Wives Under Suspicion

District Attorney Warren William works so hard he neglects wife Gail Patrick. He's ferociously prosecuting a case against Ralph Morgan, accused of killing his wife. Morgan's lawyer tells him it was temporary insanity and wants to bargain it down to manslaughter. Warren laughs at the deal. Then he comes to believe his wife is about to leave him for a lover.

Based on a play by Ladislas Fodor, director James Whale had already made this story as a pre-code, THE KISS BEFORE THE MIRROR. William plays this like he's playing Caesar for Demille. It's an uneasy set of volumes, playing it immense while cross-examining a defense witness, then minutely observing a small detail, then laughing amiably with his office staff. I think he and the director were trying for a manic-depressive character, but William was always deliberate and mannered in his performances. As a result, it's one of those movies that is fascinating to watch, even if it doesn't work. With Cecil Cunningham, Cnstance Moore, William Lundigan, Samuel S. Hinds, and Jonathan Hale.

Walter Huston famously said that he wasn't paid to sell good lines, but to put across bad ones. He often did. So did Warren William. For both of them, putting across bad lines frequently involved overacting. It's a bit difficult to believe WW being overcome by passion of any sort, and especially any aroused by his boring (though gracious) clothes-horse of a wife (Gail Patrick) in "Wives Under Suspicion," the tame and uninspired 1939 remake by James Whale of his more visually striking "Kiss Before the Mirror" made only five years earlier, but, presumably, too risqué to be rereleased after the Motion Picture Production Code began to be enforced.

Frank Morgan switched roles from defense attorney in the first to defendant in this one, and, unfortunately, Gloria Stuart and Walter Pidgeon did not return. The story is mechanical and has coincidences that strain credulity, but Warren William gave it his all. The only interesting touch was the courtroom set with the judge raised to an exaggerated height.

This is a truly original story. Granted, it was done in 1938, but I haven't seen anything quite like it since. That's unusual for Hollywood.

Warren Williams is an obsessed District Attorney who is incapable of any human feeling toward the people he prosecutes. And then a case comes along. A refined, educated, teacher kills his wife in a moment of mad jealousy. Warren has no mercy for him. Coaxes him into a confession with the ultimate goal of executing him.

The gimmick in this story is that, during the trial, he realizes that he is living a parallel life. He has neglected his own wife and come to believe that she is having an affair. After following her to a friends house, he finds himself with a pistol in his hand - a perfect parallel to the case he is trying. It changes his life.

Warren Williams has a tendency to overact, but to hear him bellow in the courtroom, and cackle with glee when he pulls one over on his adversaries, is not to be missed. There is one caution. Is it possible to be too sophisticated? All the other actors are unremarkable, with the exception of Lillian Yarbo who plays the maid. Her lines and expressions are priceless.

If, like me, you long for the days when Hollywood took the time to actually write a coherent script. A time when dialogue really meant something. A time when you second guessed the story and paid attention to the actors - instead of the special effects, take time out for this one. If you can find it.

District Attorney Jim Stowell (Warren William) fears that he is neglecting his wife Lucy Stowell (Gail Patrick) in favor of his work. A case comes in. A man murdered his cheating wife. Jim starts to conflate the case with his own life.

This is a remake of The Kiss Before the Mirror (1933) based on a play. I'm not sure why they remade this so soon after the first movie. I haven't seen the other version. This should feel more cinematic or bigger. Something is falling a bit flat. I would like Lucy to play more into his fears. I still like the concept and Warren Williams. I probably need to see the original.

Warren William stars in this 1938 drama from Universal about a hard driving law and order District Attorney who gets a chance to reflect on his own attitudes and display the quality of mercy as the Bard put it. It's not an easy thing for him to do by any means.

His chance comes when he prosecutes shy and retiring political science professor Ralph Morgan who in a fit of jealous rage shot his unfaithful wife. William gets a confession out of him and goes full blast to give him the electric chair even with high priced defense attorney Samuel S. Hinds working for Morgan.

What brings him to a reassessment of the case and his attitudes is an Othello like episode in his own life. There's no Iago in the film egging William on, but he develops an almost insane jealousy about his wife Gail Patrick and a young neighbor William Lundigan. And unlike Morgan it's all in his own mind.

Some good attention should be paid for Cecil Cunningham as William's girl Friday assistant in his office who lives up to her character name of 'Sharpy' with some very devastating lines. But stealing the film whenever he's on screen is Ralph Morgan. Such a pitiable creature he is you can't conceive of someone like him going to the chair.

The film takes some interesting attitudes, not popular at this time about the death penalty. Wives Under Suspicion is a fine drama and comes highly recommended.