A Christmas Carol

I would like to say that every version of Dickens' tale is excellent in its own way but that would include Henry Winkler's "American Christmas Carol" and "Mr Magoo's Christmas Carol". Of course, then there's Albert Finney's musical "Scrooge" - Thank you very much.

But, rather than quibble about which is the best version, I will say that Dickens' story is the best illustration of the Christmas essence. Religion and commercialism aside, Christmas is about giving to mankind to better yourself and Scrooge is the poster child of that sentiment.

Now, as to Reginald Owens' version of the tale, just a couple of quick points:

This film is lighter and brighter than the others. The Lockharts are almost "cartoonish" in their portrayals. There is a cuteness in this one that makes it a bit more fitting for small children than the Sim/Scott/Stewart versions. Nephew Fred(Barry MacKay)is infectiously good natured and a fitting opposite for Owens' mean, old Scrooge.

As to Reginald Owens, his meanness is nowhere near the other Scrooge's but his character fits the overall nature of the film. I just wish that they would have tried harder with his facial makeup. In some of the scenes, he looks an awful lot like the scarecrow in "Wizard of Oz".

This version may be "A Christmas Carol Lite" but it is very watchable and entertaining.

"God Bless Us, Everyone."

How refreshing to see Reginald Owen as star of a movie. So what if he was the last minute replacement for Lionel Barrymore. I have read earlier comments for this movie, and I will give you my take.

I first saw Reginald Owen in "Mary Poppins", playing Admiral Boom, a character whom I thought was insanely crazy. I realized, many years later, that Owen was a very intelligent actor who had carried many a movie, mostly in character settings. Indeed, in "Poppins", Owen played along with all the craziness in the story.

In "A Christmas Carol", Owen plays Ebenezer Scrooge, essaying the lead part well. How refreshing, indeed. As an acting student, I noticed how Scrooge's forehead "old-age makeup" resembled that of what I was taught last summer in a theatre stage makeup class at The Ohio State University. There is that liquid latex (that has dried, of course) with just enough wrinkle to make his face give the hint of elderliness, whereas in real life Owen was only 51 years old.

As for Lionel Barrymore, I glean from my studies of the Barrymores that if they had made enough money on the stage they would never have "gone Hollywood", like they did. I think they had long ago sold out to the moneyed establishment. Definitely a lucky break for Reginald Owen, who for most of his career played the-glue character parts or second leads. Admiral Boom is certainly "an aside" in Mary Poppins.

In "A Christmas Carol", I noticed that "Tiny Tim" was played by the boy who played "Colley" in "Goodbye, Mr. Chips". So what if the actor was too old. He conveyed the spirit of the story. He was a good actor.

The Lockharts were great, especially Gene as Bob Cratchit. Lockhart also played the double roles of The Starkeeper and The Graduation Speaker in "Carousel", as an older man, and certainly always a rotund one. Indeed, it was other actors supporting Reginald Owen this time, not the other way 'round.

The Ghost of Christmas Present was well made up and costumed. I liked his hair and beautiful robes -- the robes reminded me of the fur-trimmed outfits of modern Santa Clauses. He did a good job showing Ebenezer Scrooge the error of his ways.

All, it was a heartwarming story about how a wretchedly selfish individual gets shown the error of his ways, and is given a chance to right his self-centered existence. A charming holiday season movie to watch.

In the Nineteenth Century, in London, the bitter, greedy and cranky Ebenezer Scrooge (Reginald Owen) hates Christmas and people. He runs his business exploiting his employee Bob Cratchit (Gene Lockhart) and spends unfriendly treatment to his nephew Fred (Barry MacKay) and acquaintances.

In the Christmas Eve, he is visited by the doomed chained ghost of his former partner Jacob Marley (Leo G. Carroll), who died seven years ago and tells him that three spirits would visit him that night. The first one, the spirit of past Christmas, recalls his happy childhood and coming of age; the spirit of the present Christmas shows him the poor situation of Bob's family and the happiness of Fred and his fiancée Bessy; and the spirit of future Christmas shows his fate. Scrooge finds that life is good and finds redemption changing thoughts about Christmas, Bob, tiny Tim, his nephew and people in general.

"A Christmas Carol" is one of the most beautiful Christmas tales in the cinema. I do not recall how many adaptations of one of the most known Charles Dickens' short story I have seen but this 1938 is also wonderful. I do not have much more to say but recommend this magnificent family entertainment. My vote is eight.

Title (Brazil): "Um Conto de Natal" ("A Christmas Tale")

This Hollywood version of the Dickens Christmas classic is overshadowed by a later British version featuring Alastair Sim. The British film is more realistic, and captures in its incidentals more of Dickens' radical spirit than this more stately American film, which as directed by the able Edward Martin, is done on a more modest scale. I find the American film cozier and warmer.

Reginald Owen is a less flamboyant Scrooge than Sim, which tends to make one concentrate more on the story. The movie was made on a medium budget, and it shows. However, this is not a bad thing, for while the later version gives has a dank, drafty Victorian mood,--one can almost feel the winter wind,--this one benefits enormously from its hearth-like intimacy. It's a very fine movie in its own right, with a mood all its own.

The wretched life of a disagreeable old man is forever altered one haunted Christmas Eve...

Charles Dickens' wonderful Yuletide story, A CHRISTMAS CAROL, is given the full MGM deluxe treatment in this superior Holiday film. The production values & acting are both excellent, with just enough sentiment to appeal to the tenderhearted, and with liberal doses of horror & hilarity stirred into the mix, until, like a fine Christmas punch, the result appeals to all.

The film's rather short running time keeps the action moving along briskly, with one famous & beloved episode after another coming alive before the viewer's eyes.

Reginald Owen, in his best film role, is perfect as the grasping, clutching, tightfisted, covetous old sinner, Ebenezer Scrooge. Replacing the ailing - and highly respected - Lionel Barrymore, Owen makes the part his own, revealing the old miser's misery & heartache, making the part thoroughly human. When he rejoices in his spiritual regeneration at the climax, so do we.

The roles of Bob Cratchit, Scrooge's amiable clerk & Fred, Scrooge's friendly nephew, are both fleshed out more fully than in other versions. The acting skills of Gene Lockhart & Barry MacKay turn them into something very memorable.

Special mention should also be made of Leo G. Carroll as Marley's morose Ghost; Lionel Braham as an impressively jolly Ghost of Christmas Present; and Kathleen Lockhart & Terry Kilburn as Mrs. Cratchit & Tiny Tim. All add fine brushstrokes to the overall picture.

Movie mavens will recognize Billy Bevan as an officer of the Watch; Forrester Harvey as an ebullient Fezziwig; Halliwell Hobbes as a jolly Vicar; and young June Lockhart, in her film debut, as Belinda Cratchit - all uncredited.