The big bantamweight fight is in a few months, and papa rooster is getting nervous. But the eggs start hatching, and all the males look like real fighters except one little runt, who can't e... Read allThe big bantamweight fight is in a few months, and papa rooster is getting nervous. But the eggs start hatching, and all the males look like real fighters except one little runt, who can't even hatch on his own. They all march off to training, where most of them do very well at t... Read allThe big bantamweight fight is in a few months, and papa rooster is getting nervous. But the eggs start hatching, and all the males look like real fighters except one little runt, who can't even hatch on his own. They all march off to training, where most of them do very well at treadmill, shadow boxing, etc., but the runt would rather make shadow puppets than shadow b... Read all
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Featured reviews
'The Little Bantamweight' does very little to make an unappealing idea more appealing, quite the opposite actually. Have seen a lot of things that did make something interesting and clever out of less than appealing ideas, but this is not one of those cases. It has a few good things that are done very well indeed, enough to raise it above mediocre level, but the too many flaws in the more crucial areas made it very difficult, nigh on impossible really, to rate it above average. Terrible it isn't, but it isn't particularly good either.
Beginning with the good things, the animation is vibrant and fluid with lovingly crafted and detail background art. Nothing looks rushed or static. Even better is the music, it is lushly orchestrated and very characterful in an energetic way that is not matched enough in the story and gags.
Did also think that some of the violence was clever and well-choreographed visually and there were a few mildly amusing but never hilarious moments.
On the other hand, a lot is wrong. It is just not very funny or even amusing, the gags are too few and what there is has a recycled, tired feel. That tiredness is obvious also in the story, which is slight to the point of non-existence and predictable when there is any. Pace wise, the cartoon is pretty dull due to some of the material being over-stretched to make up for the content being too little in quantity.
Personally found the lead character very unappealing and difficult to root for, not much personality and veering on annoying. The violence lacks subtlety and wit and the cleverness of some of the visuals is not consistent, too much is lazy and not always in good taste.
Very average and nothing special all in all. 5/10.
It's another of the Harman-Ising cartoons done for MG, and as usual, the money shows on the screen, if not in the script. Rudy Ising, who seems to have directed this one, tended to make cartoons that relied less on cuteness and more on gag sequences, and there are some decent ones here.
Did you know
- TriviaThe final of the MGM's Happy Harmonies series to imitate with Disney's Silly Symphonies series, Columbia's Foney Fables series, and Warner Bros.'s Merrie Melodies series, until Harman-Ising Productions were fired due to budget problems and MGM founded its own in-house animation studio in 1937 and Fred Quimby is served as the head president and producer of the series and joining William Hanna and Joseph Barbera, starting with the other shorts in 1938 (and later Tom and Jerry in 1940 where Barbera and Hanna first directed). Meanwhile, Hugh Harman and Rudolf Ising successfully returned to MGM after Quimby joined starting with The Little Goldfish (1939), the first cartoon that Ising is directed and the first Barney Bear cartoon The Bear That Couldn't Sleep (1939) in 1939, and Art Gallery (1939), the first cartoon that Harman is directed during the Hanna-Barbera period.
Details
- Release date
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- Also known as
- Happy Harmonies (1937-1938 Season) #4: The Little Bantamweight
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- Runtime
- 8m
- Aspect ratio
- 1.37 : 1