Ever Since Eve

Had always heard how rotten this film was. Imagine my surprise when I finally saw it and found it one of the most enjoyable of the Warner's 30's comedies. Marion is a delight, totally natural . . . which is why I guess, they never thought she could act! The film has a great supporting cast. Louise Fazenda has a hilarious role as Abigail Beldon the book publisher, and Merle Oberon look alike, Marcia Ralston makes a vicious "other woman". The whole thing is fun. Take it for what it is . . . just entertainment.

Oh yes, plot is Marion makes herself over to be plain and ugly to get a job and falls for Robert Mongomery, her employer.

Very entertaining romantic comedy starring Marion Davies as Marge, a gal who keeps quitting or getting fired from her secretarial jobs because she's too attractive to keep her bosses from chasing her, asking her to stay for "night work", etc. At the employment agency she hears about a job at a publishing company that only hires "homely" secretaries, so she makes herself over to look plain - complete with thick round eyeglasses, short dark wig, over-sized suit, sensible shoes, and funny-looking hat (de rigueur for this kind of deception, it seems) - and gets herself the job. She's soon put to work as secretary for handsome ladies man Freddy Matthews (played by Robert Montgomery) who is writing a book with a firm due date at the publishers - problem is, he just can't keep his mind on the job. So - he thinks she has a "face that would stop a clock" (hmmm - he met her as herself in an earlier scene and thought she was a beauty, just a pair of glasses makes that much difference?!) so has no interest in her, she takes it upon herself to press him into completing his book and keep him away from distractions like his jealous, extremely hot-headed girlfriend.

Well, this film is a lot of fun - the story is very enjoyable and funny, with well done performances by all. Marion Davies is fun to watch switching back and forth between blonde beauty and plain jane, Robert Montgomery is his handsome, charming, usual self, Patsy Kelly adds some humor to the mix playing Davies wisecracking roommate/gal pal and Frank McHugh is amusing as a man who writes books for young girls under a female pseudonym. The plot of this film has an element that you just must except (like many other similar films with this sort of disguise) - the fact that our man is completely unable to recognize, either visually or by her voice, Davies character when she has on the glasses and wig. He actually meets Marge at one point in the film, dressed as herself, and they go out and begin to fall in love - and he doesn't have a clue that she and his secretary are one and the same person! All in all, I found this film to be a pleasant watch, well worth seeing.

Very underrated comedy stars Marion Davies (in her final film) as a woman who frumps herself up to land a secretarial job. Because the frump is efficient, the boss (Robert Montgomery) continues to chase women: a conniving shrew (Marcia Ralston) and a blonde beauty (Davies!) who he meets at a nightclub. Role-reversal comedy is fun from the start with Davies at her comic peak as the dour frump. She's not afraid to look really bad. Excellent supporting cast includes Patsy Kelly, Allen Jenkins, Frank McHugh, Louise Fazenda, and Mary Treen. Once again Davies proves she had acting talent (given the right roles) and that was was a total delight. Her best comedy performances stand up against those of Carole Lombard, Myrna Loy, Jean Arthur or Irene Dunne. Catch this one.

"Ever Since Eve" is a cute comedy from 1937 starring Marion Davies, Robert Montgomery, Patsy Kelly, and Allen Jenkins.

Davies plays a secretary who gets sick of the men she works for hitting on her all the time - so sick, in fact, that she makes herself into a homely frump and goes to work for Robert Montgomery, who plays an author in need of someone efficient so that he can finish his book.

Davies' transformation is very good, but I have to admit that I didn't find her so much of a knockout normally that no man could keep his hands off of her. It was really a role for someone like Jean Harlow.

The interesting thing is, Davies was 40 at the time. It was unusual in those days for an actress to still be playing starring roles by then and only superstars with clout could get away with it.

Norma Shearer retired at 40, as did Greta Garbo; by the time Joan Crawford was 38, MGM was giving her junk, and she was drummed out of the studio.

Davies is very good, and the film is cute, with good performances from the rest of the cast. Davies' acting abilities come as no surprise to me, as I have enjoyed many of her performances. She was a bright presence as well.

"Ever Since Eve" goes down easily. It's not a masterpiece, not a classic screwball comedy, but it's very enjoyable.

William Randolph Hearst preferred to see mistress Marion Davies in magnolia-scented romances, but comedy was her forte, and she gets a nice chance to show off in this screwball romance, her last movie. She's a capable secretary who's sick of being pawed by her bosses and disguises herself as a frump. The trouble is that even a brunette-wig Marion with unbecoming glasses isn't THAT hideous, and the plot machinations stemming from her deception thus seem a little under-motivated. Further, it's something of a B supporting cast--what's Louise Fazenda doing in a role with Edna May Oliver written all over it, and why isn't Gail Patrick playing Marion's nemesis instead of this nobody? Bob Montgomery is just fine playing the light-leading-man sort of role he did dozens of times, and Patsy Kelly and Allen Jenkins are very reliable in this sort of thing. It doesn't sparkle, but as others have noted, it makes its serious points about women in the workplace who aren't appreciated for their talents, and Marion looks like she's having fun getting to be something other than a boring beauty.