London by Night

MGM seldom delved into atmospheric B-film mysteries depicting "London By Night", since those kind of thrillers were usually made by studios like RKO and Universal during the '30s and '40s.

But this atmospheric mystery, filmed entirely on the MGM back lot, is a welcome diversion that graced the bottom half of double feature bills back in 1937.

GEORGE MURPHY is a man who wants to go to Paris in the morning (he tells us so about ten times during the course of the story), but reluctantly stays behind to solve a murder case involving a man who uses disguises and an umbrella to do his dastardly deeds.

RITA JOHNSON is the pretty socialite with the strict father (MONTAGUE LOVE) and her household includes LEO G. CARROL. GEORGE ZUCCO is on the good side of the law (for a change) as a Scotland Yard detective.

It's an entertaining little trifle that will keep you guessing as to the outcome after a few murders along the way. Unfortunately, VIRGINIA FIELD, as a Cockney barmaid, overacts outrageously in a desperate attempt to provide comic relief. The dog Corky is much better at that.

It is all too obvious after the first five minutes who the master criminal, "The Umbrella Man" is. Nevertheless, it is a charming, lighthearted mystery with some very good performances.

George Murphy (long before he became a U.S. senator from California,) plays the lead part, Michael Denis, with a great deal of charm and a large dose of tongue-in-cheek. Truth be told, our late U.S. senator was quite a handsome man.

A small side note: back in 1964 I worked at General Service Studios in Hollywood as a messenger. Among other shows that were filmed there was "The Beverly Hillbillies" starring Buddy Ebsen. Ebsen and Murphy were good friends. After Murphy won his U.S. senate seat, he visited Ebsen in his dressing room. There was some talk that Ebsen (who to me, at my lofty age of 18, seemed to be an insufferable snob) might run for office himself.

I had bicycled up to Ebsen's dressing room to deliver some mail. I misjudged the distance between the curb and the dressing room. I hit the curb straight on, knocking all the mail out of my basket. Just as I was maneuvering that very graceful slam, Sen. Murphy came walking out of the dressing room. I was a bit surprised to see that he was about my height. I was, and still am, at 5'9", far from a giant* "What seems to be the trouble, son?" asked the affable Murphy. "I dropped my mail, senator," I managed to mumble and stumble out. "Here, let me help you," said Murphy, whereby this dignified, handsome, and immaculately dressed United States senator got down on his hands and knees, and helped me shuffle the mail back into my basket.

I have been a life-long Democrat, but if I had been old enough to vote for Republican George Murphy, I certainly would have.

What a guy!

*other "cutesie" names (which I learned to despise) were, "squirt," "pipsqueak," "shorty," (which the school bully always called me) and my all time favorite, "shrimp boats."

By way of explanation of that last one, there was a very popular song being sung at that time called "Shrimp Boats are A-comin'"

A murder occurs in a London night. A mystery man with an umbrella is seen running away. Reporter Michael Denis is always accompanied by his loyal dog Jones. Socialite Patricia Herrick joins him in his investigation along with Scotland Yard Inspector Jefferson.

The umbrella is a cute prop until it's not. It becomes more or less a gimmick. He is literally using the umbrella to hide behind even when he's indoors. It starts like a great concept, but it becomes a bit ridiculous. I like Michael's start with his dog. I like his connection with Patricia although they need more time together. They need the time to do more banter. I did get invested in the murder mystery even if it's only a flawed little film.

There's not much to this. A reporter is detained from a trip to Paris due to a series of murders he initially has not interest in. He gets hooked up with a rich girl who likes adventure and this almost gets her killed. The murderer runs around with an umbrella which identifies him but also keeps him from being apprehended (it is foggy, after all, and everyone seems to have the same umbrella). There are some pretty good performances by Leo G. Carroll and George Zucco. George Murphy pulls things off pretty well, but the whole plot is too transparent. There is also an interesting romantic development between the two leads. The ending leaves a bit to be desired, but it does have some plausibility. Nevertheless, the film is interesting, atmospheric in places, but pretty unremarkable.

Here is a film that brought waves of nostalgia to an old movie buff who usually never forgets a film but often cannot remember the titles of something I have not seen in 50 years. I viewed it by chance on TCM and as soon as I saw the Umbrella Man I knew it was an old favorite from childhood. I am constantly drawn to any film about London and this was no exception. It contains much of the usual elements of period London, the constant fog, Big Ben, elegant town house, eerie Thames River, bumbling police, pub, two lovely ladies and a semi-comical newspaper man protagonist. However it was the bone-chilling Umbrella Man that made the indelible imprint on my young mind years ago. Now the film seems silly and outdated and not the least bit scary, oh but what fun to see again.

The film contained credible performances with a somewhat predictable plot. With a little bit of rewriting and a skilled director I think this film would be a great candidate for a serious remake.