The Lady Vanishes

"Well, anyway, I refuse to be discouraged. Faint heart never found old lady."

Ah, this was a great movie! One of Hitch's best, and certainly one of his most entertaining. It was funny, thrilling, and just plain old fun to watch.

The story is quite simple. A sweet old lady disappears on a train, and the only person who admits ever seeing her, is a young woman who met her the night before. As she searches for the old lady, she's helped by a roguish young man, and they soon begin to wonder just who this lady is, where she went, and why on earth would so many people go through so much trouble to make it seem like she never existed. It all makes for a very compelling mystery. 

The Lady Vanishes features some of the best characters I've ever seen in a Hitchcock film. Margaret Lockwood and Michael Redgrave were great as the two main protagonists, and the witty banter between the two was equaled only by the two dry, cricket-obsessed Englishmen who provided so much of the humor of the film. I found this movie to be similar to Rear Window (no wonder I enjoyed it so much), as there are many subplots among the minor characters that are almost as interesting as the main story. 

I firmly believe that this is the best I've seen of Hitchcock's early movies. It has everything from shootouts to nuns in high heels. The Lady Vanishes will convert you to being a fan of Alfred, if you're somehow (drugs?) not already.

Although Hitchcock was noted for his wit and often sprinkled his films with wickedly funny moments, he seldom gave comic elements such a free reign as he did in THE LADY VANISHES, which is among the most memorable of his early British films. Charmingly cast with Margaret Lockwood, Michael Redgrave, and Dame May Witty in the leads, the extremely witty script mixes 1930s romantic froth with increasingly tense suspense in the story of sharp witted young woman (Lockwood) who befriends an elderly lady (Witty) during a train journey--and is extremely disturbed when, as the title states, the lady vanishes.

Many regard this as the best of Hitchcock's early work, and it is easy to see why: the film demonstrates his growing talent for building suspense from an unlikely mix of the commonplace and the incredible. He is also remarkably blessed in his cast, with Lockwood and Redgrave possessing considerable chemistry and Dame May Witty particularly endearing in one of the character roles at which she so excelled; the supporting cast is also particularly memorable.

Hitchcock guides them all with never a misstep through a complex script that progresses from very lighthearted to extremely sinister and then back again, and the result leaves audiences with both the satisfaction of a well-made thriller and the glow of a romantic comedy. Although it lacks the subtle tones of his later work, THE LADY VANISHES is among my own favorites by Hitchcock, and fans who have never seen it are in for a real treat. Highly recommended.

Gary F. Taylor, aka GFT, Amazon Reviewer

From 1938, The Lady Vanishes is clearly where Hitch was getting comfortable in his trade. Starting slowly, it soon revs up with mystery and intrigue. But I think that was the whole point. A seemingly innocuous day can lead itself into adventure.

Starting in some remote European village, a woman meets a little old lady. Getting on the train the next day, the old lady vanishes without a trace while she is asleep. When she asks about the lady, people say that there was no old lady. The mystery then ensues as our leading lady tries to uncover the plot behind a woman she knows was there.

The main aspect of this movie is the everyday humor that is applied. The two English fellows who are only looking for the latest cricket scores, score themselves some remarkable laughs. Our hero that comes to the leading woman's assistance is funny and charming himself. The time spent at the beginning in the hotel may seem to be off topic, making a viewer wonder where the mystery is, but the point is that the viewer becomes acquainted with the characters and are much more believable to the viewer. Again, I think Hitch was showing us our next door neighbors and how they can rise up against unusually dangerous circumstances. I think my analysis of Hitch would be his championing the moral fiber of everyman. I think that is why Hitchcock films still stand today as some of the best ever made.

This movie receives my major recommendation. Not done yet. I got more to view and review. What fun!

The Lady Vanishes is a wonderful piece of fluff, the culmination of Hitchcock's British period, after which he started to explore more serious themes in his American films. Of course the basic plot is absurd, centering around the most ridiculous way to get a secret message through one can think of, and why did.....o well, never mind, it's the handling that matters, and Hitchcock achieves a near perfect balance here of humour and suspense that he only really matched on one other film, North By Northwest.

The film spends 20 or so minutes just introducing it's characters, but they are all so great, especially the two men so obsessed with returning to a cricket match that a case of disappearance and possibly murder is relatively unimportant, that it hardly matters, while Michael Redgrave and Margaret Lockwood simply sparkle as the main couple who of course initially can't stand each other. Once on the train, the ensuring mystery and sleuthing are riveting,and full of fantastic little details- the name on the window, the nun with high heeled shoes, the fight amidst a magician's paraphenalia The final shootout is excellently staged and still quite exciting. The laughs are constant, with some helarious lines, but they never detract from the suspense. Of course there's those shoddy model shots, but hell, this is a film from 1939!

Hitchcock had countless classics to come, including such complex masterpieces as Vertigo and Rear Window, but the delightful, hugely enjoyable The Lady Vanishes is a little masterpiece of it's own.

"The Lady Vanishes" is one of Director Alfred Hitchcock's best British made films, in fact I think it's one of his all time best.

Set in pre-WWII somewhere in Europe, A group of people board a train bound for England after having spent the previous night in an overcrowded hotel. Iris Henderson (Margaret Lockwood) befriends a kindly old governess/teacher, Miss Froy (Dame May Witty). When Iris is struck by a falling flowerpot, Miss Froy promises to take care of her as they board the train.

After having tea together, the two women return to their compartment where Iris falls asleep. When she awakes, Miss Froy is gone, totally vanished. The people sharing the compartment, "The Baroness" (Mary Clare), Signor and Signora Doppo (Philip Leaver, Selma Van Dias) deny ever having seen Miss Froy. Doctor Hartz (Paul Lukas) comes to her aid and is convinced that the bump Iris received to her head may have caused a memory lapse.

Iris then meets Gilbert Redman (Michael Redgrave) whom she had met the previous evening at the hotel. He offers his help. Skeptical at first, he soon comes to believe Iris' story. Eric Todhunter (Cecil Parker) and "Mrs." Todhunter (Linden Travers) deny seeing Miss Froy because they are in the midst of an extra marital affair. Two British "gentlemen", Caldicott (Naughton Wayne) and Charters (Basil Radford) though having seen Miss Froy with Iris, don't wish to become involved.

When Dr. Hartz brings a patient aboard the train, Gilbert and Iris become suspicious and.......................................

As was his custom, Hitchcock pits his heroine against all odds in her quest to find Miss Froy. The suspense builds as the situation becomes more hopeless. This would be a theme that the master of suspense would use throughout his career. He also liked to work trains into many of his plots, including this film of which three quarters takes place on board a train.

The scene in the hotel showing Caldicott and Charters sharing a bed (and a pair of pajamas) never would have gotten by the American censors. The relationship between the Todhunters as well, was quite obvious and rare for the American cinema of the day.

This is one of Hitchcock's best films and hasn't suffered because of age. Highly recommended.