The Frontiersmen

Lots of light comedy, most of it funny. Lots of choral singing (5 songs are far too much for this to be an effective western). Hoppy uses a stereoscope. Little action, lots of talk. There is one great exchange between Hoppy & Windy involving Windy's feelings towards women. Hoppy's good natured charm & philosophy towards raising children "properly" is much in evidence here, something that would become a regular feature on his late 1940s TV show. But overall, too little plot, too little action. I give it 5/10.

Taking time away from battling rustlers ever trying to steal Bar 20 stock, Hoppy, Lucky, and Windy have to do some juvenile disciplining because hatchet faced Emily Fitzroy has the kids running wild on her.

The group is led by Dickie Jones as Artie Peters, nephew and eventual heir to the Bar 20 ranch. The rest of the kids is made up of the Robert Mitchell Boy's Choir who you might remember were a similar discipline problem for Barry Fitzgerald in Going My Way.

Well Barry got Bing Crosby and Hoppy gets a pretty new school teacher in Evelyn Venable. She's got all the Bar 20 hands in heat, especially Windy and Lucky. Even old Gabby Hayes. She'd like to corral Hoppy though and this film is closest Hopalong Cassidy ever got to romance.

Sad to say though the whole business really did interfere with the main plot about tracking the rustlers down. I will say though the head of the gang will be something of a surprise though with the limited running time, cast of characters, and the general familiarity with B westerns, fans should figure it out.

Now if Hoppy had gotten Father O'Malley..........................

Yes it's true, this isn't your typical Hoppy western, but that alone makes it a breath of fresh air, part comedy, part action. William Boyd's star power as Hopalong Cassidy carries much of the film as always, but good turns by Russell Hayden and Gabby Hayes also make good viewing, Evelyn Venables is one of the loveliest of female leads, and young Dickie Jones, the future 'Buffalo Bill Jnr,' is quite endearing and not too brattish! I can't believe that Boyd hated kids and horses and was hard to get along with, everything I've read about him suggests otherwise!

William Boyd had no use for singing cowboys and tried to minimize the music in the Hopalong Cassidy movies every chance he got. He lost the battle in this flick. The Brendan Boys choir sing their little hearts out.

I am in perfect agreement with Mr. Boyd. But after you get passed the singing, this movie is a rollicking adventure even if the rustler plot has been done to death. There is a even slight twist to the proceedings that is somewhat of a surprise.

However, it isn't the fate of the Bar 20 cattle that holds your attention here. It's the fun that the three heroes (Hoppy, Windy, and Lucky) have competing for the affections of the new schoolmarm that steal the show. Don't pass up the chance to see Hoppy in an apron and Windy slicked up to go a courtin'.

Wow, the other reviewers here were not exaggerating. This was unlike every other Hoppy film. Some 90% of the movie was dialog with and about the new pretty female teacher. We were repeatedly told how important education is and how many ways the cowhands of the Bar 20 could love her — as a husband, brother, father, etc. Constantly fawning over her. It's OK to devote SOME time to things like this; they add local color, character development, flesh out the characters, etc. But it was way overdone here. The movie became a domestic family light comedy. Only ten percent or less of the film was devoted to the cattle rustlers. My advice is: skip the movie.

One observation: I don't know why the leader of the rustlers caused his doom by planning two events at the same time/day: (1) marrying and leaving the West with the school ma-rm, and (2) rustling the Bar-20 cattle with his gang. He couldn't be with the gang, so they exposed him.