Navy Lt. Richard Perry becomes an undercover man out to discover the leaders of a group of well connected men who pull off bank robberies during the McKinley administration (early 20th centu... Read allNavy Lt. Richard Perry becomes an undercover man out to discover the leaders of a group of well connected men who pull off bank robberies during the McKinley administration (early 20th century).Navy Lt. Richard Perry becomes an undercover man out to discover the leaders of a group of well connected men who pull off bank robberies during the McKinley administration (early 20th century).
- Awards
- 1 nomination total
Featured reviews
The script is not too logical, there are many blank spaces here, but the story is good, and it gets exciting towards the end. Barbara Stanwyck is the star here as always, and although a singer of the same parenthesis category as Marlene Dietrich, her acting is superb and totally convincing all the way as usual. Robert Taylor makes one of his first roles as a totally honest gentleman who gets into trouble and has a hard time getting out of it, while Victor McLaglen is the only fun here who constantly has hearty laughs at his own practical jokes on others, even when he is shortly to be hanged. Brian Donleavy plays a sympathetic gangster, while the main attraction and merits of the film are all the wonderfully recreated musical numbers of that time around 1901, when President William McKinley was shot and Theodore Roosevelt entered the White House - he is convincing enough and has a few scenes. The film is great entertainment and reaches some levels of excitement, so it is by all means worth watching.
...from 20th Century Fox and director William A. Seiter. US President William McKinley assigns naval lieutenant Richard Perry (Robert Taylor) to go undercover in order to find and stop a bank robbery ring in Minnesota. The job is so sensitive that no one is aware of Perry's true identity and mission other than McKinley himself. Once in Minnesota, Perry connects the gang to a casino run by Batiste Duryea (Brian Donlevy) and his right-hand man Jock Ramsey (Victor McLaglen). Perry tries to gain entry to the gang while also romancing Batiste's stepsister singer Lil Duryea (Barbara Stanwyck), who had been Jock's girl. This is all leads to confrontations, double-crosses, and...well, any history buff can probably guess what happens. Also featuring Frank Conroy as William McKinley.
This silly circumstances of the plot lead to a decent undercover cop story with a lot of interesting actors. Stanwyck and Taylor's real life romance helped their on-screen chemistry, although it didn't help Stanwyck's singing voice. Sidney Blackmer makes for what may be the screen's worst Teddy Roosevelt.
This silly circumstances of the plot lead to a decent undercover cop story with a lot of interesting actors. Stanwyck and Taylor's real life romance helped their on-screen chemistry, although it didn't help Stanwyck's singing voice. Sidney Blackmer makes for what may be the screen's worst Teddy Roosevelt.
1937's "This is My Affair" could have been better but as it is, barely gets by. Robert Taylor stars as a Navy lieutenant who is asked by President McKinley to get the name of the men robbing banks all over the country, and his mission is to be kept secret between the two of them. Taylor infiltrates the gang by becoming a criminal himself. He meets the dumb, big practical joker (Victor McLaglen) and the brains (Brian Donlevy) - but there's a head name, whose name he can't get. McLaglen has it bad for Donlevy's half-sister, a saloon singer (Stanwyck) with whom Taylor falls in love.
The premise isn't bad if you can suspend your imagination, and the end is fairly tense, but "This is My Affair" just isn't a well-made or well-thought out film. First of all, Stanwyck was one of the most versatile and multi-talented actresses in Hollywood, but singing wasn't her greatest talent. In fact, she couldn't sing, with the exception of "Take it Off the E String (Play it on the G String) in "Lady of Burlesque" and a little number in "Banjo on my Knee" that can't count as singing. Her outfits were from the Mae West School of Design and overpowered her tiny frame.
Then there is the awful scene with Theodore Roosevelt where he invents the phrase, "Speak softly but carry a big stick" - embarrassing. Taylor slugs through it professionally, but why did makeup people always slather so much pancake and eye shadow on him? This is a 20th Century Fox film, by the way, not MGM, Taylor's usual studio, but MGM did it too. Fox never made Tyrone Power up like that with the exception of "Lloyds of London." Taylor was a handsome, rugged man. I guess they couldn't leave his face alone. Victor McLaglen isn't very good, but Donlevy, in a usual-type role for him, does a good job.
It is a chance to see the two married stars work together.
The premise isn't bad if you can suspend your imagination, and the end is fairly tense, but "This is My Affair" just isn't a well-made or well-thought out film. First of all, Stanwyck was one of the most versatile and multi-talented actresses in Hollywood, but singing wasn't her greatest talent. In fact, she couldn't sing, with the exception of "Take it Off the E String (Play it on the G String) in "Lady of Burlesque" and a little number in "Banjo on my Knee" that can't count as singing. Her outfits were from the Mae West School of Design and overpowered her tiny frame.
Then there is the awful scene with Theodore Roosevelt where he invents the phrase, "Speak softly but carry a big stick" - embarrassing. Taylor slugs through it professionally, but why did makeup people always slather so much pancake and eye shadow on him? This is a 20th Century Fox film, by the way, not MGM, Taylor's usual studio, but MGM did it too. Fox never made Tyrone Power up like that with the exception of "Lloyds of London." Taylor was a handsome, rugged man. I guess they couldn't leave his face alone. Victor McLaglen isn't very good, but Donlevy, in a usual-type role for him, does a good job.
It is a chance to see the two married stars work together.
A bland title disguises this solidly-carpentered example of old-fashioned Hollywood entertainment, this film proves a largely successful hodgepodge of several disparate elements: a period piece, a romantic drama, a crime movie and a political thriller. Interestingly, though made by Fox, its protagonists Robert Taylor and Barbara Stanwyck were both usually associated with other studios; their on screen chemistry here is palpable and eventually led to marriage in a couple of years' time. While a bit too young, Taylor is a dashing hero (a Marine personally appointed by President McKinley to uncover the culprits behind an organized clean-up of numerous banks); unsurprisingly, no sooner has he tracked them down (led by smooth Brian Donlevy and thuggish Victor McLaglen) that he falls for a chanteuse (naturally, Stanwyck) who has thrown her lot with the gang although, truth be told, singing is far from being the actress' forte! Similarly, apart from having to prove his worth to make it into their fold, he has to vie with McLaglen for Stanwyck's attentions; by the way, the practical joker persona of the former reminded me a lot of Charley Chase in SONS OF THE DESERT (1933) which, incidentally, was likewise directed by William A. Seiter. Later on, Taylor is in two minds about involving Stanwyck in the impending bait and tries to offer his resignation to the President while eloping with the girl but the jealous rival disrupts his plans. The robbery gone awry, we find Donlevy dead and the other two in jail; Taylor's hopes for McKinley's intervention having meanwhile learned the identity of the elusive and obviously prominent 'inside man' are seemingly dashed when the President winds up assassinated himself (a great plot twist, though the resulting eleventh-hour suspense feels contrived)! To get back to the film's jumble of styles, even if the vaudeville sequences are a matter of taste, the romantic triangle slows things up and it skimps somewhat on the thriller aspect, this emerges a handsome production indeed with the actors already mentioned ably supported by the likes of John Carradine (who unaccountably disappears after just one scene!), Douglas Fowley, Sig Rumann and, as two American Presidents, Sidney Blackmer (the bubbly Theodore Roosevelt) and Frank Conroy (McKinley).
In 1937 Darryl Zanuck, who had recently moved from head of production at Warner Brothers, was trying to get his newly created company, 20th Century Fox off the ground and on a level playing field with his old bosses at Warners and the glitter palace at MGM. "This Is My Affair" was an attempt to cash in on the current success of historical films set around the turn of the century ("San Francisco" "In Old Chicago")and in retrospect he succeeded quite mightily. The plot is fascinating. A trouble maker but heroic naval officer (Robert Taylor) is given a secret assignment by President McKinley to uncover a ring of bank robbers that are paralyzing American finance. He finds the gang but falls in love with their female mascot (Barbara Stanwyck) and must decide between love and duty.
Not everything about this vintage film works well, but overall it is a good slice of studio film-making. The plot gimmick would be borrowed by Kurt Vonnegut for "Mother Night" (the lead role of that film of the book was played brilliantly by Nick Nolte) and seems quite believable, at least within the confides of studio make believe. As a fan of old movies I am always thrilled when I stumble upon one that I have never seen and "This is my Affair" was no exception.
Not everything about this vintage film works well, but overall it is a good slice of studio film-making. The plot gimmick would be borrowed by Kurt Vonnegut for "Mother Night" (the lead role of that film of the book was played brilliantly by Nick Nolte) and seems quite believable, at least within the confides of studio make believe. As a fan of old movies I am always thrilled when I stumble upon one that I have never seen and "This is my Affair" was no exception.
Did you know
- TriviaThis film was made and released before Barbara Stanwyck and Robert Taylor were married. In the oversized, 22-page press book that the studio had prepared for the exhibitors, there were constant references to and blurb lines describing Stanwyck and Taylor as "real-life sweethearts" or "real-life heart interests", etc., stills captions particularly, typical 1930s selling points to be used in the advertising. However, somewhere between the planning and the execution, something went amiss, and the pressbook had an 8x10 snipe pasted on page three with specific instructions: Dated May 26, 1937, and addressed to Exhibitors as IMPORTANT NOTICE. It read: "Delete the phrase "real-life sweethearts" and any similar phase, or any stunts or copy along the same line from all advertising or publicity on THIS IS MY AFFAIR. In utilizing any of the press book materials you will please correct the copy, eliminating the words "real-life sweethearts." Please note that this applies to everything in the press book, publicity copy, ads, exploitation, stunts, etc. Your cooperation will be appreciated." (signed) Charles E. McCarthy-Advertising Manager
- Crazy creditsThe opening credits list the names in picture frames with subtle tree silhouettes in the background.
- ConnectionsReferenced in Biography: Barbara Stanwyck: Straight Down the Line (1997)
- SoundtracksI Hum a Waltz
(1937) (uncredited)
Lyrics by Mack Gordon
Music by Harry Revel
Played during the opening and end credits and in the score often
Sung by Barbara Stanwyck at the Capital Cafe
Reprised a cappella a bit by Robert Taylor
Reprised again by Stanwyck with Don Craig, Bill Days, Homer Gayne and Arthur McCullough
- How long is This Is My Affair?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Herojska dolžnost poročnika Perryja
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 40m(100 min)
- Color
- Aspect ratio
- 1.37 : 1
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