IMDb RATING
6.9/10
1.7K
YOUR RATING
An ordinary man suddenly finds that anything he says comes true. Or at least, almost anything.An ordinary man suddenly finds that anything he says comes true. Or at least, almost anything.An ordinary man suddenly finds that anything he says comes true. Or at least, almost anything.
- Awards
- 1 nomination total
Wallace Lupino
- Constable Winch
- (as Wally Lupino)
Gertrude Musgrove
- Effie (replaced by Joan Hickson)
- (scenes deleted)
Featured reviews
What would a world without want be like? The answer has been the subject of countless stories, not a few movies, & every sensitive soul's nighttime sighing for ages. H. G. Wells poses the question by having godlike beings give a department store clerk, George McWhirter Fotheringay, that ability, & watching it evolve, as he bounces from adviser to adviser, from the sexy girl he desires to a retired British Army man.
The film is a treat, especially for those of us accustomed to (& maybe a little bored by) the Star Trek treatment of absolute power conferred on lowly mortals. I don't know much about the history of science fiction in the movies, but Wells goes about everything (he wrote the script, based on his novel) with the fabulous in mind, while adding purely sci-fi touches, which I won't give away.
Fotheringay is no bleeding-heart aching to turn the world into a painless utopia, nor is he a selfish, power-hungry perve, but a nondescript man who takes his time to figure out just what has happened to him before bringing everything to a head. In the meantime, we're given what amounts to a funny English comedy of manners, as well as a peek into a time (& place) where science fiction took a different direction. (For example: if you found out you had miraculous powers, would you tell anyone? I don't think I would. & if you told anyone, wouldn't you imagine the authorities pouncing on you at the first opportunity? Not so in 1930's Essex!)
The ending seems Gene Roddenberry-esque, & perhaps the Star Trek creator admired & shared Wells' humanism; but the film shines with neat-o special effects (some cool stuff, for the time) & a wonderful performance by Roland Young. A must-see for those who like their sci-fi earthbound & thought-provoking.
(My subject line, by the way, refers to anarchy as a form of government in which there are no governments, just self-government; I don't mean it in the common usage of disorder or chaos. The movie touches on the idea that, without their lives being controlled by those in power, who have a vested interest in people needing money & goods, people might find other ways to spend their time - like, for example, in creation.)
The film is a treat, especially for those of us accustomed to (& maybe a little bored by) the Star Trek treatment of absolute power conferred on lowly mortals. I don't know much about the history of science fiction in the movies, but Wells goes about everything (he wrote the script, based on his novel) with the fabulous in mind, while adding purely sci-fi touches, which I won't give away.
Fotheringay is no bleeding-heart aching to turn the world into a painless utopia, nor is he a selfish, power-hungry perve, but a nondescript man who takes his time to figure out just what has happened to him before bringing everything to a head. In the meantime, we're given what amounts to a funny English comedy of manners, as well as a peek into a time (& place) where science fiction took a different direction. (For example: if you found out you had miraculous powers, would you tell anyone? I don't think I would. & if you told anyone, wouldn't you imagine the authorities pouncing on you at the first opportunity? Not so in 1930's Essex!)
The ending seems Gene Roddenberry-esque, & perhaps the Star Trek creator admired & shared Wells' humanism; but the film shines with neat-o special effects (some cool stuff, for the time) & a wonderful performance by Roland Young. A must-see for those who like their sci-fi earthbound & thought-provoking.
(My subject line, by the way, refers to anarchy as a form of government in which there are no governments, just self-government; I don't mean it in the common usage of disorder or chaos. The movie touches on the idea that, without their lives being controlled by those in power, who have a vested interest in people needing money & goods, people might find other ways to spend their time - like, for example, in creation.)
H.G. Wells' lighthearted fantasy about an unassuming draperies assistant granted the ability to make his every dream come true might be the best film never made by Frank Capra. Normally a very sober thinker, Wells found the perfect balance between philosophy and whimsy for this original screenplay, in which a trio of cosmic gods conduct an experiment to see how the selfish inhabitants of this trifling world might cope with the possibility of total wish fulfillment. Astounded by his unexpected gift (which he believes to be a simple matter of will power), the meek and mild Mr. George McWirter Fotheringay soon finds himself besieged by friends and strangers offering opinions, advice, and partnership offers in lucrative business ventures. Should he use his miracle making for strictly personal gain, or for the benefit of all mankind? There are, of course, unexpected pitfalls to even the best intentions, but the consequences, while hardly optimistic, are never less than entertaining.
I first saw this movie when I was a kid in the fifties. The movie stands out in my mind just as if I saw it yesterday (in fact I am going to see it in the next few days, whenever I can find a place that rents it.) It was interesting and entertaining just as most movies based on H. G. Wells stories are.
An unassuming Englishman named Fotheringay (Roland Young) is given miraculous powers by celestial beings (perhaps gods, the film never says). He doesn't know where he got the powers from or why and, at first, he doesn't use them for anything more than simple tricks. Gradually he starts to realize the gift he's been given and decides to use his power for the greater good. But he isn't sure how to do this so he consults several respected men in the community and gets wildly different suggestions.
A delightful fantasy comedy with a script co-written by H.G. Wells, adapted from one of his short stories. It's leisurely-paced and well-directed. Amazing special effects for the time, particularly when you consider this wasn't a Hollywood production. Roland Young (wearing a toupee) is perfectly cast. I can't imagine another actor from this time playing this part so well. The rest of the cast is terrific with a few recognizable faces in the mix, including Ernest Thesiger and, in a small role, George Zucco. Ralph Richardson steals the show as a blowhard colonel quite put out by Fotheringay's miracles. A shirtless George Sanders plays one of the 'gods.' One of my favorite scenes is when Fotheringay tells a policeman to "go to blazes" and winds up sending the man to Hell! The policeman's reaction while there and Fotheringay's subsequent attempt to fix the situation are hilarious.
Reportedly Wells intended the film to be more preachy, like his script for Things to Come the year before. But thankfully director Lothar Mendes and co-screenwriter Lajos Biró chose to focus more on the comedy and getting the points across that way. The result is a funny movie but with some big ideas that gives you a lot to think about.
A delightful fantasy comedy with a script co-written by H.G. Wells, adapted from one of his short stories. It's leisurely-paced and well-directed. Amazing special effects for the time, particularly when you consider this wasn't a Hollywood production. Roland Young (wearing a toupee) is perfectly cast. I can't imagine another actor from this time playing this part so well. The rest of the cast is terrific with a few recognizable faces in the mix, including Ernest Thesiger and, in a small role, George Zucco. Ralph Richardson steals the show as a blowhard colonel quite put out by Fotheringay's miracles. A shirtless George Sanders plays one of the 'gods.' One of my favorite scenes is when Fotheringay tells a policeman to "go to blazes" and winds up sending the man to Hell! The policeman's reaction while there and Fotheringay's subsequent attempt to fix the situation are hilarious.
Reportedly Wells intended the film to be more preachy, like his script for Things to Come the year before. But thankfully director Lothar Mendes and co-screenwriter Lajos Biró chose to focus more on the comedy and getting the points across that way. The result is a funny movie but with some big ideas that gives you a lot to think about.
This is a nice little film that I'd never heard about but should have, as it's a nice little film. In many ways it's a lot like the "Twilight Zone" episode with Burgess Meredith where aliens give him extraordinary strength as an experiment. Here, however, angelic beings are talking in the heavens and one of them decides to pick a random person on Earth and give them practically limitless power--to see what effect this would have on the person and planet.
Ordinary Roland Young (sporting a toupee) is the guy chosen for this gift. However, unlike what you'd expect, he is slow to exploit this power and only does mostly simple tricks with it at the beginning. However, when it comes to making bigger changes in his life and to the planet, he's hesitant and seeks out advice from respected members of the community on what to do with his powers. One, a vicar, wants Young to do good with the power--but what, exactly, should this be and what are the repercussion? Another, played wonderfully by Ralph Richardson, is a pompous caricature of an English "gentleman" and wants Young to use his powers to kick butt! Others have various ideas and ultimately Young gets in well over his head.
Overall, the film is quite funny (particular in Richardson's scenes) as well as thought-provoking--an interesting combination. It makes you wonder what you might do if given god-like powers. An interesting portrait of human nature and our obvious foibles.
Ordinary Roland Young (sporting a toupee) is the guy chosen for this gift. However, unlike what you'd expect, he is slow to exploit this power and only does mostly simple tricks with it at the beginning. However, when it comes to making bigger changes in his life and to the planet, he's hesitant and seeks out advice from respected members of the community on what to do with his powers. One, a vicar, wants Young to do good with the power--but what, exactly, should this be and what are the repercussion? Another, played wonderfully by Ralph Richardson, is a pompous caricature of an English "gentleman" and wants Young to use his powers to kick butt! Others have various ideas and ultimately Young gets in well over his head.
Overall, the film is quite funny (particular in Richardson's scenes) as well as thought-provoking--an interesting combination. It makes you wonder what you might do if given god-like powers. An interesting portrait of human nature and our obvious foibles.
Did you know
- TriviaTheatrical movie debut of Michael Rennie (San Francisco Cop).
- GoofsThe sequence in which the constable is transported to San Francisco was obviously filmed in Los Angeles.
- Quotes
George McWhirter Fotheringay: You just stand there looking lovely, until I notice you!
- Crazy creditsOpening credits are shown over a background of outer space.
- ConnectionsFeatured in WatchMojo: Top 20 Movies Where the World Actually Ends (2021)
- How long is The Man Who Could Work Miracles?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- H.G. Wells' The Man Who Could Work Miracles
- Filming locations
- Denham Studios, Denham, Buckinghamshire, England, UK(Exterior, studio uncredited)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 22m(82 min)
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content