Navy Lt. Richard Perry becomes an undercover man out to discover the leaders of a group of well connected men who pull off bank robberies during the McKinley administration (early 20th centu... Read allNavy Lt. Richard Perry becomes an undercover man out to discover the leaders of a group of well connected men who pull off bank robberies during the McKinley administration (early 20th century).Navy Lt. Richard Perry becomes an undercover man out to discover the leaders of a group of well connected men who pull off bank robberies during the McKinley administration (early 20th century).
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A bland title disguises this solidly-carpentered example of old-fashioned Hollywood entertainment, this film proves a largely successful hodgepodge of several disparate elements: a period piece, a romantic drama, a crime movie and a political thriller. Interestingly, though made by Fox, its protagonists Robert Taylor and Barbara Stanwyck were both usually associated with other studios; their on screen chemistry here is palpable and eventually led to marriage in a couple of years' time. While a bit too young, Taylor is a dashing hero (a Marine personally appointed by President McKinley to uncover the culprits behind an organized clean-up of numerous banks); unsurprisingly, no sooner has he tracked them down (led by smooth Brian Donlevy and thuggish Victor McLaglen) that he falls for a chanteuse (naturally, Stanwyck) who has thrown her lot with the gang although, truth be told, singing is far from being the actress' forte! Similarly, apart from having to prove his worth to make it into their fold, he has to vie with McLaglen for Stanwyck's attentions; by the way, the practical joker persona of the former reminded me a lot of Charley Chase in SONS OF THE DESERT (1933) which, incidentally, was likewise directed by William A. Seiter. Later on, Taylor is in two minds about involving Stanwyck in the impending bait and tries to offer his resignation to the President while eloping with the girl but the jealous rival disrupts his plans. The robbery gone awry, we find Donlevy dead and the other two in jail; Taylor's hopes for McKinley's intervention having meanwhile learned the identity of the elusive and obviously prominent 'inside man' are seemingly dashed when the President winds up assassinated himself (a great plot twist, though the resulting eleventh-hour suspense feels contrived)! To get back to the film's jumble of styles, even if the vaudeville sequences are a matter of taste, the romantic triangle slows things up and it skimps somewhat on the thriller aspect, this emerges a handsome production indeed with the actors already mentioned ably supported by the likes of John Carradine (who unaccountably disappears after just one scene!), Douglas Fowley, Sig Rumann and, as two American Presidents, Sidney Blackmer (the bubbly Theodore Roosevelt) and Frank Conroy (McKinley).
1937's "This is My Affair" is remembered as the only costarring effort for lovebirds Robert Taylor and Barbara Stanwyck (they wed in 1939), a diverting espionage tale if a tad overlong (working titles included "Living Dangerously," "Private Enemy," "The McKinley Case," "The Turn of the Century," and even "My Affair"). Taylor's Richard Perry is asked by President William McKinley to work undercover infiltrating a tricky band of bank robbers led by Batiste Duryea (Brian Donlevy), who miraculously avoid leaving any clues behind for the Secret Service. Perry allows himself to be charged for murder to get on the good side of prankster Jock Ramsey (Victor McLaglen), but his activities are frowned upon by pretty chanteuse Lil Duryea (Barbara Stanwyck), younger sister of mastermind Batiste. A terrific cast buoys this one considerably, with John Carradine in for one extended sequence as Ed, unassuming pigeon for Ramsey's tricks, and an unbilled Lon Chaney spotted as an FBI agent at the 72 minute mark, with a single line in a Baltimore bank: "this one's dead as a mackerel!" By an ironic twist of fate, Chaney and Carradine would both go on to enjoy parallel careers in the horror genre, here cast in the same film for the very first time, 12 more to follow until 1967's "Hillbillys in a Haunted House."
In 1937 Darryl Zanuck, who had recently moved from head of production at Warner Brothers, was trying to get his newly created company, 20th Century Fox off the ground and on a level playing field with his old bosses at Warners and the glitter palace at MGM. "This Is My Affair" was an attempt to cash in on the current success of historical films set around the turn of the century ("San Francisco" "In Old Chicago")and in retrospect he succeeded quite mightily. The plot is fascinating. A trouble maker but heroic naval officer (Robert Taylor) is given a secret assignment by President McKinley to uncover a ring of bank robbers that are paralyzing American finance. He finds the gang but falls in love with their female mascot (Barbara Stanwyck) and must decide between love and duty.
Not everything about this vintage film works well, but overall it is a good slice of studio film-making. The plot gimmick would be borrowed by Kurt Vonnegut for "Mother Night" (the lead role of that film of the book was played brilliantly by Nick Nolte) and seems quite believable, at least within the confides of studio make believe. As a fan of old movies I am always thrilled when I stumble upon one that I have never seen and "This is my Affair" was no exception.
Not everything about this vintage film works well, but overall it is a good slice of studio film-making. The plot gimmick would be borrowed by Kurt Vonnegut for "Mother Night" (the lead role of that film of the book was played brilliantly by Nick Nolte) and seems quite believable, at least within the confides of studio make believe. As a fan of old movies I am always thrilled when I stumble upon one that I have never seen and "This is my Affair" was no exception.
Years before Robert Taylor and Barbara Stanwyck were married, they made a couple of films together: His Brother's Wife and This Is My Affair. If you're looking for cute chemistry, rent the 1937 movie, because the first film they made together isn't particularly romantic.
In this one, Robert Taylor gets sent on a secret undercover mission by President McKinley to help catch bank robbers. It sounds like an extremely lame plot, and while no one would ever accuse this movie of turning into a classic, if you want to see an acting couple who eventually got married, you can rent it. Bob goes undercover, with only a secret symbol to write on his letters as proof that the president is on his side, and along the way falls in love with nightclub singer Barbara Stanwyck.
One of the fun parts of the movie, besides seeing the lovebirds together, is Sidney Blackmer's Theodore Roosevelt impression. He's very entertaining, and the script includes several of the President's famous quotes to make audiences chuckle.
In this one, Robert Taylor gets sent on a secret undercover mission by President McKinley to help catch bank robbers. It sounds like an extremely lame plot, and while no one would ever accuse this movie of turning into a classic, if you want to see an acting couple who eventually got married, you can rent it. Bob goes undercover, with only a secret symbol to write on his letters as proof that the president is on his side, and along the way falls in love with nightclub singer Barbara Stanwyck.
One of the fun parts of the movie, besides seeing the lovebirds together, is Sidney Blackmer's Theodore Roosevelt impression. He's very entertaining, and the script includes several of the President's famous quotes to make audiences chuckle.
...from 20th Century Fox and director William A. Seiter. US President William McKinley assigns naval lieutenant Richard Perry (Robert Taylor) to go undercover in order to find and stop a bank robbery ring in Minnesota. The job is so sensitive that no one is aware of Perry's true identity and mission other than McKinley himself. Once in Minnesota, Perry connects the gang to a casino run by Batiste Duryea (Brian Donlevy) and his right-hand man Jock Ramsey (Victor McLaglen). Perry tries to gain entry to the gang while also romancing Batiste's stepsister singer Lil Duryea (Barbara Stanwyck), who had been Jock's girl. This is all leads to confrontations, double-crosses, and...well, any history buff can probably guess what happens. Also featuring Frank Conroy as William McKinley.
This silly circumstances of the plot lead to a decent undercover cop story with a lot of interesting actors. Stanwyck and Taylor's real life romance helped their on-screen chemistry, although it didn't help Stanwyck's singing voice. Sidney Blackmer makes for what may be the screen's worst Teddy Roosevelt.
This silly circumstances of the plot lead to a decent undercover cop story with a lot of interesting actors. Stanwyck and Taylor's real life romance helped their on-screen chemistry, although it didn't help Stanwyck's singing voice. Sidney Blackmer makes for what may be the screen's worst Teddy Roosevelt.
Did you know
- TriviaThis film was made and released before Barbara Stanwyck and Robert Taylor were married. In the oversized, 22-page press book that the studio had prepared for the exhibitors, there were constant references to and blurb lines describing Stanwyck and Taylor as "real-life sweethearts" or "real-life heart interests", etc., stills captions particularly, typical 1930s selling points to be used in the advertising. However, somewhere between the planning and the execution, something went amiss, and the pressbook had an 8x10 snipe pasted on page three with specific instructions: Dated May 26, 1937, and addressed to Exhibitors as IMPORTANT NOTICE. It read: "Delete the phrase "real-life sweethearts" and any similar phase, or any stunts or copy along the same line from all advertising or publicity on THIS IS MY AFFAIR. In utilizing any of the press book materials you will please correct the copy, eliminating the words "real-life sweethearts." Please note that this applies to everything in the press book, publicity copy, ads, exploitation, stunts, etc. Your cooperation will be appreciated." (signed) Charles E. McCarthy-Advertising Manager
- Crazy creditsThe opening credits list the names in picture frames with subtle tree silhouettes in the background.
- ConnectionsReferenced in Biography: Barbara Stanwyck: Straight Down the Line (1997)
- SoundtracksI Hum a Waltz
(1937) (uncredited)
Lyrics by Mack Gordon
Music by Harry Revel
Played during the opening and end credits and in the score often
Sung by Barbara Stanwyck at the Capital Cafe
Reprised a cappella a bit by Robert Taylor
Reprised again by Stanwyck with Don Craig, Bill Days, Homer Gayne and Arthur McCullough
- How long is This Is My Affair?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Herojska dolžnost poročnika Perryja
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 40m(100 min)
- Color
- Aspect ratio
- 1.37 : 1
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