Convict 99

Given the befit of hindsight one of many ironic lines in this film is that "Even in Russia you get a fair trial!"

Probably the slickest of Will Hay's Gainsborough period, combining elements that subsequently served Peter Sellers well in 'Two-Way Stretch' and 'The Wrong Arm of the Law', peddling the reassuring notion that the criminal fraternity were capable of far greater resource than the actual upholders of law and order.

Despite the presence of Moore Marriott - who as Jerry the Mole makes 'stir crazy' a positive understatement - and Graham Moffatt (cutting quite a dash as a prison officer), director Marcel Varnel had at his disposal a much larger cast than previously, including such later Ealing luminaries as Basil Radford (seen too briefly, alas), with Google Withers hard as nails as a fake Russian countess who pays Hays the backhanded compliment of describing him as "as big a liar as I am!", and a rare cameo appearance by stout xylophonist Teddy Brown as a denizen of the underworld answering to the name 'Slim' Charlie.

Although the credits read "Will Hay as Convict 99" that honour actually belongs to Wilfred Walter who plays the definitive scowling malcontent Max Slessor seen at one point wielding a mean blackjack.

This is one of the many Will Hay films that were made in the early 1900's, and in case you didn't know, Will Hay was a true British comic genius. Convict 99 Hay plays a school teacher who is being transferred to another school but due to a mix-up with some names he is mistaken as a prison governor and sent to some tough prison down in Devon. To make it worse when he arrives in a drunk state he is mistaken for a convict. From beginning to end this film is full of laughs. Original British comedy is truly a gem; Will Hay does comedy brilliantly and this film is no exception and as with most of his other films it also stars crazy old Moore Marriott and funny kid Graham Moffatt who add to the laughs as well. The story isn't half bad as well and you love how the characters react to different situations. Don't always turn away from black & white movies, especially the comedies, I'd give Convict 99 a 10 out of 10 any day, pure AWESOMNESS.

When it turns out that "Twist" (Will Hay) is no good as an headmaster he is turfed out and looking for a new job! An administrative mix up sees him appointed the governor a prison, and after another which sees him temporarily behind the bars, he tries to ingratiate himself with the prisoners and, predictably, they run rings round him as he is soon well out of his depth. Will Hay had good comedy timing and together with a decent cast of regulars manages to raise a laugh or two, but the film is way too long and the joke doesn't really sustain it for ninety minutes. That said, though, it is still quite watchable, if only to remind us was made us laugh in the simpler, less cynical days before the second world war.

Whilst the changes Will Hay makes to the prison aren't quite as pink and fluffy as what Paddington achieves in PADDINGTON 2, you can't help drawing comparisons. Both films are warm, silly, funny and uniquely English.

Like the Carry On films, all Will Hay's Gainsborough films including CONVICT 99 essentially have the same plot and characters as all the others. It was however such a brilliant plot with such brilliant familiar characters that they could keep remaking the same picture over and over again and they'd still feel fresh. This one has different writing team to usual and they have created a story that's slightly more sophisticated (not a word often found in a Will Hay review!) from his other pictures.

Obviously it's not as good as OH MR PORTER because that's OH MR PORTER but being from Mr Hay's golden period, this is still one of the best comedies of the 1930s. ASK A POLICEMEN and WINDBAG THE SAILOR are possibly closest in style to PORTER but this very close.

I had ordered the marvelous Oh Mr Porter from my DVD rental firm and was sent Convict 99 by mistake. This is not a patch on Oh Mr Porter; indeed I found it alternately boring and pathetically unfunny. It might have been a hoot in 1938, but it has not worn well. The backchat between Will Hay, Moore Marriott and Graham Moffat, hilarious in Oh Mr Porter, is here irritating and totally unfunny. The story is, of course, completely unbelievable, but that doesn't matter if the situations are comic, or the dialogue amusing. I just thought the whole thing a total waste of time. I'm trying to get Oh Mr Porter to reassure myself how funny Will Hay and his team can be. A complete dud.