The Frontiersmen

Lots of light comedy, most of it funny. Lots of choral singing (5 songs are far too much for this to be an effective western). Hoppy uses a stereoscope. Little action, lots of talk. There is one great exchange between Hoppy & Windy involving Windy's feelings towards women. Hoppy's good natured charm & philosophy towards raising children "properly" is much in evidence here, something that would become a regular feature on his late 1940s TV show. But overall, too little plot, too little action. I give it 5/10.

The entire style of "The Frontiersmen" is very different from the other Hopalong Cassidy films I've seen. In nearly most, Hoppy shows no interest in women at all....and the romancing is usually left to other characters, like Johnny or Lucky...if there's any at all. Additionally, his films generally are about fighting, shooting and cattle rustlers...but the focus of this one is more domestic.

The story begins with Artie (Dickie Jones) acting like a total brat on the Peters ranch. He is an even bigger brat at school and he is beyond just a brat! In fact, Hoppy (Cassidy) and Windy (Gabby Hayes) are called to school to rescue the teacher...who the students have taken prisoner!! Artie and the other kids are going to be tough for the next teacher, as the nasty old prune who was taken prisoner quits after Hoppy frees her! Because Hoppy and Windy were busy with this, a local rustler and his gang are able to attack the Peters ranch and run off with many of their cattle....and he can't keep taking time off work to intervene between Artie and his teachers!

Fortunately for Artie and the other kids, the mayor's choice to become the next school teacher is not sent to the town. Instead of a mean man to intimidate the brats, they send a very pretty young teacher (Evelyn Venable) from back east. And, instantly everyone seems smitten by her...the kids AND adults alike. And, as usual, Hoppy is aloof and avoids romance with her...even though she clearly is interested. So how do the two plots converge? Watch the movie!

Seeing Dickie Jones in any western isn't all that unusual. This young boy could ride horses and act and was very popular in B-westerns as well as TV westerns. He was a regular in many of Hoot Gibson's and Gene Autry's films. He also was the voice of Disney's Pinocchio! He also played a brat rather well in this movie.

So is this any good? Yes...it's a nice change of pace seeing the usual story (in this case rustlers) take a back seat to the main story involving the school teacher and the children. Most unusual but quite enjoyable.

Everyone is after Evelyn Venable is this flick and who can blame them. Even the cattle rustlers led by Charles Anthony Hughes have to take a back seat. William Boyd as 'Hoppy' has to chase rustlers, keep the kids in line and keep more than one eye on Venable. Great to see the Hopalong Cassidy regulars William Duncan, Clara Kimball Young, and Russell Hayden at our favorite Bar 20 Ranch. Of course the forever beloved George Hayes (Windy) before his 'Gabby' days is in rare form with his wit and wisdom. Dickie Jones as Artie Peters is great as every teacher's worst nightmare. With all this this the singing by the Robert Mitchell Boy Choir is superb as always.

Wow, the other reviewers here were not exaggerating. This was unlike every other Hoppy film. Some 90% of the movie was dialog with and about the new pretty female teacher. We were repeatedly told how important education is and how many ways the cowhands of the Bar 20 could love her — as a husband, brother, father, etc. Constantly fawning over her. It's OK to devote SOME time to things like this; they add local color, character development, flesh out the characters, etc. But it was way overdone here. The movie became a domestic family light comedy. Only ten percent or less of the film was devoted to the cattle rustlers. My advice is: skip the movie.

One observation: I don't know why the leader of the rustlers caused his doom by planning two events at the same time/day: (1) marrying and leaving the West with the school ma-rm, and (2) rustling the Bar-20 cattle with his gang. He couldn't be with the gang, so they exposed him.

At 53 minutes into the film, the children in the ceremony salute the flag and give the pledge of allegiance in the way it was given when the film was made in 1938--saying "I pledge allegiance..." and raising their right hand in a salute that would be discontinued when the U.S. entered World War II as the salute too closely resembled the fascist salute. I know of only one other film, Remember the Day starring Claudette Colbert, in which the same salute is given as the time was 1916. The pledge goes back to 1893 when it first appeared in the magazine Youth's Companion and went through several revisions until the present version was established in 1954.