At least it was for this viewer who at the age of 15 was smitten for life with both Deanna and classical music. One of the many nice touches that occur throughout THREE SMART GIRLS is the brief glimpse of the drunk stretching his neck for a final glimpse of Deanna as the cops hustle him by! One unfortunate result of the success of this film was that subsequent writers for Durbin vehicles became locked into the "Miss Fixit" theme, which quickly became stale. Deanna herself never did. Her stature as an actress is more questionable than her charisma, which she certainly had. It seems to me that, like many another film personality, she substituted "naturalness" for the histrionic ability that she lacked. The ploy worked well for 21 feature films.

About 20 years ago, I managed to watch the beginning of this movie on AMC-when it was still commercial-free and didn't edit its films for content-but turned it off or changed the channel after Deanna Durbin's first number. So now I've seen the whole thing on Netflix DVD and I can honesty say I enjoyed most of it. Initially, I thought the dialogue was being presented too fast for me to understand everything going on but I caught on eventually and warmed to Ms. Durbin's presence as the young impulsive teen. The women who play her sisters are also pretty appealing and there's a nice comic performance by Charles Winninger as their father. Mischa Auer is also funny as a drunken bum who's supposed to pose as a count. While I don't consider myself an opera fan, Ms. Durbin is pretty entertaining when she sings. In summary, Three Smart Girls is a pretty funny movie that's worth a look.

MGM's loss was Universal Studio's gain when Louis B. Mayer sold Deanna Durbin's contract to Carl Laemmle and Universal gave her a grand debut in Three Smart Girls. The three are the Craig sisters played by Nan Grey, Barbara Read, and Durbin as the youngest and the one with the musical talent. But all three are on a mission to bring their mother and father back together.

The girls are vacationing in Switzerland when word comes that dear old dad who's been divorced from mom for years is about to be married again. Back to New York come the sisters to save father Charles Winninger from the clutches of mercenary Binnie Barnes and her even more mercenary mother Alice Brady.

While on the mission Grey and Read get themselves some romantic involvement also with Dusty King and Ray Milland. It gets a bit complicated though when Read thinks that Milland is a no account count that King hired to woo Barnes away from Winninger. Actually Milland is a titled gent, the guy that King hired was Mischa Auer.

In the first of her many roles in the guise, Deanna Durbin plays little Miss Fix-it and solves everybody's problems in the end with a few songs to go with it. It was a formula that worked well for Universal, pulling the studio back from inherent bankruptcy. Abbott&Costello would later make it turn a profit.

Three Smart Girls got Oscar nominations for Best Picture, Best Sound and Best Original Story. The fashions and mores of the time place it firmly in the Depression Thirties. I doubt it could ever be made today again.

Where would you find a voice like Deanna Durbin's?

Cute film about three lively sisters from Switzerland (often seen running about in matching outfits) who want to get their parents back together (seems mom is still carrying the torch for dad) - so they sail off to New York to stop the dad from marrying a blonde gold-digger he calls "Precious". Dad hasn't seen his daughters in ten years, they (oddly enough) don't seem to mind and think he's wonderful, and meanwhile Precious seems to lead a life mainly run by her overbearing mother (Alice Brady), a woman who just wants to see to it her daughter marries a rich man. The sisters get the idea of pushing Precious into the path of a drunken Hungarian count, tricking the two gold-digging women into thinking he is one of the richest men in Europe. But a case of mistaken identity makes the girls think the count is good-looking Ray Milland, who goes along with the scheme 'cause he has a crush on sister Kay.

This film is enjoyable, light fare. Barbara Read as Kay comes across as sweet and pretty, Ray Milland looks oh so young and handsome here (though, unfortunately, is given little to do), Alice Brady is quite good as the scheming mother - but it is Deanna Durbin, a real charmer and cute as a button playing youngest sister Penny, who pretty much steals the show. With absolutely beautiful vocals, she sings several songs throughout the film, though I actually would have liked to have seen them feature her even more in this. The plot in this film is a bit silly, but nevertheless, I found the film to be entertaining and fun.

This charming, funny movie combines Deanna Durbin's numerous talents with a far-fetched but enjoyable story, a set of interesting characters, and a cast and settings that make it all work. It combines the feel of the old screwball comedies with a little of the pace of a vintage musical, and a dash of commentary on family life. The combination works well, and is not as easy as it looks, as is so often demonstrated by the numerous gauche, hammy "family comedies" of more recent years.

Although she was quite young at the time, Durbin already had quite a singing voice, and she also had the kind of stage presence that allows her young character to take command of a scene in ways that would otherwise seem forced. She and the other two of the "Three Smart Girls" make a winning and energetic set of heroines. The rest of the cast members do well, too, and several of them have some very good moments. Charles Winninger makes the indecisive father very believable, Ray Milland's smooth, slightly exaggerated performance fits in nicely, Mischa Auer steals a number of scenes, and Binnie Barnes keeps her "other woman" character from being a stereotype.

Despite having a short career, Deanna Durbin left behind several very pleasant, enjoyable pictures that are worth the trouble to find for fans of classic cinema. This early feature is particularly charming.