Robert will do anything to get the big account that has eluded him. His public relations business makes public angels of rich scoundrels. Jean needs someone to save the paper and she wants R... Read allRobert will do anything to get the big account that has eluded him. His public relations business makes public angels of rich scoundrels. Jean needs someone to save the paper and she wants Robert.Robert will do anything to get the big account that has eluded him. His public relations business makes public angels of rich scoundrels. Jean needs someone to save the paper and she wants Robert.
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While not a terrible film, far from it, the promise wasn't completely lived up to due to try-too-hard execution. There are strengths in 'Four's a Crowd'. It looks good, very nicely shot in black and white and attractively mounted. The music suits well and pleasant to hear in its own right. The script does have its funny moments, especially in the first fifteen minutes and the ending's a good surprise.
Most of the cast do a good job. Flynn does show a charismatic, witty and easy-going flair for comedy, while Russell blisters in her best moments. Walter Connolly is amusingly eccentric, and Patric Knowles looks more comfortable than usual.
Less good is De Havilland, who is cast against type as a ditz and is all childish annoyance and no charm. Curtiz's direction is uneven, good in some of his direction of the actors and in the first fifteen minutes but tends to lose control when the film gets busier.
The script's humour doesn't come consistently and lacks bite, due to being over-stuffed and over-cooked, a few parts a little repetitive. The story is too busy and has too many complicated schemes, hindered even further by the hurriedly frenetic pacing which makes the busiest moments borderline confused.
Overall, watchable and most of the cast do well but too over-stuffed and over-complicated, hence what was meant by try-too-hard execution. 6/10 Bethany Cox
With such a great cast, one would think this is a classic gem. Alas, no. In fact, due to a confusing script, it's in shambles. Fun shambles, but shambles.
Walter Connolly plays millionaire John Dillingwell, Olivia de Havilland is his beautiful albeit dizzy daughter, Rosalind Russell is a reporter, and Patric Knowles, who is dating de Havilland, is Russell's boss.
Dillingwell is a private person with no interest in public relations. Russell's boyfriend (Flynn) runs a PR firm and wants to land the Dillingwell account. With some help from the paper, Flynn manages to make Dillingwell the most hated man in America - a man desperately in need of having his image cleaned up. Not that he agrees to it right away.
The inspiration for this story is John D. Rockefeller, the most hated man in America at one time, known for his ruthless business tactics. He hired a publicist and, with the publicist's urging, began to give away his vast fortune consisting of property and money to various charities.
For screwball comedy, "Four's a Crowd" had a lot of competition, which is probably why the powers that be threw everything at it but the kitchen sink. Heiresses - "It Happened One Night," "Love is News," "Libeled Lady," etc. Abounded. So did the movies - and they were all better than this one.
There certainly are some fun scenes and some good performances. Flynn had a good flair for comedy, as did de Havilland, though they weren't often cast that way. De Havilland's early career was in fact doing airhead ingénues, such as in "It's Love I'm After" and this one. Russell is terrific as usual, and Knowles acquits himself well.
If only the script had been stronger...it's still fun, though.
The plot of this rapid fire comedy follows our four stars round and round: Russell wants Knowles to save the paper, wants Flynn back on the job. Flynn and Knowles have an old rivalry and delight in scoring off of each other. De Havilland seems happy letting everybody love her for her grandfather's eight million dollars. How will it all shake out?
Walter Connolly pretty much steals the show as the grandfather, a wealthy eccentric whose great passion is the model railroad that dominates his back yard. Melville Cooper is also excellent as Connolly's butler and stationmaster; the two of them in their engineer caps, running the train controls from their crow's nest, are just hilarious.
Out of a great cast, Russell and Connolly are most familiar in this kind of a screwball comedy and probably come across best. Flynn and de Havilland, though, are fun to watch, too—Flynn shows a flair for comic antics like stealing sticks of butter from a dark kitchen, and Olivia looks like she's having a ball as her fun-loving character laughs and whoops it up in a way that the Maid Marian (or Melanie Wilkes!) never would have dreamed of.
Overall, the movie is never dull but never quite takes off—is it the complicated plot that prevents this picture from really hitting full speed? In any case, it's certainly entertaining, thanks to the great cast and solid Warner Bros. production.
Errol Flynn and Olivia De Havilland may not be Cary Grant and Carole Lombard but they do perfectly well and Ros Russell is a screwball icon. Patrick Knowles does a fine job and Flynn's foil. Walter Connolly, as the grumpy oligarch repeats his performance from "It Happened One Night". Melville Cooper, (the fourth member of the cast from 'The Adventures of Robin Hood': he was the comically villainous Sheriff of Nottingham) is his butler. Franklin Pangborn shows up as Knowles' manservant. Hugh Herbert is a justice of the peace and Margaret Hamilton is Connolly's housekeeper.
This one is way in the background of Flynn's career and not the kind of movie he's famous for but it's a solid piece of entertainment anyway. The great stars of the Golden Age made many such films and it's fun to look back and discover them and get a complete picture of their careers.
Did you know
- TriviaThis film was not successful at the box office and made Jack L. Warner rethink putting Errol Flynn in non-adventure pictures. Flynn, worried about being typecast, lobbied Warner to do other films - screwball comedies in particular.
- GoofsThe microphone is briefly visible, reflected in the window just before Jean sits for her shoe-shine.
- Quotes
Jean Christy: I'll be a fool. I'm in love with a man whom I dislike intensely, who'd cheat me, who'd lie to me, whom I wouldn't trust as far as I could throw the Queen Mary. I hate myself for it, but, I can't help it.
Robert Kensington 'Bob' Lansford: Jean, hold everything. You - you don't mean me?
Jean Christy: Does the description fit, big lug?
- Alternate versionsThis is the only one of the Eroll Flynn-Olivia de Havilland that was never released to the home entertainment market in the USA. It was released in Argentina using a well preserved 16mm print with the original English credits and audio track and Spanish language subtitles.
- ConnectionsFeatured in Breakdowns of 1938 (1938)
Details
- Runtime
- 1h 33m(93 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1